Day: March 9, 2019

Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi

Posted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview

Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...

Read More

French Playwright Florian Zeller’s “The Son” at The Kiln Theatre

Posted by Aleks Sierz | 9th Mar 2019 | France, London, Review, United Kingdom

Well, you have to hand it to French playwright Florian Zeller — he’s certainly cracked the problem...

Read More

Who’s His Daddy?: Jeremy Harris’ “Daddy” at Signature Theatre Center

Posted by Jonathan Kalb | 9th Mar 2019 | LGBTQ+ Theatre, New York, Review, United States of America

The English author Samuel Butler once quipped grimly that the death of a father was “a new lease...

Read More

“Mary, Queen Of Scots” Is Newly Relevant In The Age Of #MeToo

Posted by Rosalind Smith | 9th Mar 2019 | Australia, Essay, Sydney, Theatre and Gender

The dramatic life of Mary Stuart, Queen of Scots is a hot topic in popular culture. Josie Rourke’s...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026
On Fire: Luciana Acuña’s “Bailarinas Incendiadas”… by Maria Delgado 29th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026

Recent Posts

Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026
Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb 14th April 2026
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm 14th April 2026
Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
Big Fatuous Giant 10th April 2026
Dog-Gone 9th April 2026
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest