Review Archives - Page 78 of 143

Ottawa Fringe: Pack Animals: Sexy, Queer and Hilarious Musical-Comedy Camping Trip

Posted by Ryan Pepper | 14th Jun 2019 | Canada, Ottawa Fringe 2019, Review

Sketch comedy is a Fringe mainstay, and the charmingly funny Pack Animals proves why. Created and...

2 Sherlock Holmes Adventures

Posted by Natasha Lomonossoff | 14th Jun 2019 | Canada, Festivals, Ottawa Fringe 2019, Review

Good detective stories are always entertaining, perhaps none more so than Arthur Conan Doyle’s...

“GoFundYourself” at Ottawa Fringe: Improv’s Place in Fringe Theatre

Posted by Aisling Murphy | 13th Jun 2019 | Canada, Ottawa Fringe 2019, Review

GoFundYourself, presented by Ottawa’s own Black Box Comedy, is a raucous, audience-driven look...

“Mending Fences:” A Difficult Norman Foster Play Produces Unexpected Emotional Depths

Posted by Alvina Ruprecht | 12th Jun 2019 | Canada, Review

Mending Fences is a most beautifully constructed play that appears to concern a dysfunctional...

“Priscilla, Queen of the Desert”: Vibrant Musical Numbers But It Avoids the Dicey Sexual and Racial Politics That Underly the Show

Posted by Ryan Pepper | 11th Jun 2019 | Canada, Musical Theatre, Review

Orpheus Musical Theatre Society have brought to the stage another light-hearted musical, doing...

Of Blood and Metaphors: Bárbara Colio’s “Casi Transilvania”

Posted by Margarita Vargas | 11th Jun 2019 | Mexico, Review

Authored and directed by Bárbara Colio (Mexicali, Baja California), Casi Transilvania (Almost...

“As You Like It”at The Oregon Shakespeare Festival

Posted by Taylor L. Ciambra | 11th Jun 2019 | Review, Theatre and Gender, United States of America

To take the title of dramaturg Amrita Ramanan’s program note, As You Like It is “a comedy that...

“The Impossible She” and The Evolution of Queer Stories in Opera

Posted by Janelle Lawrence | 10th Jun 2019 | New York, Review, Theatre and Opera, United States of America

Representation within opera has always been thin; The Impossible She stood to try to expand those...

“Hairspray” at The Oregon Shakespeare Festival

Posted by Taylor L. Ciambra | 10th Jun 2019 | Musical Theatre, Review, United States of America

John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...

Hollywood Fringe Festival – “The Same Room”

Posted by Christine Deitner | 9th Jun 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United States of America

On its 10th Anniversary, the Hollywood Fringe Festival and its almost 400 shows, events and...

Criticizing Patriarchy and the Status Quo in Iraq: A One-Woman Show

Posted by Amir Al-Azraki | 9th Jun 2019 | Iraq, Review, Theatre and Gender

On May 2nd, 2019, at The Institute of Fine Arts in Basra, Banin Abbas, an Iraqi actor, and...

The Hollywood Fringe Festival – “The Bully Problem”

Posted by Christine Deitner | 8th Jun 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Musical Theatre, Review, United States of America

It’s Hollywood Fringe Festival time here in Los Angeles, and for those of you who are not...

In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law

Posted by Bryoni Trezise | 8th Jun 2019 | Australia, Review, Theatre and Gender

Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...

Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN

Posted by Liam Rees | 7th Jun 2019 | Belgium, Review, Theatre and Politics

A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...

“Penelope Sleeps” – Mette Edvardsen & Matteo Fargion

Posted by Rudi Laermans | 6th Jun 2019 | Norway, Review, Transcultural Collaborations

Penelope Sleeps begins in medias res. Three performers, lying as though dead onstage, and a small...

“ANNA” at The National Theatre

Posted by Aleks Sierz | 5th Jun 2019 | London, Review, Theatre and Politics, United Kingdom

Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...

“The Rite Of Spring”: A Notoriously Difficult Ballet Comes To The Hong Kong Stage

Posted by Simon Cartledge Zolima CityMag | 4th Jun 2019 | Hong Kong, Review, Theatre and Dance

Hong Kong Ballet gave two young choreographers a difficult task: produce the notoriously difficult...

“Amour” at Charing Cross Theatre

Posted by Amy Toledano | 3rd Jun 2019 | London, Musical Theatre, Review, United Kingdom

In Amour at Charing Cross Theatre, Post-World War II Paris is putting itself back together. People...

Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora

Posted by Eylül Fidan Akıncı | 2nd Jun 2019 | Belgium, Review, Theatre and Politics

I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...

Julia Pascal’s “Blueprint Medea” at The Finborough Theatre: Mythical Reboot

Posted by Aleks Sierz | 1st Jun 2019 | London, Review, Theatre and Politics, United Kingdom

The rewriting of Ancient Greek myth offers a way of creating contemporary stories that have a deep...

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Review

Ottawa Fringe: Pack Animals: Sexy, Queer and Hilarious Musical-Comedy Camping Trip

2 Sherlock Holmes Adventures

“GoFundYourself” at Ottawa Fringe: Improv’s Place in Fringe Theatre

“Mending Fences:” A Difficult Norman Foster Play Produces Unexpected Emotional Depths

“Priscilla, Queen of the Desert”: Vibrant Musical Numbers But It Avoids the Dicey Sexual and Racial Politics That Underly the Show

Of Blood and Metaphors: Bárbara Colio’s “Casi Transilvania”

“As You Like It”at The Oregon Shakespeare Festival

“The Impossible She” and The Evolution of Queer Stories in Opera

“Hairspray” at The Oregon Shakespeare Festival

Hollywood Fringe Festival – “The Same Room”

Criticizing Patriarchy and the Status Quo in Iraq: A One-Woman Show

The Hollywood Fringe Festival – “The Bully Problem”

In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law

Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN

“Penelope Sleeps” – Mette Edvardsen & Matteo Fargion

“ANNA” at The National Theatre

“Amour” at Charing Cross Theatre

Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora

Julia Pascal’s “Blueprint Medea” at The Finborough Theatre: Mythical Reboot

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