The Use Of Children In Milo Rau’s “Five Easy Pieces”: Exploitation, Or Confrontational Theatre?
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
Read MoreFjolla Hoxha is a freelance writer and director. She is a Program Associate for American Councils for International Education. In the past she served as Assistant Professor at Drama Department, University of Prishtina.
Posted by Fjolla Hoxha | 1st Dec 2018 | Directing, Essay, Germany
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
Read MorePosted by Fjolla Hoxha | 1st May 2017 | Kosovo, Theatre and Politics
“The object of terrorism is terrorism. The object of oppression is oppression. The object of...
Read MorePosted by Fjolla Hoxha | 3rd Jan 2017 | Essay, Kosovo, Theatre and Politics
A review of Jeton Neziraj’s play Carla del Ponte trinkt in Pristina einen Vanilla Chai Latte,...
Read More

Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
