“Scarlet & Gold” Chronicles Labor Movement in New Zealand
Timely, relevant, engaging, entertaining and thought-provoking “You wonder if it’ll ever change,...
Read MorePosted by John Smythe | 30th Nov 2016 | New Zealand, Review, Theatre and Politics
Timely, relevant, engaging, entertaining and thought-provoking “You wonder if it’ll ever change,...
Read MorePosted by Rachel E. Diken | 29th Nov 2016 | New York, Review, Theatre and Politics, United States of America
Helluva Theatre Company—newly formed under the mission to produce plays from the traditional canon...
Read MorePosted by Walter Byongsok Chon | 29th Nov 2016 | Immersive Theatre, Review, South Korea
Immersive theatre meets Korea’s Daehangno cultural center in Roadtheater: Daehangno, directed by...
Read MorePosted by Maria Sikitano | 28th Nov 2016 | Greece, Review
“I was Hamlet. I stood on the coast and spoke with the surf BLABLA at my back the ruins of Europe”...
Read MorePosted by Baharak Sahami | 27th Nov 2016 | Iran, Review
The Play Based on The Duchess of Malfi can be regarded as outstanding among tens of performances...
Read MorePosted by Lauren Dubowski | 27th Nov 2016 | Adaptation, Essay, Festivals, Immersive Theatre, Poland, Review
It is noteworthy that the custom of banqueting the dead seems to be common to all pagan peoples,...
Read MorePosted by Jonathan Kalb | 26th Nov 2016 | New York, Review, United States of America
The Encounter, Simon McBurney’s two-hour intermissionless solo show on Broadway, which many...
Read MorePosted by Jonathan Kalb | 25th Nov 2016 | New York, Review, United States of America
Although the PR images of leaping, lunging and levitating female soccer players seem to promise...
Read MorePosted by Marié-Heleen Coetzee | 23rd Nov 2016 | Immersive Theatre, Review, South Africa
I enter a suburban house in Capitol Park, Pretoria. A suburban house with a dog. Sculptures in the...
Read MorePosted by Morven Cook | 22nd Nov 2016 | Musical Theatre, Review, Theatre and Disability, United Kingdom
Earlier this month, Colorado voters approved a ballot that made it the fifth state to legalize...
Read MorePosted by Aida Rocci | 19th Nov 2016 | London, Review, United Kingdom
J. B. Priestley’s most famous play An Inspector Calls has had quite an interesting life. Written...
Read MorePosted by Julia Secklehner | 18th Nov 2016 | Bulgaria, Review
“Close your eyes, we are traveling to Sofia now,” we’re told as we stand outside GRAD,...
Read MorePosted by Matthew Burgess | 14th Nov 2016 | London, Review, Theatre and Dance, United Kingdom
The Royal Opera House’s production of the real-life mystery of Anastasia comes to a close today....
Read MorePosted by James Butterwick | 13th Nov 2016 | Review, Russia, Theatre and Opera
Olfactory perception – Shostakovich conkers? Whilst I am in the moron category regarding love of...
Read MorePosted by Carrie Mannino | 12th Nov 2016 | Review, Theatre and Politics, United States of America
Analogy/Dora: Tramontane, Oct. 20-21, 2016, August Wilson Center, Pittsburgh Sixty years after the...
Read MorePosted by John Smythe | 7th Nov 2016 | Devised Theatre, New Zealand, Review
Adapted by The Playground Collective From the graphic novel by Nick Hayes Based on the epic poem...
Read MorePosted by Jonathan Kalb | 6th Nov 2016 | New York, Poland, Polish Theatre Abroad, Review, United States of America
It’s hard to think of a play more diabolically suited to the era of reality TV, vanished privacy...
Read MorePosted by Kee-Yoon Nahm | 2nd Nov 2016 | Germany, Review, South Korea, Theatre and Politics, Transcultural Collaborations
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
Read MorePosted by John Smythe | 1st Nov 2016 | New Zealand, Review, Theatre and Politics
Unnervingly astute political satire When The President opened in Hamilton then Palmerston North...
Read MorePosted by Diwan Singh Bajeli | 31st Oct 2016 | India, Review
Recipient of this year’s Sangeet Natak Akademi’s Award for theatre, director Mushtaq Kak’s...
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