Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 1
The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...
Read MorePosted by Kee-Yoon Nahm | 20th Jan 2018 | Review, South Korea, Theatre and Politics
The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...
Read MorePosted by Nobuko Tanaka | 20th Jan 2018 | France, Japan, Review, Theatre and Dance
Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...
Read MorePosted by Wes Drummond | 17th Jan 2018 | Chicago, Review, Theatre and Politics
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | Dramaturgy, Review
A man in all-black production attire shoots an audience with a camcorder in an almost...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | India, Review, Theatre and Gender
This week marks five years since the nationwide Nirbhaya protests sparked off in the country, with...
Read MorePosted by Iris Winston | 13th Jan 2018 | Canada, Directing, Review
Social responsibility and time, two of J.B. Priestley’s major preoccupations, are at the center...
Read MorePosted by Kee-Yoon Nahm | 13th Jan 2018 | Review, South Korea, Theatre and Art, Transmedia
In 2007, visual artist Jewyo Rhii and curator Hyunjin Kim held an unusual exhibition titled Ten...
Read MorePosted by Sarah O'Connell | 11th Jan 2018 | Las Vegas, Review, United States of America
What happens in Vegas theatre is too unique to let the story of it stay there anymore. There is...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
Read MorePosted by Chip Crane | 10th Jan 2018 | LGBTQ+ Theatre, Review, Russia, Russian Theatre - Featured
June 12 is Russia Day, a day of patriotic celebration that is the rough equivalent of America’s...
Read MorePosted by Vikram Phukan | 10th Jan 2018 | India, Review
As the year draws to an end, Vikram Phukan lists 14 of his favorite performances from the stage....
Read MorePosted by Trevor Jones | 10th Jan 2018 | Australia, Musical Theatre, Review
In June this year, the annual Helpmann Award Nominations sparked concern that original Australian...
Read MorePosted by Ossama Lotfy Fateem | 9th Jan 2018 | Acting, Egypt, Review
Staged by the Actor’s Studio, an initiative housed by the Creativity Centre, Surrender is a...
Read MorePosted by Molly T. Blasing | 9th Jan 2018 | Playwriting, Review, Russia, Russian Theatre - Featured, Theatre and Politics
Akhmatova. Poema Bez Geroia (Akhmatova. Poem Without A Hero) has been nominated for a 2017 Golden...
Read MorePosted by Rajka Stefanovska | 8th Jan 2018 | Adaptation, Books, Review, United States of America
Basket Of Deplorables By Tom Rachman at Gladstone Theatre. If the definition of satire is: “the...
Read MorePosted by Nobuko Tanaka | 7th Jan 2018 | Japan, Review
While 2017 featured many great stage productions and performances, these were among the standouts:...
Read MorePosted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom
History is a good place to talk about our contemporary concerns. And British theatre loves plays...
Read MorePosted by Massimo Malavasi | 7th Jan 2018 | Italy, Review, Theatre and Opera
If you perform Puccini, and Tosca even more, you’re sure of success. The Theatre Comunale di...
Read MorePosted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
Read MorePosted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
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