“Happy Days” at Theatre Kingston
The works of modern Irish playwright Samuel Beckett, largely absurdist and tragicomic in scope,...
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Review
“All Hallows Eve” The Musical
Composer Paul Rudolph accompanies the cast through a score that is perfectly in sync with the story line. Delightfully, it is a musical score that reminds it’s listener that this is how Musical Theatre “really works.” Both Haley and Lott keep up the musical pace with Barnhart.
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“Shukshin’s Stories” by The Theatre of Nations at The Barbican
This month, Moscow’s Theatre of Nations graced the Barbican’s stage with Shukshin’s Stories, an...
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GCTC’S “Bang Bang”: A Fast-Paced, Funny Satire
You think you have a handle on the messy business of appropriation? Then you haven’t seen Kat...
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Longing for New and Mysterious Worlds at the Finnish National Opera and Ballet
Ballet Alice in Wonderland, and operas Carmen, Die Tote Stadt, and Das Rheingold. At the Finnish...
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The World Premiere of “Eight Nights” at Antaeus Theatre Company
“We are moving in the right direction, we cannot go back – There won’t be more camps, more...
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“Heroes of the Fourth Turning” at Playwrights Horizons
We live in a time, especially in America, of increasing political divide. Many politicians and...
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“Reparations” at the Billie
James Sheldon’s Reparations is a new play about racial grievance, guilt, and retribution in...
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“The Black History Museum…According to the United States of America”
The Black History Museum….According to the United States of America, Smoke & Mirrors...
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“The Thanksgiving Play” at Geffen Playhouse
“What can we do to break down the myths and stereotypes of Thanksgiving in forty-five minutes with...
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Love in 3D: Multiple Guises for L’Amour at the Royal Opera House
Love seems to have preoccupied the planning team of the 2019/2020 season: it rushes on stage in so...
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“Old Stock: A Refugee Love Story” – Form Gets In The Way Of Important, Heartfelt Story
Hannah Moscovitch has a rare gift for portraying sincere, nuanced relationships. To watch her...
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“Denarius World:” Exorcising Tragic Reality with the Farce
“Denarius World is simple and happy on the surface. Everything is fast-paced, instantaneous...
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“From Darkness” Review: Family Loss And Sorry Business that Invokes Laughter And Tears
From Darkness is a story about the aftermath of sorry business – Aboriginal rituals that are...
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Bedlam Returns to Cambridge’s Nora Theatre Company with “The Crucible”
Bedlam Theatre, a New York City Company, was founded in 2012 by the actress Andrus Nichols and the...
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Reclaiming the Legend of Bhagat Singh
Piyush Mishra’s Gagan Damama Bajyo centers around the young freedom fighter’s ideology of...
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“Anthem:” A portrait of Melbourne’s Working Class
What does it mean to be an “ordinary” Australian in anatomizing and globalized world economy?...
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New Rapp: “The Sound Inside”
Adam Rapp is a polarizing playwright. After bursting onto the scene in 2001 with Nocturne — a...
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David Baddiel’s “God’s Dice” at the Soho Theatre: Mid-Life Crisis as Science Confronts Religion
One of the great cultural divides is that between religion and science. Of course, as novels such...
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“On Bear Ridge” at the Royal Court: History of Loss in Ed Thomas’s Absurdist Play.
Memory involves places, people, things and words–especially words. This abstract proposition...
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