The Play That Never Sleeps: “Macbeth” In China
As we neared the elevator doors, a woman dressed in a beautiful 1930s-era gown directed us to keep...
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Review
Betraying Kane, the Musical: “4.48 Psychosis” Venables’ Operatic Version
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
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Kevin Elyot’s “Coming Clean” At The Trafalgar Studios
Long before Mark Ravenhill’s Shopping And Fucking, or Jonathan Harvey’s Beautiful Thing, Kevin...
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Touch Me In Duh Righteous: A Fubu “Slave Play” Review
An audience-sized mirror, a small wooden table with a bowl of fruit, and the lyrics to Rihanna’s...
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“Crime In Maadi”: A Notable Revival Of Commercial Theatre In Egypt
Directed by the famous comedy actor Ashraf Abdel-Baky, Crime In Maadi play surpasses any revival...
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Welcome To “The Jungle” at St. Ann’s Warehouse
“Immersive theater” is a gimmicky term that can be just an indiscriminate pitch nowadays for any...
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“Orpheus” at The Battersea Arts Centre
Superlative. It might seem odd that it is this show, a retelling of a Greek myth, and not a piece...
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“The Hindu” Notes On 2018 Indian Musicals
If broadsheets and banners are to be taken into account, this has been another fertile year for...
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A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
Zapiski Z Wygnania [Notes from Exile] directed by Magda Umer. Presented at Narodowy Stary...
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A Review of “We Are Leaving” from the 2018 Boska Komedia Festival: An Epic in the Mundane
Wyjeżdżamy [We are Leaving], directed by Krzysztof Warlikowski. Presented at Teatr Łaźnia...
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A Review of “Under the Influence” from the 2018 Boska Komedia Festival: Splitting the Mind and Splitting the Stage
Pod presją [Under the Influence], directed by Maja Kleczewska. Presented at Teatr Ludowy, ICE...
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A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre
Hańba [Disgrace] directed by Marcin Wierzchowski. Presented at Teatr Ludowy—Scena Stolarnia for...
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A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”
Konformista 2029 [Conformist 2029], directed by Bartosz Szydłowski. Presented at Teatr Łaźnia...
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“Hole” at The Royal Court
Dates: November 28-January 12 Writer: Ellie Kendrick Directors: Helen Goalen and Abbi...
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“One Jewish Boy” at The Old Red Lion Theatre
There’s a nasty smell in the air. Something rotten. Horrible. I can’t quite put my finger on it....
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Acting Out: Theatre Class Where Students Rehearse For Change
The auditorium buzzes with anticipation. It is opening night for a group of students from the...
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Ellie Kendrick’s “Hole” at The Royal Court
Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...
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The Magic Mountain: Cough Medicine
Emiliia Dementsova reports from Moscow with a review of Konstantin Bogomolov’s The Magic...
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For Whom Technology Tolls
For those of us that are perennially nostalgia bound—even for the sepia-tinted memories of the...
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Foibles Of Upper-Class Philanderers
The irreverent stage persona of Naseeruddin Shah, cocking a snook at societal mores and...
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