The Inability to Fill the Void: Eduardo Orozco’s “Asatia”
Premise: The protagonist in Eduardo Orozco’s play Asatia discovers that dedicating...
Read MorePosted by Margarita Vargas | 22nd Sep 2017 | Acting, Mexico
Premise: The protagonist in Eduardo Orozco’s play Asatia discovers that dedicating...
Read MorePosted by Clement Lee | 21st Sep 2017 | Festivals, Germany, Hong Kong, Theatre and Politics
It was an achievement that West Kowloon Cultural District Authority and Goethe-Institut Hong Kong...
Read MorePosted by Trevor Boffone | 21st Sep 2017 | Interview, Playwriting, United States of America
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
Read MorePosted by Chan Sze-Wei | 20th Sep 2017 | Review, Singapore
Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all,...
Read MorePosted by Peter Moyes | 20th Sep 2017 | Australia, Puppetry, Theatre and Disability
Laser Beak Man, the madcap superhero creation of artist Tim Sharp, who has autism, flew into La...
Read MorePosted by Alvina Ruprecht | 20th Sep 2017 | Canada, Musical Theatre
First of all, do not read Pushkin’s Onegin before seeing The Musical Stage Company and NAC English...
Read MorePosted by Christoph Leibold | 19th Sep 2017 | Austria, Germany
Hardly another art form is better suited for the work of remembrance than the theatre as a medium...
Read MorePosted by Adam Sherwin | 18th Sep 2017 | Directing, Essay, London
A titan of the stage, whose influence over the development of post-War British theatre was...
Read MorePosted by Stephanie Bailey | 18th Sep 2017 | Cuba, Interview, United States of America
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
Read MorePosted by Aleks Sierz | 17th Sep 2017 | Adaptation, London, Review, United Kingdom
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
Read MorePosted by Vikram Phukan | 17th Sep 2017 | Festivals, India
Feminist themes, whether overt or subtextual, found expression in the plays that were showcased at...
Read MorePosted by Maria Lorena Santo | 17th Sep 2017 | Musical Theatre, Philippines, Theatre and Politics
“Philippine theater has, through three eras of political struggle—Filipino-American, Japanese,...
Read MorePosted by Rachel E. Diken | 17th Sep 2017 | New York, Review, Theatre and Politics, United States of America
Core Artists Ensemble brings Tessa Borbridge’s The Hungry Ghosts to The Barrow Group Theatre this...
Read MorePosted by Lorena Meeser | 16th Sep 2017 | Mexico, Theatre and Politics
Leticia Huijara’s theatrical piece When There Were Grenades In November is being presented...
Read MorePosted by Sigríður Jónsdóttir | 16th Sep 2017 | Iceland, Theatre and Politics
The Icelandic theatre season is about to come out of hibernation, where theatres close for the...
Read MorePosted by Maria Pia Pagani | 15th Sep 2017 | Italy, Theatre and Politics
Francesco De Sanctis (1817–83) is one of the most important Italian literary critics and scholars,...
Read MorePosted by Marié-Heleen Coetzee | 15th Sep 2017 | Essay, South Africa, Theatre and Decolonization, Transcultural Collaborations
The 400th anniversary of Shakespeare’s death in 2016 provided ample room for celebrations and...
Read MorePosted by Danilo Castro | 14th Sep 2017 | Brazil, Festivals
Although Brazil is known throughout the world as a country with bare bodies, its population is...
Read MorePosted by Nobuko Tanaka | 13th Sep 2017 | Japan, Musical Theatre
“All the world is made of faith, and trust, and pixie dust.” In those few words the Scottish...
Read MorePosted by Diwan Singh Bajeli | 13th Sep 2017 | India
In its pursuit of evolving a theatre of relevance, the Experimental Theatre Foundation (ETF) has...
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