Alonzo King Lines Ballet “Sutra” Unites The World
What we grasp from this hypnotic evening presented by the Alonzo King Lines Ballet performing a...
Read MorePosted by Alvina Ruprecht | 5th Dec 2018 | Canada, Review, Theatre and Dance
What we grasp from this hypnotic evening presented by the Alonzo King Lines Ballet performing a...
Read MorePosted by Hannah Skrypnyk | 5th Dec 2018 | Canada, Review, Theatre and Age
In Solo 70, acclaimed dancer and choreographer Paul-André Fortier performs his final piece with...
Read MorePosted by Diwan Singh Bajeli | 5th Dec 2018 | India, Review
Beyond the vibrant costumes and farcical elements, Suresh Anagalli’s Bhagawad Ajjukam is a...
Read MorePosted by Abigail Weil | 5th Dec 2018 | New York, Review, United States of America
Michael Gorman’s latest play Chasing The New White Whale, at La MaMa where he is the Playwright in...
Read MoreFrom an early age, we are taught that right and wrong are two distinct entities, just as easily...
Read MorePosted by Michael Appler | 3rd Dec 2018 | New York, Review, Theatre and Politics, United States of America
Claire, though wrapped in the scrappy, eccentric volatility of experimental theater, is a challenging and provoking playwright, smart and admirably critical—hilarious, too.
Read MorePosted by Duška Radosavljević | 2nd Dec 2018 | London, Review, United Kingdom
Less is more. When it comes to theatre-making, there is hardly a more relevant maxim than this...
Read MorePosted by Megan McCormick | 1st Dec 2018 | Boston, Review, Theatre and Opera, United States of America
It’s a bold move to write an opera about a musical genius: to evoke the style of said great...
Read MorePosted by Abigail Weil | 29th Nov 2018 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
The political mantra “Nothing about us without us” is hard to object to immediately–it makes...
Read MorePosted by Armando Rotondi | 29th Nov 2018 | Review, Spain, Theatre and Disability
Dear Dsylexia–written on purpose with the wrong spelling–is a stunning piece of solo theatre,...
Read MorePosted by Rob Hastings | 28th Nov 2018 | London, Review, United Kingdom
When the lights go out for the interval midway through Hadestown, I’m already making a mental list...
Read MorePosted by Aleks Sierz | 27th Nov 2018 | London, Review, United Kingdom
Because of the #MeToo movement, and the revival of feminist protest, the theme of sisterhood now...
Read MorePosted by Maria Pia Pagani | 27th Nov 2018 | Italy, Review, Romania, Theatre and Opera
In 2018, the Nae Leonard Teatrul Muzical in Galati, Romania, was declared the National Opera...
Read MorePosted by Clement Lee | 26th Nov 2018 | Hong Kong, Review, Theatre and Dance
With a new artistic director leading a traditional art form to the frontier, Hong Kong Ballet...
Read MorePosted by Jane Baldwin | 26th Nov 2018 | Boston, Review, United States of America
The Boston Commonwealth Shakespeare Company began life as a summer program over twenty years ago...
Read MorePosted by Vikram Phukan | 25th Nov 2018 | Devised Theatre, India, Review, Theatre and Gender
The quiet drone of a tanpura marks the meditative beginnings of a new solo performance that opened...
Read MorePosted by Alexander Nderitu | 25th Nov 2018 | Review, Theatre and Gender, United States of America
Josephine Baker tribute shows garner favourable reviews across the world.
Read MorePosted by Abigail Weil | 22nd Nov 2018 | New York, Review, Theatre and Dance, United States of America
In the celebratory cookbook Cake, Maira Kalman writes: “When we lived in Rome we had a party...
Read MorePosted by Aleks Sierz | 22nd Nov 2018 | London, Review, United Kingdom
Plays about old age are also often plays about death. This is certainly true of American novelist...
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