Review Archives - Page 80 of 143

Riddled With Vivid Snapshots of The Human Condition: “Waiting for Godot” in New Zealand

Posted by John Smythe | 22nd May 2019 | Ireland, New Zealand, Review

Vladimir and Estragon, who nickname each other Didi and Gogo, languish nowhere in particular and...

Raamji Aayenge: When Beckett Met Valmiki

Posted by Vikram Phukan | 22nd May 2019 | Acting, Immersive Theatre, India, Review

Playing at the ongoing Damu Kenkre Smriti Mahotsav tonight is a fairly new production directed by...

“Between Breath” Is A Tender Play About Grief, Tragedy And The Impact Of A Life Well-Lived

Posted by Ryan Pepper | 21st May 2019 | Canada, Review

The NAC’s Between Breaths from St. John’s Artistic Fraud of Newfoundland theatre captures the life...

“Lo (Or Der Mr. Wells)”: Rose Napoli And David Mamet Clash In This Fine Production Dealing With Troubling Ethical Questions..

Posted by Alvina Ruprecht | 21st May 2019 | Canada, Review

A two-hander by Rose Napoli that has been given a fine production at the GCTC thanks to director...

“King Lear” at Quantum Theatre, Pittsburgh PA

Posted by Wendy Arons | 20th May 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America

Quantum’s marketing slogan for this season is “theater that moves you,” and its production of...

“Hero Alom”: Shattering Frameworks of Beauty in Modern Indian Theatre

Posted by Vikram Phukan | 20th May 2019 | Acting, India, Review, Translation

Writer-director, Mahesh Ruprao Ghodeswar’s Hero Alom pays homage to the mainstream cinema even...

“Indecent”: A Deeply Moving, Complex And Exquisitely Directed Production That Reveals The Enormous Talent Of The Segal Centre For Performing Arts In Montreal

Posted by Alvina Ruprecht | 20th May 2019 | Canada, Review

Indecent, written by Paula Vogel, was first produced at the Yale repertory theatre in 2015. This...

“Indecent”: A Play That Deals With Love And Hate In The Past And In Our Time

Posted by Jane Baldwin | 20th May 2019 | Boston, Review, United States of America

Boston is privileged to welcome Indecent, Paula Vogel’s and Rebecca Taichman’s adaptation of...

La Cubana Has A Hit On Its Hands: “Farewell Arturo” On Tour Across Spain

Posted by Maria Delgado | 19th May 2019 | Review, Spain

La Cubana—one of Spain’s most important theatre companies—are back. They may have intimated back...

Retro Productions’ “Mary, Mary”

Posted by Abigail Weil | 16th May 2019 | New York, Review, Theatre and Gender, United States of America

The makeover story arc is a time-honored Hollywood tradition. Audrey Hepburn made several (Funny...

Sue Smith’s “Hydra:” How Love, Pain, and Sacrifice Produced an Australian Classic

Posted by Alastair Blanshard | 15th May 2019 | Australia, Review

Running through Hydra, the new play by Australian playwright Sue Smith, is the myth of Icarus, the...

Wounds Of Tradition In Huntington’s “Indecent”

Posted by Matthew McMahan | 15th May 2019 | Boston, Musical Theatre, Review, United States of America

The Huntington Theatre Company has given the city of Boston a priceless gift by remounting the...

“black odyssey:” An Intimate Epic

Posted by Rem Myers | 14th May 2019 | Boston, Review, United States of America

The poetic epic by Marcus Gardley, black odyssey, presented at the Central Square Theater in a...

“Three Sisters” at The Almeida Theatre

Posted by Aleks Sierz | 14th May 2019 | London, Review, United Kingdom

About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival...

Mass Opera’s Production Of “Die Fledermaus” Is The Life Of The Party

Posted by Megan McCormick | 13th May 2019 | Boston, Review, Theatre and Opera, United States of America

Hilarious, energetic, and engaging, Mass Opera’s Die Fledermaus was pure joy from start to...

“Jude” at The Hampstead Theatre: Adaptation of Thomas Hardy’s 1895 Tragic Novel, “Jude The Obscure”

Posted by Aleks Sierz | 13th May 2019 | Adaptation, London, Review, United Kingdom

Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...

“There Is More Future Than Past” And “A Room of One’s Own”: Documentary Play About Latin American Women Artists

Posted by Clarisse Zarvos | 12th May 2019 | Brazil, Documentary Theatre, Portugal, Review, Theatre and Decolonization, Theatre and Gender

In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...

The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre

Posted by Dmitry Ermalovich-Dashchynski | 12th May 2019 | Belarus, Design, Directing, Review

Belarusian stage director Yura Divakov is well-known in the region for his highly visual stagings....

What Schreck’s Endings Mean To Me

Posted by Jonathan Kalb | 10th May 2019 | New York, Review, Theatre and Politics, United States of America

Lately, whenever people ask for advice on what theater to see in New York, the show I’ve mentioned...

“Top Girls” at The National Theatre

Posted by Duška Radosavljević | 10th May 2019 | London, Review, Theatre and Gender, United Kingdom

Written only as recently as 1981, Caryl Churchill’s modern classic Top Girls has already been on...

Review

Riddled With Vivid Snapshots of The Human Condition: “Waiting for Godot” in New Zealand

Raamji Aayenge: When Beckett Met Valmiki

“Between Breath” Is A Tender Play About Grief, Tragedy And The Impact Of A Life Well-Lived

“Lo (Or Der Mr. Wells)”: Rose Napoli And David Mamet Clash In This Fine Production Dealing With Troubling Ethical Questions..

“King Lear” at Quantum Theatre, Pittsburgh PA

“Hero Alom”: Shattering Frameworks of Beauty in Modern Indian Theatre

“Indecent”: A Deeply Moving, Complex And Exquisitely Directed Production That Reveals The Enormous Talent Of The Segal Centre For Performing Arts In Montreal

“Indecent”: A Play That Deals With Love And Hate In The Past And In Our Time

La Cubana Has A Hit On Its Hands: “Farewell Arturo” On Tour Across Spain

Retro Productions’ “Mary, Mary”

Sue Smith’s “Hydra:” How Love, Pain, and Sacrifice Produced an Australian Classic

Wounds Of Tradition In Huntington’s “Indecent”

“black odyssey:” An Intimate Epic

“Three Sisters” at The Almeida Theatre

Mass Opera’s Production Of “Die Fledermaus” Is The Life Of The Party

“There Is More Future Than Past” And “A Room of One’s Own”: Documentary Play About Latin American Women Artists

The Ritual Of Illusion. “Gogol. Fatum” At Gomel State Drama Theatre

What Schreck’s Endings Mean To Me

“Top Girls” at The National Theatre

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