Nigerian Comics Fight COVID-19 With Gags And Slapstick Slaps
The 21-year-old Nigerian comedian Maryam Apaokagi has joined a line-up of the nation’s top...
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“The Shopping Dead” Was a Wholly Collaborative Experience
Just when theatre audiences were drowsing over YouTube and Facebook live streaming and wishing a...
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”Scrounger” at the Finborough Theatre
During the current pandemic, stories about isolation have a particular resonance. Feelings of...
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Rock, Theatre and Human Rights Come Together at this Online Event
ArtAloneTogether is a mix of dance, theatre, magic and music performances, in addition to...
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“corkscrew 4.0:” Eight Plays, Eight Reimaginings, One Early 2000s Website
With the coronavirus pandemic still running rampant and limiting in-person gatherings, theatre...
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Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”
Today, Krzysztof Warlikowski is considered one of the most influential auteurs devising for the...
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At Moments Like These, We Need a Cultural Policy
Written by Julian Meyrick, Julianne Schultz, and Justin O’Connor National crises, like the...
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The Guggenheim’s Works in Progress Provide the At-Home Concert Experience I Crave
Throughout the pandemic, Guggenheim has been committed to financially supporting artists and...
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Loud Words – Chekhov, The Doctor With A Gun
“If you say in the first chapter that there is a rifle hanging on the wall, in the second or third...
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John Rwoth-Omack Bears The Torch Of African Theatre In The Diaspora
John Rwoth-Omack is a Ugandan-born theatre artist, bred and based in the UK. A lover of African...
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COVID-19: Can The Show Go On?
The COVID-19 pandemic undoubtedly hit the cultural and creative industries sector (CCI) very hard. UNESCO called the situation a “cultural emergency” on a global scale.
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Archive on Stage: Enacting Life, Performing Politics
Solomon Mikhoels, the beloved star of the Soviet Yiddish theater, was once asked how long he...
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Gelsey Bell’s “Cairns”: Sanctuary and Renewal in the Cemetery
I’ve never not gotten lost in Green-Wood Cemetery. One of the oldest landscaped cemeteries in...
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Season of Doom in Belarus
The season 2019/2020 is over. While there were several remarkable events, some aspects —...
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What Immigrant Theatre Can Teach Us About Perseverance and Adaptation During Challenging Times: State vs Natasha Banina at the Arlekin Players Theatre, Zoom Edition
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
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‘Hamilton’ Ignores the Statesman’s Strategy to Fund Genocidal Warfare Against Indigenous Peoples
The recent release of the musical Hamilton by the Disney+ channel on July 3 received favorable...
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Star Cycles: Composer/Performer Karl Saint Lucy and Their Production, “Different Stars: A Reckoning with Time, Trauma, and Circumstance”
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
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Hope Azeda And Her Art That Heals
“Theatre in Rwanda? Are you crazy? There’s no theatre in Rwanda,” said Hope Azeda’s...
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How “Hamilton” Got Chinese Thinking About Who Tells Their History
Viewers in the People’s Republic have embraced Lin-Manuel Miranda’s unconventional approach to...
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Japan’s Geisha Struggle to Preserve Tradition Under Shadow of Coronavirus
The ancient Japanese art of geisha is now facing a crossroads that requires the centuries-old...
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