New York Archives - Page 19 of 26

New Musical “Pedro Pan” Speaks to the Plight of Immigrant Children

Posted by Trevor Boffone | 22nd Jun 2018 | Festivals, Musical Theatre, New York, News, Theatre for Young Audiences, United States of America

When one thinks of Latinx narratives within the landscape of musical theatre, West Side Story,...

Make Rome Great Again. A Revival Of Duerrenmatt’s “Romulus The Great” In New York

Posted by Donald Brown | 22nd Jun 2018 | New York, Review, Theatre and Politics, Translation, United States of America

Review of Romulus the Great, Yangtze Repertory Theatre The Roman empire is under threat and is...

“Exquisita Agonía” At Repertorio Español

Posted by Jack Wernick | 16th Jun 2018 | New York, Review, United States of America

Repertorio Español, New York’s preeminent venue for Spanish language theatre, continues its 50th...

Vanyamachine: Mallory Catlett’s “This Was The End”

Posted by Jessica Rizzo | 15th Jun 2018 | New York, Review, Russian Theatre Abroad, Transmedia, United States of America

An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...

When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano

Posted by Trevor Boffone | 2nd Jun 2018 | Interview, New York, Playwriting, United States of America

New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...

“Kurski Station” at the East Village Playhouse

Posted by Jack Wernick | 31st May 2018 | New York, Review, United States of America

The East Village Playhouse, a recently created storefront venue in a defunct music shop, is home...

Hook And Eye Theater Presents: “SHE-SHE-SHE”

Posted by The Theatre Times | 31st May 2018 | Devised Theatre, New York, Review, United States of America

In the world of New York theatre, it’s not uncommon to witness thematic ties across mediums and...

Practiced Empathy and Awareness with Atlantic Pacific Theatre

Posted by Marcina Zaccaria | 30th May 2018 | Acting, Applied Theatre, New York, Participatory Theatre, Philippines, Review, Transcultural Collaborations, United States of America

Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...

South Africa’s Richest And Smoothest Jazz

Posted by Janelle Lawrence | 24th May 2018 | New York, Review, South Africa, Theatre and Opera, United States of America

Experiencing any show at Brooklyn Academy of Music is as magical as seeing a show at LTC3, only I...

Finding “Piramo E Tisbe”

Posted by Janelle Lawrence | 19th May 2018 | New York, Review, Theatre and Opera, United States of America

Upon entering the theatre for Piramo E Tisbe, I was intrigued by the setup of the stage and the...

Music At The Anthology

Posted by Janelle Lawrence | 17th May 2018 | Festivals, New York, Review, United States of America

Music At The Anthology, also known as MATA, is in its 22nd year of commissioning and presenting...

“Assembled Identity”: World Premiere

Posted by The Theatre Times | 15th May 2018 | Devised Theatre, New York, Review, Transmedia, United States of America

There is a rather iconic scene in The Devil Wears Prada where Miranda (played by Meryl Streep)...

Bonnie Marranca: “It’s Up To Every New Generation To Create Its Own Institutions, Critical Discourses, And Working Methods.”

Posted by Cristina Modreanu | 14th May 2018 | Interview, New York, Romania, United States of America

Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...

“Summer: The Donna Summer Musical” – Setting The Record Straight

Posted by The Theatre Times | 10th May 2018 | Musical Theatre, New York, Review, United States of America

As we’ve settled into the 21st century, pop-culture vestiges of the 20th century have fallen by...

At Carnegie Hall, Tianqi Du Chases After Bach’s Goldberg Variations

Posted by Kathy Tao | 8th May 2018 | New York, Review, Theatre and Opera, United States of America

In the world of piano, J.S. Bach’s Goldberg Variations is a siren’s call. Countless pianists have...

“SeagullMachine” – The Assembly Mixes Chekhov and Müller

Posted by Heather Waters | 5th May 2018 | Acting, New York, Review, United States of America

The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.