“Mr. Half Dwells…” Journeys Through the “Normal” City of Hong Kong in the Most Abnormal Theatrical Display
It is always an excitement to anticipate a show if one sees the name Ming-hang...
Read MorePosted by Clement Lee | 21st Apr 2018 | Design, Hong Kong, Review
It is always an excitement to anticipate a show if one sees the name Ming-hang...
Read MorePosted by Beatriz Cabur | 20th Apr 2018 | Immersive Theatre, London, Participatory Theatre, Review, Transmedia, United Kingdom
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
Read MorePosted by Ling Tang | 19th Apr 2018 | China, Chinese Theatre Abroad, Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
On March 20 2018, VaChina, a London-based Chinese feminist network, staged its first full drama...
Read MorePosted by Aleks Sierz | 17th Apr 2018 | London, Review, United Kingdom
Many years ago, your time at school might even have been some of the happiest days of your...
Read MorePosted by Hayley Malouin | 17th Apr 2018 | Canada, Review, Theatre and Politics
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
Read MorePosted by Daily News Egypt | 17th Apr 2018 | Egypt, Immersive Theatre, Review, Theatre and Dance
People may or may not be familiar with contemporary art, but it involves no damage to the audience...
Read MorePosted by Aleks Sierz | 16th Apr 2018 | London, Review, United Kingdom
Last night, I went to the King’s Head Theatre to see Martin Murphy’s hugely enjoyable Victim, a...
Read MorePosted by Kristin Tomecek | 15th Apr 2018 | Boston, Review, Theatre and Opera
Audiences found themselves amidst fermentation vessels and set dressings alike this past Thursday...
Read MorePosted by Hilary Halba | 14th Apr 2018 | Festivals, Immersive Theatre, New Zealand, Review, Transmedia
An audience assembles on the grassy margins of Prospect Park in Ōtepoti/Dunedin, New Zealand, on a...
Read MorePosted by The Theatre Times | 14th Apr 2018 | Musical Theatre, New York, Review, United States of America
There’s no curtain to create the traditional pomp and circumstance of American theatre. The stage...
Read MorePosted by Joe Szekeres | 13th Apr 2018 | Canada, Review
The Story (From the press release) Two subjects, Corcoran and Filigree, are imprisoned in a human...
Read MorePosted by Alvina Ruprecht | 12th Apr 2018 | Canada, Review
Betroffenheit (consternation, a state of shock, dismay) a co-production by Kidd Pivot Company and...
Read MorePosted by Michael Appler | 12th Apr 2018 | Musical Theatre, New York, Review, United States of America
There is magic in this production, though it is Broadway magic arguably used for ill.
Read MorePosted by Natasha Lomonossoff | 11th Apr 2018 | Canada, Review, Theatre and Dance
Betroffenheit, a creation by renowned Canadian choreographer Crystal Pite and writer Jonathon...
Read MorePosted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom
Every great playwright has to have both an identifiable style and the ability to innovate and...
Read MorePosted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom
Love may well be the strongest four-letter word, but what is the latest news from the front line...
Read MorePosted by Rachel E. Diken | 9th Apr 2018 | Immersive Theatre, New York, Review, United States of America
Wow. In & Of Itself, written and performed by Derek DelGaudio for long runs with numerous...
Read MorePosted by Katrina Holden-Buckley | 8th Apr 2018 | Boston, Review, Theatre and Opera, Theatre and Politics, United States of America
On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...
Read MorePosted by Jonathan Kalb | 7th Apr 2018 | Adaptation, New York, Review, United States of America
Last Monday, about forty minutes into the final preview of Yerma at the Park Avenue Armory—Simon...
Read MorePosted by Song Minsook | 7th Apr 2018 | Musical Theatre, Review, South Korea
I went to the Seoul Donhwamun Traditional Theatre in early November, the night of the first full...
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