“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART II
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
Read MorePosted by Rudi Laermans | 9th Jun 2022 | Belgium, Dramaturgy, Education, Essay
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
Read MorePosted by Rudi Laermans | 8th Jun 2022 | Belgium, Dramaturgy, Education, Essay
(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
Read MorePosted by Rudi Laermans | 6th Jun 2019 | Norway, Review, Transcultural Collaborations
Penelope Sleeps begins in medias res. Three performers, lying as though dead onstage, and a small...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026