Grzegorzewski’s Instrumentarium
Theatre works chiefly through temporal sequences and if Jerzy Grzegorzewski was in his artistic...
Read MorePosted by Malgorzata Dziewulska | 7th Jun 2010 | Directing, Essay, Poland
Theatre works chiefly through temporal sequences and if Jerzy Grzegorzewski was in his artistic...
Read MorePosted by Joanna Wichowska | 31st May 2010 | Directing, Germany, Interview
“Someone decided to combine the luxury of culture with the luxury of remorse and invited me...
Read MorePosted by Adam Wiedemann | 8th May 2010 | News, Playwriting, Poland, Transmedia
I highly respect and admire Schaeffer’s escalation of innovations but it creates the effect...
Read MorePosted by Directed by Annie Dorsen, Steirischer Herbst (Graz), Hebbel am Ufer (Berlin), BIT Teatergarasjen (Bergen), Black Box Teater (Oslo), PS122 COIL Festival (NYC) (2010), USA | 20th May 2000 | IOTF 2020: Extended, Theatre and AI
“Hello Hi There” uses the famous 1970s television debate between the philosopher Michel Foucault and linguist/activist Noam Chomsky as inspiration and material for a dialogue between two custom-designed chatbots: every evening, these computer programs, designed to mimic human conversations, perform a new – as it were, improvised – live text. Annie Dorsen’s remarkable piece asks profound questions about what constitutes performance. Human interaction is given a new dimension in “Hello Hi There” as Dorsen thrillingly explores Foucault comment that debating with Chomsky was “like talking to someone from a different species.” ONE DAY ONLY! MAY 20!
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