“When the Crows Visit” at The Kiln Theatre
Some news stories have a very long half-life. Their power to shock does not diminish; they...
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Review
“Trace:” Powerful Portrayal of Duty, Sacrifice and Strength Through the Keys of a Piano
The story of familial sacrifice is one that runs through Canadian identity. In Jeff Ho’s Trace, he...
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Elena Ferrante’s “My Brilliant Friend” at The National Theatre
Adapting novels for the stage is a tricky business. When the novel in question happens to be...
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“Sydney & The Old Girl” at The Park Theatre
Actor Miriam Margolyes is a phenomenon. Not only has this Dickensian specialist starred in...
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South Asian Theatre in Canada: SAWITRI Theatre Stages Three Short Plays in Gujarati
SAWITRI Theatre, based out of Mississauga, Ontario, recently paid a tribute to the acclaimed...
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“Petróleo/Petroleum” – Piel de Lava’s Performed Deconstruction of Masculinity
For many in the English-speaking world, the company Piel de Lava is known primarily for its work...
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“An Illiad:” A Retelling of the Horrors of War Far Beyond Troy!
Denis O’Hare and Lisa Peterson created Homer’s Coat, a theatre company that explores ancient...
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Denying A Harsh Reality in “The History of Violence”
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
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Speakeasy Presents “Admissions:” A Play About Confused Liberals
Admissions is the third work of Joshua Harmon to appear at SpeakEasy in Boston’s South End. The...
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Can Dündar’s “#WeAreArrested” at the Arcola Theatre: Committed Political Theatre
Truth is the first casualty of war, and often it is journalists who have to pay the price. Killing...
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Tue Biering’s “Land Without Dreams” at the Gate Theatre
What’s the use of thinking about the future? What’s the use of thinking about the future in a...
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Dance Umbrella’s “Out of the System” at Bernie Grant Arts Centre
For the last three years, dance maker and artist Freddie Opoku-Addaie has been a guest programmer...
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The Great Tamer – A Greek Choreographer’s Bam Debut
Since Dimitris Papaioannou is a relatively unknown creator to the American audience, I feel...
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An Expansive and Permeating Work Embracing Death and Humanity: A Paradox for Our Times: Gregory Maqoma – “Cion: Requiem of Ravel’s Bolero”
In darkness, a quiet sobbing, acutely intimate in the vastness of the Barbican main stage. Now...
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Tadashi Suzuki’s “Cyrano de Bergerac”: East and West Under the Umbrella
This year is a special one for the Theatre Olympics. For in it’s touring, it is comprised of two...
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Together As One: New Zealand’s First Festival of Solo Performance
TAHI Fess’s: New Zealand Festival of Solo Performance, Artistic Director: Sally Richards....
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“The House of the Spirits” at The Cervantes Theatre
South America’s trauma in the second half of the twentieth century can be summed up by one phrase:...
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“Oleanna:” SevenThirty Production’s Excellent Take on Flawed Script
David Mamet’s play Oleanna is about the power struggle between a university professor and one of...
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“Oleanna’s” Take on Sexual Harassment Holds Up Well
Oleanna, David Mamet’s then-startling play about sexual harassment and power dynamics, debuted in...
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“Welcome to My Underworld:” Collective Creation Compellingly Articulates the Need for Empathy
Dramaturged and directed by native Kingston and award-winning playwright Judith Thompson, the...
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