“The Shadow Whose Prey the Hunter Becomes”: Who Decides Who We re?
In 2009 I wrote an email to the artistic director of Back to Back Theatre, Bruce Gladwin, gushing...
Read MorePosted by Bryoni Trezise | 29th Oct 2019 | Australia, Review, Theatre and Disability
In 2009 I wrote an email to the artistic director of Back to Back Theatre, Bruce Gladwin, gushing...
Read MorePosted by Bryoni Trezise | 8th Jun 2019 | Australia, Review, Theatre and Gender
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
Read MorePosted by Bryoni Trezise | 8th Aug 2018 | Australia, News, Theatre and Decolonization, Theatre and Politics
A large, ochred sail swells, rolls and eases in the heavens of the stage. It forms both ceiling...
Read MorePosted by Bryoni Trezise | 28th Jan 2018 | Australia, New York, Sydney, Theatre and Gender, United States of America
The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...
Read MorePosted by Bryoni Trezise | 24th May 2017 | Adaptation, Australia
There has been a nuclear event. The grid is down. The radio is out. Most are dead, and those who...
Read MorePosted by Bryoni Trezise | 2nd Aug 2016 | Australia, Essay, Theatre and Disability
Renowned Shakespearean actor Robert Armin wrote in 1608 of the difference between a “natural” and...
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