Liam Rees

author

“The House of Sorrow” – Jisun Kim

Posted by Liam Rees | 28th Sep 2020 | Germany, Review, Transmedia

Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...

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Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN

Posted by Liam Rees | 7th Jun 2019 | Belgium, Review, Theatre and Politics

A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...

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“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD

Posted by Liam Rees | 25th Apr 2019 | Belgium, Review, Theatre and Decolonization

A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...

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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
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Everything In Programming Matters To Cultivate The… by Ivanka Apostolova Baskar 7th April 2026

Recent Posts

Bound To Start Again, Again, Again… 27th April 2026
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback 25th April 2026
“Jen Xponential,” A Story Of Potential 24th April 2026
“Frankenstein (History Of Hate)” 23rd April 2026
“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire. 22nd April 2026
“Handle With Care” At Milan’s FOG Festival 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026

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