Latest Archives - Page 67 of 287

Subira, A New Musical: Under-promised, Over-delivered!

Posted by Tash Mitambo | 9th Sep 2021 | Kenya, Musical Theatre, Review

‘Time waits for no military man!’. Thus, on a punctual note, Subira, A New Musical opened on...

“RashDash: Look at Me, Don’t Look at Me,” Paines Plough Roundabout

Posted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom

Imagine you suffered terrible injustices that in your day and age were just the norm, that your...

“An Odyssey” at Quantum Theatre, Pittsburgh, PA

Posted by Wendy Arons | 7th Sep 2021 | Adaptation, Review, United States of America

Imagine, if you will, one of those old-fashioned TV game shows with two doors. Behind Door Number...

“Don’s Party” at 50: An Achingly Real Portrayal of The Hapless Australian Middle-Class Voter

Posted by Kathryn Kelly | 6th Sep 2021 | Australia, Essay, Theatre and Politics

The play Don’s Party premiered on August 11, 1971 at Carlton’s Pram Factory, home to the radical...

“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival

Posted by Christine Deitner | 5th Sep 2021 | Los Angeles, Review, United States of America

Seventy-six years after Clifford Odets’ Waiting for Lefty premiered in New York, Theatre Unleashed...

“Every dollar is a soldier/With money you’re a dragon”: A Virtual Promenade between Two Migrant Fates

Posted by Yizhou Zhang | 4th Sep 2021 | China, Festivals, Review, Transcultural Collaborations, Transmedia, United Kingdom

Running Aug 24-29 at the 2021 Edinburgh Fringe, Every dollar is a soldier/With money you’re a...

“Youth Everlasting and Life Without Death”: Performing Folk-tale and “Centriphery”

Posted by Armando Rotondi | 3rd Sep 2021 | Adaptation, Participatory Theatre, Puppetry, Review, Romania, Transcultural Collaborations

A Theoretical and Organizational Premise “Centriphery” is an on-going large-scale...

Andrei Kureichik’s “Insulted. Belarus”: One Year On

Posted by John Freedman | 2nd Sep 2021 | Belarus, Review, Theatre and Politics

Alexei Nesterov, an actor in my wife Oksana Mysina’s film, Insulted. Belarus(sia), sent her a...

Cairo Int’l Festival for Experimental Theatre launches Theatre Festivals Network

Posted by Ahram Online | 2nd Sep 2021 | Egypt, Festivals

The 28th edition of the Cairo International Festival for Experimental Theatre (CIFET, 14-19...

FIRE THEATRE Mime Company: On a Quest for Fire Drama

Posted by Plamen Radev | 1st Sep 2021 | Between.Pomiędzy 2021, Bulgaria, Festivals, Interview, Poland

The Isle of Youth 2021 was a two-day (PhD) student conference held on 11-12 May 2021 as part of...

“The Princesses of Askies Shem Street” – Not a Story about Dirty Laundry Only!

Posted by Tonderai Chiyindiko | 31st Aug 2021 | Review, South Africa

The Princesses of Askies Shem Street written and directed by Khutjo Green is one of four...

“WET: A DACAmented Journey” – Powerful Virtual Theatre from The Center Theatre Group

Posted by Christine Deitner | 30th Aug 2021 | Los Angeles, Review, United States of America

With so many screens in our lives it continues to be a struggle to find the inner strength to...

The Song Project, Royal Court

Posted by Duška Radosavljević | 29th Aug 2021 | London, Musical Theatre, Review, United Kingdom

As its name suggests, The Song Project is more a collaborative experiment than a conventional...

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.

Posted by Allison Berkoy | 29th Aug 2021 | Estonia, Interview, Theatre and AI, Theatre and Opera, Theatre and Science

This is PART 2 of the interview. To read PART 1, click here. AB: What questions were you exploring...

Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw

Posted by Łucja Iwanczewska | 28th Aug 2021 | Applied Theatre, Poland, Review, Theatre and Politics

Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...

“Chalk Lines” by Chalk Repertory Theatre – An Immersive, Virtual, Audio Play Tour

Posted by Christine Deitner | 27th Aug 2021 | Immersive Theatre, Los Angeles, Review, Transmedia, United States of America

Since January 2009, Chalk Repertory Theatre has been crafting site-specific theatre in Los...

Together We Go On: A 36 Hour Non-Stop Festival on 28th and 29th August

Posted by Tom Willems and Tomas Leijen | 26th Aug 2021 | Education, Festivals, News, Transcultural Collaborations

The International Drama/Theatre and Education Association (IDEA) is organizing the Together We Go...

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 1.

Posted by Allison Berkoy | 24th Aug 2021 | Estonia, Interview, Theatre and AI, Theatre and Opera, Theatre and Science

Conducted 2/17/20 by Allison Berkoy, Assistant Professor City Tech, CUNY New York. This interview...

Stars from West End Stage Read “Broadway Baby,” Celebrating London Theatre Kids Week

Posted by Alexander Fatouros | 24th Aug 2021 | London, News, Theatre for Young Audiences, United Kingdom

Lionizing the vitalness of theatre and creativity, a star-studded virtual reading of a new...

Beckett 2020

Posted by Urszula Pysyk | 23rd Aug 2021 | Adaptation, Poland, Review, Transmedia

Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...

Latest

Subira, A New Musical: Under-promised, Over-delivered!

“RashDash: Look at Me, Don’t Look at Me,” Paines Plough Roundabout

“An Odyssey” at Quantum Theatre, Pittsburgh, PA

“Don’s Party” at 50: An Achingly Real Portrayal of The Hapless Australian Middle-Class Voter

“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival

“Every dollar is a soldier/With money you’re a dragon”: A Virtual Promenade between Two Migrant Fates

“Youth Everlasting and Life Without Death”: Performing Folk-tale and “Centriphery”

Cairo Int’l Festival for Experimental Theatre launches Theatre Festivals Network

FIRE THEATRE Mime Company: On a Quest for Fire Drama

“The Princesses of Askies Shem Street” – Not a Story about Dirty Laundry Only!

“WET: A DACAmented Journey” – Powerful Virtual Theatre from The Center Theatre Group

The Song Project, Royal Court

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.

Be Gone! Or, Clear Away, Chop Chop: Dziady at 34/36 Mickiewicza Street in Warsaw

“Chalk Lines” by Chalk Repertory Theatre – An Immersive, Virtual, Audio Play Tour

Together We Go On: A 36 Hour Non-Stop Festival on 28th and 29th August

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 1.

Stars from West End Stage Read “Broadway Baby,” Celebrating London Theatre Kids Week

Beckett 2020

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