Kankurang Festival 2019: The Gambia
In 2005, Kankurang was inscribed by UNESCO as an intangible cultural heritage of humanity. The...
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Subtle and Striking, Irondale’s Timely “The Life of Galileo” is Epic Theater
Irondale’s innovative and triumphant “Galileo” is Bertolt Brecht at his most excellent, cradled by an ensemble of dynamic and invested performers and pitched inevitably toward its audience with a playful, conscious eye toward its own didactic mission.
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David Ireland’s “Cyprus Avenue” At The Royal Court
With Brexit and Northern Ireland constantly in the news, the timeliness of this play is not in...
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12 Seconds To The Year Of Theatre
On the eve of 2019’s “Year of Theatre” in Russia, Emiliia Dementsova looks back...
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“All About Eve” at Noel Coward Theatre
Some seventy-odd years ago, New Yorker Mary Orr wrote a short story for the Cosmopolitan magazine...
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Basma Hamed, A Remarkable Star Of Egypt’s Arts Management
A unique cultural player, Hamed’s work in the PR and marketing of the arts, helped launch,...
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Zimbabwean Theatre Culture “Emerging” From The Shadows
One of the first indications of the change in political temperatures was the production of the hilarious stage play ‘Operation Restore Legacy’ which re-imagines the military takeover in Harare that ended one of Africa’s longest and most controversial presidential tenures.
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“My Dad’s Gap Year” at The Park Theatre
Gender fluidity should be fun—after all, it’s all about love. And love can take any shape it...
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Review: Who Needs To Be Reminded “We Are Not Alone”?
“I want to believe,” declared Agent Fox Mulder in the 1998 television pilot for The X-Files. Two...
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The Beauty In Differences In The “Scarlet Ibis,” A New Opera
Beautiful and heart-wrenching and incredibly real, The Scarlet Ibis is a masterpiece of modern...
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Intersectional Fabulousity Of Work In Progress: Conversation With Ayesha Jordan And Justin Hicks
Ayesha Jordan and Justin Hicks have been collaborators for many years. Their work transcends...
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On Ibsen and Strindberg: A Conversation with Franco Perrelli
The recent publication of the volume On Ibsen and Strindberg: The Reversed Telescope (Newcastle...
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Decor as Protagonist: Bruno Latour and Frédérique Aït-Touati on Theatre and The New Climate Regime
What do we humans have in common with wales, mushrooms, bacteria or the internet? We are all...
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“The End Of TV”: Manual Cinema Presents Another Unusual And Stunning Work
Manual Cinema has returned to Boston’s ArtsEmerson with their latest work The End Of TV just a...
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“Super Vocal,” Chinese TV Talent Contest For Opera Singers And Musical Performers, Scores Top Ratings
Step aside pop stars and idols. A new televised singing contest in China that showcases the vocal...
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What Is Queer About Queer Performance Now?
Between identity and identitylessness In this article, Elke Huybrechts regards what happened on...
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The Spirit Of Judson In A New Millennium: The Legendary Collective Still Oscillates Between Canonization And Transience
Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...
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Towards A Poetics Of Imagination
On Mette Edvardsen’s poetry and its penchant to imagine a clandestine side to things I’ll begin by...
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“City Of No Illusions” Takes Refugees To The Border Of Life And Death
“City of No Illusions,” a political comedy that stages the modern refugee crisis inside a funeral home.
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Cultural Education: “We Do Not Dispense School Knowledge”
“Politik im Freien Theater” is a free theatre festival where youngsters address...
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