New York Archives - Page 18 of 26

Dianne Wiest’s Winnie In Madison Square Park

Posted by Jonathan Kalb | 30th Oct 2018 | New York, Review, United States of America

Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...

The Modern Woman In “Artemisia’s Intent”

Posted by Marcina Zaccaria | 26th Oct 2018 | New York, Review, Theatre and Art, Theatre and Gender, United States of America

The Anthropologists reach deep into their own doctrine to discover the depth behind the classic...

Oscar Wilde’s “Salome” At Irondale

Posted by Jack Wernick | 25th Oct 2018 | New York, Review, Theatre and Dance, United States of America

M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...

Mark Sonnenblick And “Midnight At The Never Get”

Posted by David Vernon | 19th Oct 2018 | Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America

Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...

A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London

Posted by Lisa Marie Bowler | 17th Oct 2018 | Dance Umbrella 2018, Festivals, London, New York, Review, United Kingdom, United States of America

As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...

Too Close To Home: Stefano Massini’s “Intractable Woman”

Posted by Jonathan Kalb | 7th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America

A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...

“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community

Posted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America

Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...

Rob Roth’s “Soundstage” Fires Up Acoustic Imaginaries

Posted by KaiChieh Tu | 22nd Sep 2018 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America

oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.

“All In A Night” – Forced Entertainment’s Marathon Production

Posted by Jonathan Kalb | 20th Sep 2018 | New York, Review, United Kingdom, United States of America

I lost a night’s sleep recently over Forced Entertainment. I did it on purpose. They were coming...

“Białoszewski/Ginsberg VR” At Performing Garage

Posted by Jack Wernick | 14th Sep 2018 | New York, Poland, Review, Transmedia, United States of America

Soho’s Performing Garage is the setting of a brief engagement from Poland called...

“Skintight” Takes Beauty to Task

Posted by Michael Appler | 5th Aug 2018 | New York, Review, United States of America

Skintight hinges on the human eye’s instinct for voyeurism, on our inevitable desire to take a peek, to stare at something we know we shouldn’t.

“Linger” Brings Dark Subject Matter Into The Light

Posted by Madison Parrotta | 27th Jul 2018 | New York, Review, United States of America

Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...

Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester

Posted by Yan Chen | 19th Jul 2018 | Dramaturgy, Festivals, Interview, Musical Theatre, New York, Theatre and Dance, United States of America

Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...

“One Small Step” At Ice Factory Festival

Posted by Jack Wernick | 13th Jul 2018 | Festivals, New York, Review, United States of America

Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...

“Carmen Jones”: A Classic Reborn

Posted by The Theatre Times | 6th Jul 2018 | Musical Theatre, New York, Review, United States of America

It is then, a refreshing surprise – as New York theatre recovers from the inundation of Broadway super-musicals that were too big to succeed – that Carmen Jones has returned in a razor-sharp 95-minute John Doyle production at the Classic Stage Company.

World Premiere: “Lonesome Blues”

Posted by The Theatre Times | 1st Jul 2018 | Musical Theatre, New York, Review, United States of America

If you travel along the New York City underworld of trains and platforms, you’re likely to see a...

“Teenage Dick”: A Study Of The Stereotypical Villain

Posted by Madison Parrotta | 30th Jun 2018 | New York, Review, Theatre and Disability, United States of America

Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...

“Sea Of Common Catastrophe” At Irondale Center

Posted by Jack Wernick | 29th Jun 2018 | Devised Theatre, New York, Review, United States of America

Irondale Ensemble Project, a self-defined “think tank” in Brooklyn’s bustling Fort Greene nabe is...

“Log Cabin,” and the Wilderness of LGBTQ Equality

Posted by Michael Appler | 29th Jun 2018 | LGBTQ+ Theatre, New York, Review, United States of America

After a month of Pride, Log Cabin is a cautionary tale about the price of privilege, of survival after assimilation, of what we leave behind after fleeing the fringe.