REVIEW: Patron Saints And Picking Grapes In “Our Lady Of Delicias”
Hayley Malouin reviews Essential Collective Theatre’s world premiere of Our Lady Of Delicias:...
Read MorePosted by Hayley Malouin | 20th Jun 2018 | Canada, Review
Hayley Malouin reviews Essential Collective Theatre’s world premiere of Our Lady Of Delicias:...
Read MorePosted by Hayley Malouin | 14th May 2018 | Canada, Review
Toronto, Ontario alt.theatre web editor Hayley Malouin reviews the world premiere of Kat...
Read MorePosted by Hayley Malouin | 7th May 2018 | Festivals, Hong Kong, Review
Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no. 3): For Three Visibly Chinese...
Read MorePosted by Hayley Malouin | 17th Apr 2018 | Canada, Review, Theatre and Politics
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
Read MorePosted by Hayley Malouin | 30th Mar 2018 | Canada, Interview, Playwriting
Alt.theatre web editor Hayley Malouin interviews playwright Hannah Moscovitch about female...
Read MorePosted by Hayley Malouin | 21st Nov 2017 | Canada, Review, Theatre and Art, Theatre and Gender, Theatre and Politics
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Oldenburg’s Production Of “Mephisto” Continues And… by Daniel Meyer-Dinkgräfe 25th June 2026