Caroline Wake

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Henrietta Baird’s “The Weekend” Proves the Enduring Power of Solo Performance

Posted by Caroline Wake | 24th Feb 2020 | Australia, Festivals, Review

If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...

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“Beware Of Pity” Is Beautiful To Watch, But Clashes With Modern Sensibilities

Posted by Caroline Wake | 11th Feb 2019 | Australia, Festivals, Review, Sydney, Theatre and Disability

Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...

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“Deer Woman” Is A Work Of Immense Power And Artistry

Posted by Caroline Wake | 25th Jan 2019 | Australia, Canada, Festivals, Review, Theatre and Gender

One of the most exhilarating things about Wesley Enoch’s tenure as Artistic Director of the Sydney...

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