Review Archives - Page 100 of 143

How “Possessed” Is The Audience?

Posted by Katerina Leoudi | 14th Sep 2018 | Adaptation, Greece, Review

What is expected from theatrical adaptations of literature? Why have they become so popular...

Review: “The Rocky Horror Show” At The Stratford Festival

Posted by Joe Szekeres | 12th Sep 2018 | Canada, Festivals, LGBTQ+ Theatre, Review

Initially, I wasn’t too sure if I really wanted to see Rocky Horror again as I felt I had seen it...

Review: “Julius Caesar” At The Stratford Festival

Posted by Joe Szekeres | 12th Sep 2018 | Canada, Festivals, Review, Theatre and Gender

The world of political machinations took a precarious turn of events at the opening night...

“Blackthorn,” Edinburgh Fringe–Review: “Like One Day Set In A Yorkshire Farming Community”

Posted by Emily Jupp | 12th Sep 2018 | Festivals, Review, United Kingdom

Charley Miles’s brilliant debut play is as interwoven as the thorny bush of its title Blackthorn...

Review: “Napoli Milionaria!” At The Stratford Festival

Posted by Joe Szekeres | 11th Sep 2018 | Canada, Festivals, Review

There’s a lot happening in Napoli Milionaria! and I found it beneficial to read as much of the...

Review: “Sisters” At Soulpepper Theatre

Posted by Joe Szekeres | 10th Sep 2018 | Adaptation, Canada, Review

Nicole Power (who plays Evelina) writes in her Soulpepper Artist Program Note that she is grateful...

Young Work At TAZ #2018: Alice Bogaerts And Ingrid Berger Myhre

Posted by Rathsaran Sireekan | 9th Sep 2018 | Adaptation, Belgium, Festivals, Review

At their first encounter with director Alice Bogaerts’s and dramaturg Marleen Ilg’s stage...

Toto Too’s “Cloudburst” Is Rich In Truth And Humanity

Posted by Jamie Portman | 8th Sep 2018 | Canada, Review, Theatre and Age

Cloudburst, Toto Too Theatre’s latest offering is a funny, profane, warm-hearted play about the...

Oladipo Agboluaje’s “New Nigerians” At The Arcola Theatre

Posted by Aleks Sierz | 6th Sep 2018 | London, Review, Theatre and Politics, United Kingdom

With Prime Minister Theresa May visiting Nigeria last week, trying to stump up some post-Brexit...

“The Tempest” At The Stratford Festival

Posted by Joe Szekeres | 6th Sep 2018 | Canada, Festivals, Review

Purported to be the last play the Bard had written alone, Stratford’s version of The...

The Most Unusual Comedy Shows At The Edinburgh Fringe 2018

Posted by Alice Jones | 4th Sep 2018 | Festivals, Review, United Kingdom

From shows you control with your phone to tap-dancing economics lessons, these comedians do things...

Aiming The Guts

Posted by Fanni Nánay | 30th Aug 2018 | Belgium, Review, Transmedia

It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is...

“Angry Alan” – Edinburgh Fringe Review: An Open Examination Of The Men’s Rights Movement

Posted by Emily Jupp | 27th Aug 2018 | Festivals, Playwriting, Review, Theatre and Gender, United Kingdom

Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...

Nine Years Theatre’s “Pissed Julie 茱莉小解”: Third Wheelings

Posted by Daniel Teo | 25th Aug 2018 | Adaptation, Review, Singapore

In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...

“Jayde Adams” at Edinburgh Fringe, Review: A Rafter-Rattling Hour From The Bristolian Diva

Posted by Alice Jones | 25th Aug 2018 | Festivals, Review, United Kingdom

Jayde Adams Pleasance Courtyard, Edinburgh ★★★ Jayde Adams is playing the Edinburgh Fringe in a...

“Status” by The Summerhall: “It’s Not Another Brexit Show,”

Posted by Duška Radosavljević | 25th Aug 2018 | Festivals, Review, Theatre and Politics, United Kingdom

“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...

Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration

Posted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom

As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...

Denim And Revolution: Belarus Free Theatre’s “Generation Jeans” Resonates

Posted by Sandra D'urso | 22nd Aug 2018 | Belarus, Review, Theatre and Politics

Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...

Jon Harvey, Edinburgh, Review: The Most Surprising Show Of The Fringe

Posted by Alice Jones | 21st Aug 2018 | Festivals, Review, United Kingdom

Jon Harvey Assembly George Square Theatre ★★★★ In a stuffy Portakabin tucked around the back of...

“Silk Road (How To Buy Drugs Online”) at The Trafalgar Studios

Posted by Aleks Sierz | 21st Aug 2018 | London, Playwriting, Review, United Kingdom

The Dark Web has an intriguing sound about it. Like something out of JRR Tolkien or JK Rowling, it...

Review

How “Possessed” Is The Audience?

Review: “The Rocky Horror Show” At The Stratford Festival

Review: “Julius Caesar” At The Stratford Festival

“Blackthorn,” Edinburgh Fringe–Review: “Like One Day Set In A Yorkshire Farming Community”

Review: “Napoli Milionaria!” At The Stratford Festival

Review: “Sisters” At Soulpepper Theatre

Young Work At TAZ #2018: Alice Bogaerts And Ingrid Berger Myhre

Toto Too’s “Cloudburst” Is Rich In Truth And Humanity

Oladipo Agboluaje’s “New Nigerians” At The Arcola Theatre

“The Tempest” At The Stratford Festival

The Most Unusual Comedy Shows At The Edinburgh Fringe 2018

Aiming The Guts

“Angry Alan” – Edinburgh Fringe Review: An Open Examination Of The Men’s Rights Movement

Nine Years Theatre’s “Pissed Julie 茱莉小解”: Third Wheelings

“Jayde Adams” at Edinburgh Fringe, Review: A Rafter-Rattling Hour From The Bristolian Diva

“Status” by The Summerhall: “It’s Not Another Brexit Show,”

Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration

Denim And Revolution: Belarus Free Theatre’s “Generation Jeans” Resonates

Jon Harvey, Edinburgh, Review: The Most Surprising Show Of The Fringe

“Silk Road (How To Buy Drugs Online”) at The Trafalgar Studios

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