Henrietta Baird’s “The Weekend” Proves the Enduring Power of Solo Performance
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
Read MorePosted by Caroline Wake | 24th Feb 2020 | Australia, Festivals, Review
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
Read MorePosted by Caroline Wake | 11th Feb 2019 | Australia, Festivals, Review, Sydney, Theatre and Disability
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
Read MorePosted by Caroline Wake | 25th Jan 2019 | Australia, Canada, Festivals, Review, Theatre and Gender
One of the most exhilarating things about Wesley Enoch’s tenure as Artistic Director of the Sydney...
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