London’s Youngest Playwright Re-Animates “The Seagull” In Southwark
Chekhov’s timeless exploration of youth, aging, and the desire for fame sprouts fresh wings in an...
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Review
Escape From Circus: Review Of Mabou Mines’ “Dollhouse”
During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve always...
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Updated “Three Sisters” Opens At London’s Young Vic
Dark comedy and psychological breakdown are never far from the surface in Benedict Andrews’ bleak...
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The 16th Shakespeare Festival in Gdańsk
This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...
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Baryshnikov And Krymov Collaborate For The Ages
For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...
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Artur Żmijewski’s “The White Mass” – On Church and Theatre
Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...
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The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”
Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...
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Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre
“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...
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But Why Are They Indispensable?
In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...
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The End Of The Line: Krystian Lupa’s “Waiting Room.o”
What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...
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If You Were To Do Tadeusz Różewicz’s “The Card Index”…
The National Audiovisual Institute released a new DVD publishing with The Card Index directed by...
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You’re Welcome, Ms. Müller
In the theatrical adaptation of The King Bows And Kills, the authors have chosen the technique of...
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World Premiere: Ousmane Aledji’s “Traumatism”
On October 27, 28 & 29, 2010 at 8pm AfricAvenir presented the world premiere of the theatre...
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