Review Archives - Page 81 of 143

“All My Sons” at The Old Vic: Tragedy at The Heart of the American Dream

Posted by Aleks Sierz | 9th May 2019 | London, Review, United Kingdom, United States of America

Superstar Sally Field has come to town. With two academy awards and countless other accolades, the...

Helen Edmundson’s “Small Island” At The National Theatre: Tribute To The Windrush Generation

Posted by Aleks Sierz | 9th May 2019 | London, Review, United Kingdom

Novelist Andrea Levy’s 2004 masterpiece, Small Island, is a tribute to the Windrush Generation,...

Henrik Ibsen’s “Rosmersholm” At The Duke Of York’s Theatre: Vibrant Classic

Posted by Aleks Sierz | 8th May 2019 | London, Review, Translation, United Kingdom

Rosmersholm is considered a difficult and rarely performed play. But, judging from this...

Comedy In The Time Of #LokSabhaElections2019

Posted by Devang Pathak | 8th May 2019 | India, Review, Theatre and Politics

As political humor becomes more accessible, so do the repercussions of having an opinion in the...

“The Half God Of Rainfall” at The Kiln Theatre: A Galaxy-Hopping Mythological Mash-up

Posted by Aleks Sierz | 8th May 2019 | London, Review, Theatre and Gender, United Kingdom

If British theatre often seems to lack ambition, the same cannot be said of The Half God Of...

Zoe Cooper’s “Out Of Water” At The Orange Tree Theatre: Feelgood Gender Issues

Posted by Aleks Sierz | 7th May 2019 | London, Review, Theatre and Gender, United Kingdom

Most new writing for the British stage is timid in subject matter, predictable in plotting and...

“The Pigeon King” At The NAC Is A Perfect Country Musical About Pigeon Scams, The Modern Family Farm, Hope, And Loss And That Reality Is Stranger Than Fiction

Posted by Ryan Pepper | 7th May 2019 | Canada, Musical Theatre, Review

The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...

Lola Arias: “Minefield”

Posted by Jan Michael Hanvik | 5th May 2019 | New York, Review, United States of America

Argentina And England Meet Again, More Or Less Peacefully, on the NYU Skirball Stage: North...

Susan Stein’s “Etty”

Posted by Abigail Weil | 4th May 2019 | Adaptation, New York, Review, United States of America

In 1942, responding to the announcement that people of Japanese ancestry on the American west...

Duchampian Theater: “Paul Swan is Dead and Gone”

Posted by Abigail Weil | 3rd May 2019 | Immersive Theatre, LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America

Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....

Bowled Over: Suzan-Lori Parks’ “White Noise”

Posted by Jonathan Kalb | 3rd May 2019 | New York, Review, United States of America

Suzan-Lori Parks has written a dark and disturbing allegory about the seemingly impossible dream...

Demystifying The Religious Fountainhead

Posted by Vikram Phukan | 3rd May 2019 | Adaptation, India, Review

Marathi play, Avyahat has a cinematic sweep and a multi-layered narrative. The third generation of...

Tribute to Author Celebrates the Life of The Imagination: “I Am Not Margaret Mahy”

Posted by David O'Donnell | 30th Apr 2019 | New Zealand, Review

I am not Margaret Mahy by Jane Waddell, based on Notes of a Bag Lady by Margaret Mahy, BATS...

New Play Examines Shakespeare’s Gender Politics: Sarah Delahunty’s “This Long Winter”

Posted by David O'Donnell | 29th Apr 2019 | New Zealand, Review, Theatre and Gender

Despite being dead for 400 years and having lived and worked on the far side of Planet Earth,...

Cultural Snacks In A Chinese Karaoke Bar: “Lucky Ping-Pong Dragon Karaoke”

Posted by Ian Zarate and Haylin Cai | 27th Apr 2019 | Festivals, London, Review, United Kingdom

Turbo bubble-tea brewing, participative economic discussions, and live, squirting orgasms were...

Theatre Of The Real And Embracing The Politics Of The Current Moment: Lee Hall And Ivo van Hove’s “Network”

Posted by Lucas Kernan | 27th Apr 2019 | Belgium, New York, Review, United States of America

“Man can change the world with bayonet and with science, but only art can renew it, in play, in...

Sergi López Heads an Impressive Cast in Andrés Lima’s Staging of Juan Mayorga’s “The Boy at the Back”

Posted by Maria Delgado | 27th Apr 2019 | Review, Spain

El chico de la última fila (English title The Boy at the Back) is one of Juan Mayorga’s most...

“Diana of Dobson’s” at Antaeus Theatre Company

Posted by Christine Deitner | 25th Apr 2019 | Los Angeles, Review, United States of America

A young woman with no family to fall back on earns a meager living as a shopgirl but her salary is...

“A German Life” at The Bridge Theatre

Posted by Aleks Sierz | 25th Apr 2019 | London, Review, United Kingdom

Maggie Smith is not only a national treasure but every casting director’s go-to “old bat” (her...

“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD

Posted by Liam Rees | 25th Apr 2019 | Belgium, Review, Theatre and Decolonization

A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...

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Review

“All My Sons” at The Old Vic: Tragedy at The Heart of the American Dream

Helen Edmundson’s “Small Island” At The National Theatre: Tribute To The Windrush Generation

Henrik Ibsen’s “Rosmersholm” At The Duke Of York’s Theatre: Vibrant Classic

Comedy In The Time Of #LokSabhaElections2019

“The Half God Of Rainfall” at The Kiln Theatre: A Galaxy-Hopping Mythological Mash-up

Zoe Cooper’s “Out Of Water” At The Orange Tree Theatre: Feelgood Gender Issues

“The Pigeon King” At The NAC Is A Perfect Country Musical About Pigeon Scams, The Modern Family Farm, Hope, And Loss And That Reality Is Stranger Than Fiction

Lola Arias: “Minefield”

Susan Stein’s “Etty”

Duchampian Theater: “Paul Swan is Dead and Gone”

Bowled Over: Suzan-Lori Parks’ “White Noise”

Demystifying The Religious Fountainhead

Tribute to Author Celebrates the Life of The Imagination: “I Am Not Margaret Mahy”

New Play Examines Shakespeare’s Gender Politics: Sarah Delahunty’s “This Long Winter”

Cultural Snacks In A Chinese Karaoke Bar: “Lucky Ping-Pong Dragon Karaoke”

Theatre Of The Real And Embracing The Politics Of The Current Moment: Lee Hall And Ivo van Hove’s “Network”

Sergi López Heads an Impressive Cast in Andrés Lima’s Staging of Juan Mayorga’s “The Boy at the Back”

“Diana of Dobson’s” at Antaeus Theatre Company

“A German Life” at The Bridge Theatre

“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD

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