“Chenchu Lakshmi”, A Telangana Chindu Yakshaganam Takes Center Stage
Chenchu Lakshmi directed by Srinivas Denchanala and Chindula Shyam was staged on March 23 at...
Read MorePosted by Neeraja Murthy | 8th Apr 2021 | India, Review, Theatre and Politics
Chenchu Lakshmi directed by Srinivas Denchanala and Chindula Shyam was staged on March 23 at...
Read MorePosted by Susan Joe Phillip | 6th Apr 2021 | India, Review
Directed by Amrith Jayan, Baska talks about the struggle to overcome the conditioning of humans by...
Read MoreTheatre Nisha’s first live play after a pandemic-induced hiatus of one year, Arundhati, is based...
Read MorePosted by Dylan McGarry | 5th Apr 2021 | Applied Theatre, News, South Africa
The drug whoonga has plagued South African communities for at least a decade, yet only gained...
Read MorePosted by Michael Schweikardt | 4th Apr 2021 | Devised Theatre, Interview, Transmedia, United States of America
This year, the University of Arizona School of Theatre, Film & Television partnered with The...
Read MorePosted by Alexander Fatouros | 3rd Apr 2021 | London, Management, News, Producing, United Kingdom
Trafalgar Entertainment’s Sir Howard Panter and Dame Rosemary Squire are leading theatre...
Read MorePosted by Trevor Boffone | 2nd Apr 2021 | Essay, Theatre and Dance, United States of America
On March 26, 2021, ultra-famous TikTok star Addison Rae Easterling appeared on The Tonight Show...
Read MorePosted by Katarzyna Kułakowska, Katarzyna Kalinowska, Olga Drygas, Michał Bargielski | 1st Apr 2021 | Applied Theatre, Covid-19, Essay, Poland, Transmedia
For Part 1 and 2 go here. Revolution: A Response to a Systemic Crisis Those theaters of ambulatory...
Read MorePosted by Antonio Hernández Nieto | 31st Mar 2021 | Mexico, Review, Russian Theatre Abroad
The world premiere of Paloma Negra (Black Dove) by Alberto Conejero at the Theatre of the Canal...
Read MorePosted by Katarzyna Kułakowska, Katarzyna Kalinowska, Olga Drygas, Michał Bargielski | 30th Mar 2021 | Applied Theatre, Covid-19, Essay, Poland
For Part 1 go here. Responding to The Crisis of The Individual: Therapy or Conjuring “Let’s stay...
Read MorePosted by Katarzyna Kułakowska, Katarzyna Kalinowska, Olga Drygas, Michał Bargielski | 29th Mar 2021 | Applied Theatre, Covid-19, Essay, Poland
As the Węgajty Theater [1] was launching an appeal for Easter food donations for homeless people...
Read MorePosted by Tonderai Chiyindiko | 29th Mar 2021 | Review, South Africa
Xova, the predominantly isiXhosa-language production which has just finished a sold-out run at the...
Read MorePosted by Clare Cioffero | 28th Mar 2021 | New York, Review, Theatre and Dance, United States of America
Earlier this month, the NY Times published an article entitled “What is a Ballet Body?” that...
Read MorePosted by Tonderai Chiyindiko | 27th Mar 2021 | Musical Theatre, Review, South Africa
Angola Camp 13, the multiple-award winning South African State Theatre production would not have...
Read MorePosted by Alexander Nderitu | 26th Mar 2021 | Education, Festivals, Japan, News, Theatre for Young Audiences
The 2020 ASSITEJ World Congress & Performing Arts Festival / MIRAI 2020 is scheduled to take...
Read MorePosted by Clare Cioffero | 25th Mar 2021 | Ireland, Review, Theatre and Age, Theatre and Disability
The thing about UnRavelled is that it’s one of those plays that even a week after seeing it random...
Read MorePosted by Jonathan W. Marshall | 24th Mar 2021 | Australia, Immersive Theatre, Review, Theatre and Decolonization
Review: Galup, by Ian Wilkes and Poppy van Oorde-Grainger, Perth Festival with Same Drum and...
Read MorePosted by Fiona Ramsey | 23rd Mar 2021 | News, South Africa
South Africa’s theatre fraternity has reacted with heartbreak to the announcement that Cape Town’s...
Read MorePosted by Farinaz Kavianifar | 21st Mar 2021 | Directing, Interview, Iran
Giti Theatre Group broke records raising funds for flood victims in Lorestan, Iran with a...
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