Henrietta Baird’s “The Weekend” Proves the Enduring Power of Solo Performance
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
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Caroline Wake
“Beware Of Pity” Is Beautiful To Watch, But Clashes With Modern Sensibilities
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
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“Deer Woman” Is A Work Of Immense Power And Artistry
One of the most exhilarating things about Wesley Enoch’s tenure as Artistic Director of the Sydney...
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