“Superhoe” at The Royal Court: Nicôle Lecky’s One-Woman Debut
Titles matter: they send out messages. So, in the current #MeToo climate, isn’t it a bit...
Read MorePosted by Aleks Sierz | 7th Mar 2019 | London, Review, Theatre and Gender, United Kingdom
Titles matter: they send out messages. So, in the current #MeToo climate, isn’t it a bit...
Read MorePosted by Mary Moynihan, Niamh Clowry, and Féilim James | 7th Mar 2019 | Ireland, News, Theatre and Disability
The link between creative expression and positive mental health has been known for quite some time...
Read MorePosted by Jack Wernick | 6th Mar 2019 | News, United States of America
The Players Club was the location of the recent annual Theater for the New City gala titled “Love N’ Courage”.
Read MorePosted by Vivienne Glance | 6th Mar 2019 | Australia, Festivals, Review, Transcultural Collaborations
Review: Kwongkan, Perth Festival 2019 “Kwongkan” means sand in the language of the Nyoongar...
Read MorePosted by Aleks Sierz | 6th Mar 2019 | London, Review, United Kingdom
James Saunders is one of British theatre’s forgotten playwrights. Although he wrote some 70 plays...
Read MorePosted by Abigail Weil | 6th Mar 2019 | New York, Puppetry, Review, Theatre for Young Audiences, Transcultural Collaborations, United States of America
On a recent Sunday afternoon, at the New Victory Theater, timelines collided. The New Vic, founded...
Read MorePosted by Leigh Boucher | 5th Mar 2019 | Australia, Review, Sydney, Theatre and Politics
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
Read MorePosted by Jeremy Stoller | 5th Mar 2019 | Applied Theatre, Interview, United States of America
Playwright Chisa Hutchinson’s Surely Goodness And Mercy follows 12-year-old Tino, an orphan...
Read MorePosted by Fadi Fayad Skeiker | 5th Mar 2019 | Directing, United States of America
After teaching directing for several years, across the globe and at different kinds of...
Read MorePosted by Michael Appler | 5th Mar 2019 | Musical Theatre, New York, Review, United States of America
Fiasco Theater has dared to tempt fate yet again with Merrily, staging a buoyant, light-on-its-feet reimagining that’s stripped the musical of its original clutter, aiming, instead, for the story’s thematic heart.
Read MorePosted by Clement Lee | 4th Mar 2019 | Canada, Festivals, Hong Kong, Review
Theatre as a memory vessel is nothing new to contemporary theatre. There is a reason why types of...
Read MorePosted by Patrick Langston | 4th Mar 2019 | Canada, Festivals, News
Raising Stanley/Life with Tulia Hard to fathom, but there are actually people who aren’t mad about...
Read MorePosted by Wendy Arons | 4th Mar 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
While there are several guns conjured to the imagination in EM Lewis’s one-person play The Gun...
Read MorePosted by Wendy Arons | 4th Mar 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Unless you are somehow immune to the infectious pleasures of a good drag show, I’m willing to...
Read MorePosted by Vikram Phukan | 4th Mar 2019 | Festivals, News, Worldwide
The nominations for this year’s Mahindra Excellence in Theatre Awards (META) were formally...
Read MorePosted by Diwan Singh Bajeli | 4th Mar 2019 | Festivals, India, Review
Staged at the 20th Bharat Rang Mahotsav, Buxi Jagabandhu showcased the heroic resistance of Odia...
Read MorePosted by Armando Rotondi | 4th Mar 2019 | News, Review, Transcultural Collaborations
It was a great success the first Barcelona Meeting on Independent and Non-Institutionalised...
Read MorePosted by Mayra Ortiz Rodríguez | 3rd Mar 2019 | Argentina, Playwriting, Review
Traditional literary analysis has focused on a tripartite division of genres as if they were...
Read MorePosted by Maria Delgado | 3rd Mar 2019 | Review, Spain
One of the highlights of Lluís Pasqual’s years at the helm of Madrid’s Centro Dramático Nacional...
Read MorePosted by Abhimanyu Acharya and Sheetala Bhat | 2nd Mar 2019 | Canada, Review, Theatre and Disability
Why Not Theatre’s Prince Hamlet, adapted and directed by Ravi Jain, is a performative exploration of the relationship between aesthetics and disability. Prince Hamlet is a gender-bent, bilingual play which uses English and American Sign Language (ASL).
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