Latest Archives - Page 222 of 287

David Storey’s “The March On Russia” at Orange Tree Theatre

Posted by Aleks Sierz | 1st Oct 2017 | Acting, Playwriting, Review, United Kingdom

The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...

Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School

Posted by Valeria Stračevská | 1st Oct 2017 | Interview, Russia, Theatre and Dance

Recently London was abuzz with the new project of the London Russian Ballet School — The Romantic...

Future Shock At The Philadelphia Fringe Festival

Posted by Jessica Rizzo | 1st Oct 2017 | Festivals, Philadelphia, Review, United States of America

The Philadelphia Fringe Festival, now in its twenty-first year, has been gentrified. What began in...

A Look Into Madrid’s 35th Festival De Otoño A Primavera

Posted by Mara Valderrama | 30th Sep 2017 | Festivals, Spain

The Festival de Otoño (Fall Festival) was created in Madrid in 1984, and since then, it has...

Exquisite Growth In “Frantic Beauty”

Posted by Marcina Zaccaria | 30th Sep 2017 | Theatre and Dance, United States of America

There is no growth without decay. When I was considering Dante in Italy, many years ago, I...

When Real Life Out-Performs The Theatre: “1984” At The Reykjavik City Theatre

Posted by Sigríður Jónsdóttir | 29th Sep 2017 | Adaptation, Iceland, Theatre and Politics

“If one is to rule, and to continue ruling, one must be able to dislocate the sense of reality.”...

From Feminist to Globalist to Humanist: Intercultural Dramaturgy for Compassionate Action in Danai Gurira’s “Eclipsed”

Posted by Walter Byongsok Chon | 29th Sep 2017 | Dramaturgy, Theatre and Politics

They were all standing there beautifully, very funkily clad, in jeans and their shoulders and very...

West Coast Premiere – “Please Excuse My Dear Aunt Sally” At The Odyssey Theatre

Posted by Christine Deitner | 28th Sep 2017 | Los Angeles, Transmedia, United States of America

Founded in 1969 by Artistic Director Ron Sossi, The Odyssey Theatre Ensemble is Los Angeles’...

Rajiv Joseph’s “Describe the Night” Perseveres in the Wake of Hurricane Harvey

Posted by Trevor Boffone | 28th Sep 2017 | North America, Playwriting, United States of America

As the floodwaters of Hurricane Harvey poured into Houston’s Alley Theatre on August 27,...

Botho Pan African Arts Festival 2017

Posted by William Charlton-Perkins | 27th Sep 2017 | Festivals, South Africa

Wushwini Arts, Culture and Heritage Centre’s 4th Annual Festival runs from 28 September to 1...

Sydney Festival Review: Beckett’s “All That Fall”

Posted by Anthony Uhlmann | 27th Sep 2017 | Australia, Festivals, Immersive Theatre, Sydney

In the program notes to Pan Pan Theatre’s outstanding production of All That Fall at the Sydney...

Arab Arts Focus At Edinburgh Festival Shines Despite Visa Rejections By UK

Posted by Soha Elsirgany | 27th Sep 2017 | Egypt, Festivals, Theatre and Politics

Organized by Cairo’s D-CAF festival, Arab Arts Focus ran for a month, garnering positive...

Algorithm, Composition, And Metaphor

Posted by Annie Dorsen | 26th Sep 2017 | New York, Theatre and Science, Transmedia, United States of America

What is algorithmic theatre? For the last several years, I’ve been using the term...

“Yerma” at The Young Vic.

Posted by Alvina Ruprecht | 26th Sep 2017 | Adaptation, Theatre and Gender, United Kingdom

Yerma in London, as the subtitle states, is a contemporary adaptation of Federico García...

Where And How To Find Foreigner-Friendly Performances In Moscow’s Theaters

Posted by Nikolay Shevchenko | 25th Sep 2017 | News, Russia, Translation

Moscow is an excellent venue for devoted drama connoisseurs, even if you don’t speak Russian. Here...

A Step Forward: A Look Into The 2017 Cairo Intl. Festival For Contemporary And Experimental Theatre

Posted by May Selim | 24th Sep 2017 | Documentary Theatre, Egypt, Festivals

The Cairo International Festival for Contemporary and Experimental Theatre (CIFCET) has just...

Theaters In Japan Are Looking At Longer Runs For Their Productions

Posted by Nobuko Tanaka | 24th Sep 2017 | Japan, Management

As I turned the pages of a free magazine in London this summer, a picture of a beaming woman...

The Words of The Plays

Posted by Beatriz Cabur | 23rd Sep 2017 | Argentina, Books, Spain

Continta me tienes, the Spanish publishing house, sent us the volume The Words of the Plays,...

Patricia Cornelius’ “Big Heart” Exposes Hypocrisy In Tale Of Multicultural Adoption

Posted by Sandra D'urso | 23rd Sep 2017 | Australia, Theatre and Gender, Theatre and Politics

Playwright Patricia Cornelius is known for populating the stage with complex, working-class,...

Supertitles Galore At The 2017 Avignon Festival: Necessary Or Not?

Posted by Philippa Wehle | 23rd Sep 2017 | Festivals, France, Translation

I’ve recently returned from the Avignon Festival where I’m sure I saw more shows with supertitles...

Latest

David Storey’s “The March On Russia” at Orange Tree Theatre

Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School

Future Shock At The Philadelphia Fringe Festival

A Look Into Madrid’s 35th Festival De Otoño A Primavera

Exquisite Growth In “Frantic Beauty”

When Real Life Out-Performs The Theatre: “1984” At The Reykjavik City Theatre

From Feminist to Globalist to Humanist: Intercultural Dramaturgy for Compassionate Action in Danai Gurira’s “Eclipsed”

West Coast Premiere – “Please Excuse My Dear Aunt Sally” At The Odyssey Theatre

Rajiv Joseph’s “Describe the Night” Perseveres in the Wake of Hurricane Harvey

Botho Pan African Arts Festival 2017

Sydney Festival Review: Beckett’s “All That Fall”

Arab Arts Focus At Edinburgh Festival Shines Despite Visa Rejections By UK

Algorithm, Composition, And Metaphor

“Yerma” at The Young Vic.

Where And How To Find Foreigner-Friendly Performances In Moscow’s Theaters

A Step Forward: A Look Into The 2017 Cairo Intl. Festival For Contemporary And Experimental Theatre

Theaters In Japan Are Looking At Longer Runs For Their Productions

The Words of The Plays

Patricia Cornelius’ “Big Heart” Exposes Hypocrisy In Tale Of Multicultural Adoption

Supertitles Galore At The 2017 Avignon Festival: Necessary Or Not?

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