Yury Butusov’s “Drums in the Night” at the Pushkin Theater
Yury Butusov premiered his new production of Brecht at the Pushkin Theater, which is fated to...
Read MorePosted by Marina Shimadina | 9th Dec 2016 | Review, Russia
Yury Butusov premiered his new production of Brecht at the Pushkin Theater, which is fated to...
Read MorePosted by Kennith Rosario | 9th Dec 2016 | India, News
After over two decades, the Sultan Padamsee Award has been revived to discover fresh narratives in...
Read MorePosted by Ana-Maria Bandean | 9th Dec 2016 | New York, News, Romania, United States of America
On the nights of November 18 & November 20, 2016, at Here Arts Centre, NYC, I was being...
Read MorePosted by William Gregory | 8th Dec 2016 | London, News, Translation, United Kingdom
There are plenty of theatre translators who start out as actors, directors, playwrights or other...
Read MorePosted by Mohammad Asim Siddiqui | 8th Dec 2016 | Adaptation, India, Review, Theatre and Politics
In his institutional history of literature in American colleges and universities, Gerald Graff...
Read MorePosted by Lauren Dubowski | 8th Dec 2016 | News, Poland
Warsaw, The Centrala Theatre/Zachęta, National Gallery of Art: Orestes, directed by Michał Zadara...
Read MorePosted by Lauren Deutsch | 7th Dec 2016 | Essay, Japan, Musical Theatre, Theatre and Gender
Nothing’s clear-cut at Japan’s Takarazuka Revue, arguably one of the world’s largest all-female musical theatre groups. The women who portray male roles in the Revue’s repertoire must maintain a semblance of “maleness” off-stage as well, the “off” boundaries being far away from the theatre environs.
Read MorePosted by Michele Rolim | 6th Dec 2016 | Brazil, Dramaturgy, Essay, Festivals, Producing
The curator’s role in the performing arts area seems to be, for many—including the curators...
Read MorePosted by Janka Lakosi | 6th Dec 2016 | Adaptation, Hungary, News
The joint performance of Budapest National Theatre and Illyés Gyula Theatre from Beregszász, A...
Read MorePosted by KaiChieh Tu | 5th Dec 2016 | Dramaturgy, Essay
Sonorous dramaturgy, a term borrowed from Eugenio Barba’s On Directing and Dramaturgy: Burning the...
Read MorePosted by Curtis Peter van Gorder | 5th Dec 2016 | Applied Theatre, Essay
“Laughter is the brush that sweeps away the cobwebs of your heart.” – Mort Walker,...
Read MorePosted by KaiChieh Tu | 5th Dec 2016 | Acting, Adaptation, Essay, Poland, Theatre and Gender
Devising their works in a 13th-century refractory and former monastery in Wrocław’s Old Town, Song...
Read MorePosted by Maria Pia Pagani | 5th Dec 2016 | Italy, News
Thirty years ago, on 24th April 1986, Gerardo Guerrieri died in Rome. He was one of the most...
Read MorePosted by Neil Blackadder | 4th Dec 2016 | News, Translation
A network of US-based theatre translators that has been developing over several years recently...
Read MorePosted by Lola Proaño Gomez | 4th Dec 2016 | Argentina, News, Transcultural Collaborations
The Latin American Center for Creation and Theatrical Research, CELCIT (www.celcit.org.ar) was...
Read MorePosted by Julian Meyrick | 4th Dec 2016 | Australia, Essay
Rusty Bugles is a comedy-drama by Sumner Locke Elliot, one of the many talented writers to abandon...
Read MorePosted by Ágnes Bakk | 3rd Dec 2016 | Interview, Transmedia
A conversation with Katie Day (founder and artistic director of The Other Way Works company) about...
Read MorePosted by Ágnes Bakk | 3rd Dec 2016 | Dramaturgy, Immersive Theatre, Interview
Kirsty Sedgman‘s background is in performance studies, which, according to her, tends to make big...
Read MorePosted by Hadeer El-Mahdawy - AhramOnline | 3rd Dec 2016 | Egypt, Review, Theatre and Gender
The play was written, directed, and performed by Egyptian stage actress Zainab Magdy was performed...
Read MorePosted by Asimina Xyla | 3rd Dec 2016 | Greece, News
What a surprise it was back in 2014 when Adam Szymczyk, Artistic Director of documenta, Germany’s...
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