Review Archives - Page 89 of 143

“Churning Waters”—Muffled Voices Flow

Posted by Gowri S | 11th Feb 2019 | India, Review, Theatre and Dance

A white, feathered string in hand, Sylvia Nulpinditj begins to explain each action in the...

“The Tempest” At The Pittsburgh Public Theater In Pittsburgh, PA, USA

Posted by Wendy Arons | 11th Feb 2019 | Adaptation, Pittsburgh, Review, The Pittsburgh Tatler, United States of America

A couple of decades ago my then-colleague Jan Hagens introduced me to a genre categorization that...

Truth And “True West”

Posted by Jonathan Kalb | 10th Feb 2019 | New York, Review, United States of America

Sam Shepard’s True West has always been a magnet for celebrity hamming, particularly in the role...

Decoding The Music Masterpieces: Alban Berg’s “Wozzeck,” An Apocalyptic Descent Into Madness

Posted by Michael Ewans | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Opera

Alban Berg’s Wozzeck is arguably the most important opera composed in the first half of the 20th...

Two Bold Shows by Women of Color at Mabou Mines

Posted by Abigail Weil | 9th Feb 2019 | Festivals, New York, Review, Theatre and Gender, United States of America

When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...

Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America

Posted by Jane Baldwin | 9th Feb 2019 | Boston, Review, Theatre and Politics, United States of America

An updated version of Othello now playing at the American Repertory Theatre in Cambridge...

“One Infinity” Explores Tension and Connection Between China and the West

Posted by Kiu-wai Chu | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Dance

In an age of growing mistrust, the Chinese-Australian artistic collaboration One...

“Frankenstein” In The Age Of Artificial Intelligence

Posted by Zainabu Jallo | 8th Feb 2019 | Review, Switzerland, Theatre and AI, Theatre and Science, Transmedia

A futuristic freezing laboratory where naked human avatars hang for research purposes. Doctor...

A New Eliza: Bedlam’s “Pygmalion” At The Central Square Theatre

Posted by Matthew McMahan | 8th Feb 2019 | Boston, Review, United States of America

After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...

China, Liberia, America: A Suite Of Women’s Stories

Posted by Abigail Weil | 7th Feb 2019 | Festivals, New York, Review, Theatre and Film, Theatre and Gender, United States of America

In an intimate performance space in New York’s East Village, a quietly consequential experiment is...

“Welcome To The U.K.” at The Bunker Theatre: Satire on Obstacles Facing Refugees

Posted by Aleks Sierz | 6th Feb 2019 | London, Review, Theatre and Politics, United Kingdom

Refugees have an image problem—and it’s getting worse. But the widespread anger that their...

“Ms. Smith Goes To Washington”-The Fountain Theatre At Los Angeles City Hall

Posted by Christine Deitner | 6th Feb 2019 | Los Angeles, Review, Theatre and Politics, United States of America

On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique...

Walking Alongside “Bitten: Return To Our Roots”

Posted by Teo Xiao Ting | 5th Feb 2019 | Documentary Theatre, Immersive Theatre, Review, Singapore

Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...

“Lungs” A Piece Of Stripped Down Theatre With A Fully Packed Message

Posted by Patrick Langston | 5th Feb 2019 | Canada, Review, Theatre and Science

What do you do when you’re rehearsing a show that has no set, no props, no costume changes, and no...

Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company

Posted by Matthew McMahan | 4th Feb 2019 | Boston, Review, Theatre and Gender, United States of America

After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...

Tarell Alvin McCraney’s “Choir Boy,” Fearless and Faithful, Makes Radiant Broadway Debut

Posted by Michael Appler | 4th Feb 2019 | LGBTQ+ Theatre, New York, Review, United States of America

“Choir Boy” is itself a spiritual whose song, sung triumphantly by the bountiful talent of its leading star, Jeremy Pope, rises from its stage with the same faith and fearlessness of a prayer sung only for the stars.

“Small Mouth Sounds” And Not Much Dialogue Either

Posted by Jane Baldwin | 3rd Feb 2019 | Boston, Review, United States of America

Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...

Creating a Space for Repeating a Domestic Nightmare: A Note on the Performance of “You Were Occupied with Your Dying”

Posted by Rasoul Nazarzādeh | 3rd Feb 2019 | Iran, Review, Theatre and Gender

The privatization of theatre in Iran has compelled many theatre directors and producers to become...

Gilded in Glitter, How Much Jukebox Inferno Can “The Cher Show” Take?

Posted by Michael Appler | 2nd Feb 2019 | Musical Theatre, New York, Review, United States of America

Cher, the Academy, Grammy and Emmy Award winning superstar, could never be contained in a Broadway...

The Inner Monster Of Steve Jobs Comes Alive On An Iranian Stage With Mehrān Ranjbar’s Tale

Posted by Somayeh Khani | 1st Feb 2019 | Iran, Review

Written, directed, and played by Mehrān Ranjbar, Steve Jobs was staged from October 18 to December...

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Review

“Churning Waters”—Muffled Voices Flow

“The Tempest” At The Pittsburgh Public Theater In Pittsburgh, PA, USA

Truth And “True West”

Decoding The Music Masterpieces: Alban Berg’s “Wozzeck,” An Apocalyptic Descent Into Madness

Two Bold Shows by Women of Color at Mabou Mines

Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America

“One Infinity” Explores Tension and Connection Between China and the West

“Frankenstein” In The Age Of Artificial Intelligence

A New Eliza: Bedlam’s “Pygmalion” At The Central Square Theatre

China, Liberia, America: A Suite Of Women’s Stories

“Welcome To The U.K.” at The Bunker Theatre: Satire on Obstacles Facing Refugees

“Ms. Smith Goes To Washington”-The Fountain Theatre At Los Angeles City Hall

Walking Alongside “Bitten: Return To Our Roots”

“Lungs” A Piece Of Stripped Down Theatre With A Fully Packed Message

Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company

Tarell Alvin McCraney’s “Choir Boy,” Fearless and Faithful, Makes Radiant Broadway Debut

“Small Mouth Sounds” And Not Much Dialogue Either

Creating a Space for Repeating a Domestic Nightmare: A Note on the Performance of “You Were Occupied with Your Dying”

Gilded in Glitter, How Much Jukebox Inferno Can “The Cher Show” Take?

The Inner Monster Of Steve Jobs Comes Alive On An Iranian Stage With Mehrān Ranjbar’s Tale

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