“The Tempest” At The Pittsburgh Public Theater In Pittsburgh, PA, USA
A couple of decades ago my then-colleague Jan Hagens introduced me to a genre categorization that...
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Review
Truth And “True West”
Sam Shepard’s True West has always been a magnet for celebrity hamming, particularly in the role...
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Decoding The Music Masterpieces: Alban Berg’s “Wozzeck,” An Apocalyptic Descent Into Madness
Alban Berg’s Wozzeck is arguably the most important opera composed in the first half of the 20th...
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Two Bold Shows by Women of Color at Mabou Mines
When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...
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Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America
An updated version of Othello now playing at the American Repertory Theatre in Cambridge...
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“One Infinity” Explores Tension and Connection Between China and the West
In an age of growing mistrust, the Chinese-Australian artistic collaboration One...
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“Frankenstein” In The Age Of Artificial Intelligence
A futuristic freezing laboratory where naked human avatars hang for research purposes. Doctor...
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A New Eliza: Bedlam’s “Pygmalion” At The Central Square Theatre
After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...
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China, Liberia, America: A Suite Of Women’s Stories
In an intimate performance space in New York’s East Village, a quietly consequential experiment is...
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“Welcome To The U.K.” at The Bunker Theatre: Satire on Obstacles Facing Refugees
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
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“Ms. Smith Goes To Washington”-The Fountain Theatre At Los Angeles City Hall
On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique...
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Walking Alongside “Bitten: Return To Our Roots”
Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...
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“Lungs” A Piece Of Stripped Down Theatre With A Fully Packed Message
What do you do when you’re rehearsing a show that has no set, no props, no costume changes, and no...
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Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
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Tarell Alvin McCraney’s “Choir Boy,” Fearless and Faithful, Makes Radiant Broadway Debut
“Choir Boy” is itself a spiritual whose song, sung triumphantly by the bountiful talent of its leading star, Jeremy Pope, rises from its stage with the same faith and fearlessness of a prayer sung only for the stars.
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“Small Mouth Sounds” And Not Much Dialogue Either
Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...
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Creating a Space for Repeating a Domestic Nightmare: A Note on the Performance of “You Were Occupied with Your Dying”
The privatization of theatre in Iran has compelled many theatre directors and producers to become...
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Gilded in Glitter, How Much Jukebox Inferno Can “The Cher Show” Take?
Cher, the Academy, Grammy and Emmy Award winning superstar, could never be contained in a Broadway...
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The Inner Monster Of Steve Jobs Comes Alive On An Iranian Stage With Mehrān Ranjbar’s Tale
Written, directed, and played by Mehrān Ranjbar, Steve Jobs was staged from October 18 to December...
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“Hercules” At Abrons Arts Center
The historic Abrons Arts Center on New York’s Lower East Side is the setting of a dynamic...
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