Romy König

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Sasha Waltz: The Opera Choreographer

Posted by Romy König | 11th Jun 2019 | Germany, News, Theatre and Dance, Theatre and Opera

Choreographer Sasha Waltz has added a chapter to the history of dance with choreographic opera. It...

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Staging the Political

Posted by Romy König | 10th Jun 2019 | Germany, News, Theatre and Politics

With its three transformable stages, the “Schaubühne at Lehniner Platz” is the largest theatre in...

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Interview With Sasha Marianna Salzmann: The Playwright

Posted by Romy König | 22nd May 2019 | Germany, Interview, Playwriting

When asked about her background, she tends to respond, “I come from the theatre:” playwright and...

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Yael Bartana: The Visual Activist

Posted by Romy König | 21st Apr 2019 | Israel, News

Video artist Yael Bartana blurs the boundaries between fact and fiction: her pieces are powerful...

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Cultural Education: “We Do Not Dispense School Knowledge”

Posted by Romy König | 15th Feb 2019 | Education, Germany, Interview, Theatre for Young Audiences

“Politik im Freien Theater” is a free theatre festival where youngsters address...

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She She Pop: Politely But Firmly To The Boundary Of Shame

Posted by Romy König | 9th Dec 2018 | Germany, Immersive Theatre, Review, Theatre and Politics

For a second, the man stares aghast. His son is on stage talking about some very personal things,...

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Most Popular Posts

Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022
The House Where Phantom Lived—Part I: The Majestic… by Lisa Monde 17th February 2023
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” by Rhiannon Ling 30th May 2023
Drag Queens in Musical Theatre by Lisa Monde 8th May 2023
Theater, A Major Job Sector by Heather Waters 2nd April 2023
“Al Capone the musical” à la Francaise by Lisa Monde 31st January 2023
The House Where Phantom Lived. Part II – Her… by Lisa Monde 31st March 2023
The Theatre We Want In 2040? We Used… by Christine Brubaker, Taiwo Afolabi, Yvette Nolan, Jessica Thornton, And Heather Russek 28th April 2023
“The Arabian Nights” in Taiwan: Deserted… by Kuan-Ting Lin 12th May 2023
“Geometry of the Soul”, “Frozen Songs” and “Clowns’… by Emilija Kvočka 31st May 2023

Recent Posts

“Geometry of the Soul”, “Frozen Songs” and “Clowns’ Houses” at Novi Sad Theatre Festival 31st May 2023
Bombastic Intimacies: Sophie McIntosh’s “cityscrape” 30th May 2023
Robert Patrick, Playwright, Has Passed Away 19th May 2023
“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream 12th May 2023
Drag Queens in Musical Theatre 8th May 2023
“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre 3rd May 2023
Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking 1st May 2023
“Young Barbarians”: Non-serious Seriousness and Hungarian Drive 1st May 2023
Sydney Theater Company’s “Julia” Powerfully Imagines the Life and Emotions of the Woman Behind the “Misogyny Speech” 29th April 2023
“Sea Creatures,” Hampstead Theatre 28th April 2023

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