“Dreams in Black Major”: Nia Farrell and Talia Paulette Oliveras on Afrofuturism and Creating Black Spaces
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
Read MoreLucas M. Kernan (they/them) is a non-binary theatre-maker, writer, musician, and glassblower. A 2021 graduate of NYU Tisch School of the Arts, Lucas studied Drama in both the Meisner Studio and the New Studio on Broadway. They have also studied abroad with master clown Philippe Gaulier and have worked multiple times at the Edinburgh Fringe Festival. With a special interest in the intersection of theatre and politics, queerness, multi-disciplinary collaboration, monster theory, clown and bouffon, and the tradition of physical acting as pioneered by Jacques Copeau/Jacques Lecoq and continued today across the globe, Lucas' practice as a theatre-maker and writer is rooted equally in research and the imaginative exploration of the spirit of play – or Le Jeu. Lucas is devoted to the primacy of accessibility and awareness of social justice in all of their work.
Posted by Lucas Kernan | 10th Jun 2019 | Interview, New York, United States of America
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
Read MorePosted by Lucas Kernan | 27th Apr 2019 | Belgium, New York, Review, United States of America
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
Read MorePosted by Lucas Kernan | 16th Mar 2019 | Essay, New York, United States of America
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
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