solo performance Archives - The Theatre Times

Alberto Conejero’s “En Mitad de Tanto Fuego” (In the Midst of So Much Fire): Addressing the Gaps from the Margins

Posted by Maria Delgado | 15th Feb 2024 | Review, Spain

Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...

Timelier Every Day: Kazimierska’s “Katie’s Tales”

Posted by Rhiannon Ling | 12th Dec 2023 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America, Worldwide

“I do not know how to write,” Agnieszka Kazimierska’s Katie tells her audience. At this...

Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”

Posted by Yizhou Zhang | 5th Jul 2022 | China, LGBTQ+ Theatre, London, Review, Theatre and Disability, United Kingdom

As London celebratess the 50th anniversary of the Pride Parade on July 2, I’m reminded of the only...

Cold Refreshing Identity: “Take d Milk, Nah?” A Bold and Necessary Success at the National Arts Centre

Posted by Aisling Murphy | 5th Feb 2020 | Canada, Collaborating Across Cultures, India

The National Arts Centre’s website calls Jivesh Parasram’s Take d Milk, Nah? a “highly-hyphenated...

Together As One: New Zealand’s First Festival of Solo Performance

Posted by David O'Donnell | 22nd Nov 2019 | Festivals, New Zealand, Review

TAHI Fess’s: New Zealand Festival of Solo Performance, Artistic Director: Sally Richards....

Edinburgh Fringe 2019: Solo Performances

Posted by Mert Dilek | 6th Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom

Stalkers, heroes, and cult leaders. Depression, maternity, and citizenship. Edinburgh Festival...

“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate

Posted by Lungile Sojini | 7th Aug 2019 | Adaptation, Review, South Africa

It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...

Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora

Posted by Eylül Fidan Akıncı | 2nd Jun 2019 | Belgium, Review, Theatre and Politics

I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...

“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad

Posted by Eylül Fidan Akıncı | 1st Jun 2019 | Belgium, Review, Transmedia

I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...

José Sacristán Brings Miguel Delibes Back To The Spanish Stage

Posted by Maria Delgado | 25th Apr 2019 | Review, Spain

Miguel Delibes wrote his novella Señora de rojo sobre fondo gris (English title Woman In Red...

Thinking Out Loud

Posted by Jasper Delbecke and Sébastien Hendrickx | 18th Jan 2019 | Essay, South Korea, Transmedia

Essayisting Figures On Stage The influence of the essay as a means of expression has long reached...

“Wet: A DACAmented Journey”: Living As An Undocumented Immigrant

Posted by Jane Baldwin | 11th Dec 2018 | Boston, Review, Theatre and Politics, United States of America

Alex Alpharaoh has brought WET: A DACAmented Journey, his moving, comic, and political one-man...

“Muhnochini”: Wrestling With Feminine Forces

Posted by Vikram Phukan | 25th Nov 2018 | Devised Theatre, India, Review, Theatre and Gender

The quiet drone of a tanpura marks the meditative beginnings of a new solo performance that opened...

Going To War And Making Revolution At The Bâtard Festival

Posted by Rathsaran Sireekan | 17th Nov 2018 | Belgium, Festivals, Review, Theatre and Politics

Cezary Goes To War by Cezary Tomaszewksi and Tell Me About The Revolution by Farbod Fathinejadfard...

The Amateur’s Age Of Unriddling: “Finnegans Wake” On Stage

Posted by Gabrielle Carey | 9th Mar 2015 | Adaptation, Australia, News

Seventy-five years after publication, James Joyce’s Finnegans Wake may finally be starting to make...

Tag: solo performance

Alberto Conejero’s “En Mitad de Tanto Fuego” (In the Midst of So Much Fire): Addressing the Gaps from the Margins

Timelier Every Day: Kazimierska’s “Katie’s Tales”

Welcome to the Slug Parade: Representation of Asexuality and Autism in “The Slug Show”

Cold Refreshing Identity: “Take d Milk, Nah?” A Bold and Necessary Success at the National Arts Centre

Together As One: New Zealand’s First Festival of Solo Performance

Edinburgh Fringe 2019: Solo Performances

“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate

Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora

José Sacristán Brings Miguel Delibes Back To The Spanish Stage

Thinking Out Loud

“Wet: A DACAmented Journey”: Living As An Undocumented Immigrant

“Muhnochini”: Wrestling With Feminine Forces

Going To War And Making Revolution At The Bâtard Festival

The Amateur’s Age Of Unriddling: “Finnegans Wake” On Stage

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