Betraying Kane, the Musical: “4.48 Psychosis” Venables’ Operatic Version
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
Read More
Review
Kevin Elyot’s “Coming Clean” At The Trafalgar Studios
Long before Mark Ravenhill’s Shopping And Fucking, or Jonathan Harvey’s Beautiful Thing, Kevin...
Read More
Touch Me In Duh Righteous: A Fubu “Slave Play” Review
An audience-sized mirror, a small wooden table with a bowl of fruit, and the lyrics to Rihanna’s...
Read More
“Crime In Maadi”: A Notable Revival Of Commercial Theatre In Egypt
Directed by the famous comedy actor Ashraf Abdel-Baky, Crime In Maadi play surpasses any revival...
Read More
Welcome To “The Jungle” at St. Ann’s Warehouse
“Immersive theater” is a gimmicky term that can be just an indiscriminate pitch nowadays for any...
Read More
“Orpheus” at The Battersea Arts Centre
Superlative. It might seem odd that it is this show, a retelling of a Greek myth, and not a piece...
Read More
“The Hindu” Notes On 2018 Indian Musicals
If broadsheets and banners are to be taken into account, this has been another fertile year for...
Read More
A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
Zapiski Z Wygnania [Notes from Exile] directed by Magda Umer. Presented at Narodowy Stary...
Read More
A Review of “We Are Leaving” from the 2018 Boska Komedia Festival: An Epic in the Mundane
Wyjeżdżamy [We are Leaving], directed by Krzysztof Warlikowski. Presented at Teatr Łaźnia...
Read More
A Review of “Under the Influence” from the 2018 Boska Komedia Festival: Splitting the Mind and Splitting the Stage
Pod presją [Under the Influence], directed by Maja Kleczewska. Presented at Teatr Ludowy, ICE...
Read More
A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre
Hańba [Disgrace] directed by Marcin Wierzchowski. Presented at Teatr Ludowy—Scena Stolarnia for...
Read More
A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”
Konformista 2029 [Conformist 2029], directed by Bartosz Szydłowski. Presented at Teatr Łaźnia...
Read More
“Hole” at The Royal Court
Dates: November 28-January 12 Writer: Ellie Kendrick Directors: Helen Goalen and Abbi...
Read More
“One Jewish Boy” at The Old Red Lion Theatre
There’s a nasty smell in the air. Something rotten. Horrible. I can’t quite put my finger on it....
Read More
Acting Out: Theatre Class Where Students Rehearse For Change
The auditorium buzzes with anticipation. It is opening night for a group of students from the...
Read More
Ellie Kendrick’s “Hole” at The Royal Court
Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...
Read More
The Magic Mountain: Cough Medicine
Emiliia Dementsova reports from Moscow with a review of Konstantin Bogomolov’s The Magic...
Read More
For Whom Technology Tolls
For those of us that are perennially nostalgia bound—even for the sepia-tinted memories of the...
Read More
Foibles Of Upper-Class Philanderers
The irreverent stage persona of Naseeruddin Shah, cocking a snook at societal mores and...
Read More
“The Factory”: Play Explores Murky Nexus Of Western Business And Syrian War
The play is based on the charges against one of France’s biggest companies, Lafarge, and how...
Read MoreLike Us On Facebook
Most Popular Posts
Chess The Musical: About Human Nature, Not Politics.… 20th May 2026 - Christopher Hampton’s “Les Liaisons Dangereuses” at… 8th April 2026
- Waking Up in the Spotlight with “The Unusual… 24th March 2026
- Theatre – Creating Conditions For What Has… 16th May 2026
- “No Man’s Land:” Architecture As Collective… 6th July 2026
- “Translators As The Most Attentive And… 26th June 2026
