Shaina Taub’s “Twelfth Night” At The Young Vic
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Musical Theatre, Review, United Kingdom
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to...
Read MorePosted by Lisa Harper Campbell | 11th Oct 2018 | Australia, Review
Performance group House of Sand, in collaboration with the State Theatre Company of South...
Read MorePosted by Jane Baldwin | 10th Oct 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...
Read MorePosted by Iris Winston | 10th Oct 2018 | Canada, Review
Fierce directed by George Walker. Black Sheep Theatre and Criminal Girlfriends Two women damaged...
Read MorePosted by Nora Amin | 10th Oct 2018 | Festivals, Palestine, Review, Theatre and Politics, Transcultural Collaborations
Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...
Read MorePosted by Jane Baldwin | 9th Oct 2018 | Boston, Review, United States of America
Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
Read MorePosted by Iris Winston | 9th Oct 2018 | Canada, Musical Theatre, Review
From the joy of meeting to the unraveling of love and back again, The Last Five Years is a...
Read MorePosted by Jonathan Kalb | 7th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America
A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...
Read MorePosted by Aleks Sierz | 6th Oct 2018 | Adaptation, London, Review, United Kingdom
Since Virginia Woolf’s Mrs. Dalloway was first published in 1925 its reputation as a brilliant...
Read MorePosted by Oleg Yegorov | 5th Oct 2018 | Review, Russia, Theatre and Dance
While most regional theaters in Russia cling to traditions and go with old-school classical...
Read MorePosted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America
Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...
Read MorePosted by Maria Pia Pagani | 4th Oct 2018 | Italy, Poland, Review, Theatre and Opera
The great success of Professor Paolo Bosisio as an opera director in Eastern Europe is confirmed...
Read MorePosted by Armando Rotondi | 3rd Oct 2018 | Adaptation, Playwriting, Review, Theatre and Art, United Kingdom
The relation between identity and performance is one of the strongest topics in the field of...
Read MorePosted by Dimitris Tsatsoulis | 3rd Oct 2018 | Festivals, Greece, Review
A big tribute to the director and Euripides’ The Trojan Women at the Ancient Theatre of Delphi. Of...
Read MorePosted by Aleks Sierz | 3rd Oct 2018 | London, Musical Theatre, Review, United Kingdom
There was once a time when grime music was very angry and very threatening, but that seems a long...
Read MorePosted by Nobuko Tanaka | 2nd Oct 2018 | Japan, Review
The lobby of the Setagaya Public Theatre in Tokyo teemed with women on Sept. 1, each eager to see...
Read MorePosted by Aleks Sierz | 2nd Oct 2018 | London, Review, United Kingdom
Holy shit! After being closed for two long years, the old and battered Tricycle Theatre in Kilburn...
Read MorePosted by A. Shrikumar | 1st Oct 2018 | India, Review
The palace is shrouded in darkness, when Ferdinand, the twin brother of the Duchess of Malfi,...
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