In Tonderai Munyevu’s “Mugabe, My Dad & Me,” The Personal Becomes the Political
There are two in one Tonderai Munyevus. I meet both of them on a snowy February evening at Brixton...
Read MorePosted by Ian Kiyingi Muddu | 29th Apr 2022 | Playwriting, Review, Theatre and Politics, Zimbabwe
There are two in one Tonderai Munyevus. I meet both of them on a snowy February evening at Brixton...
Read MorePosted by Ian Kiyingi Muddu | 21st Dec 2020 | Essay, Theatre and Politics, Uganda
When Abafumi went on what would be their last tour, Robert Serumaga, who had not gone with his...
Read MorePosted by Ian Kiyingi Muddu | 12th Oct 2020 | Musical Theatre, Review, South Africa, Theatre and Gender
African musical theatre seems to be growing by leaps and bounds. In the last couple of years,...
Read MorePosted by Ian Kiyingi Muddu | 13th Sep 2020 | Covid-19, Essay, Uganda
Moses Tumwebaze is a full-time actor in the Ugandan Theatre industry. He is a member of The...
Read MorePosted by Ian Kiyingi Muddu | 17th Aug 2020 | Interview, Transcultural Collaborations, Uganda, United Kingdom
John Rwoth-Omack is a Ugandan-born theatre artist, bred and based in the UK. A lover of African...
Read MorePosted by Ian Kiyingi Muddu | 19th Jul 2020 | Festivals, Review, South Africa, Transmedia
“They’ve locked us in here and they’re going to wait for the virus to finish us off.”...
Read MorePosted by Ian Kiyingi Muddu | 13th Jul 2020 | Essay, Playwriting, Uganda
If you want to understand a nation and its people, look no farther than its art. Through a...
Read MorePosted by Ian Kiyingi Muddu | 29th Jun 2020 | News, Theatre for Young Audiences, Uganda
STEM, that Science, Technology, Engineering, and Mathematics curricula obsession at the expense of...
Read MorePosted by Ian Kiyingi Muddu | 6th Jun 2020 | Interview, Playwriting, Uganda
Angella Emurwon is a playwright, theatre director and filmmaker. The name ‘Emurwon’ means seer,...
Read MorePosted by Ian Kiyingi Muddu | 21st May 2020 | Africa, Covid-19, Essay, Theatre and Politics
On the center stage, where many an actor has strutted his stuff, sits a ghost light. Lonesome....
Read MorePosted by Ian Kiyingi Muddu | 4th May 2020 | Musical Theatre, Review, Uganda
It is a full house. Full house on a Friday? That’s rare here. Anyway, we’re almost packed like...
Read MorePosted by Ian Kiyingi Muddu | 23rd Apr 2020 | Acting, Interview, Uganda
The name ‘Rashida Namulondo’ will easily roll off any random tongue in the performing arts...
Read MorePosted by Ian Kiyingi Muddu | 17th Apr 2020 | Essay, Theatre and Art, Uganda
Rose Mbowa is an indubitable doyenne in Uganda’s theatre. At Makerere University, an ivy league of...
Read MorePosted by Ian Kiyingi Muddu | 25th Mar 2020 | Essay, Uganda
The African theatre scene in the 1960s and the 70s was mainly peopled by men. But there were women...
Read MorePosted by Ian Kiyingi Muddu | 22nd Mar 2020 | Review, Theatre and Age, Uganda
Wondering what may draw young people to theatre? It’s a theatre about them, with them and...
Read MorePosted by Ian Kiyingi Muddu | 1st Mar 2020 | Review, Theatre and Dance, Uganda
We last saw them on stage in 2016. We thought they had gone down the way of most companies –...
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