“Gary” Isn’t Queer Enough
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
Read MorePosted by Jonathan Kalb | 26th May 2019 | LGBTQ+ Theatre, New York, Review, United States of America
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
Read MorePosted by Mert Dilek | 26th May 2019 | London, Review, Theatre and Politics, United Kingdom
Something is tantalizingly amiss at the National’s Dorfman Theatre. There is a headset attached to...
Read MorePosted by Christine Deitner | 25th May 2019 | Los Angeles, Review, United States of America
“Begin your day, Winnie.” In Samuel Beckett’s Happy Days, Dianne Wiest’s enviable range and...
Read MorePosted by Jozefina Komporaly | 25th May 2019 | Dramaturgy, Review, Romania
The talented Romanian director Mihaela Panainte adapts Nobel laureate Herta Müller’s visceral...
Read MorePosted by Mert Dilek | 24th May 2019 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
Read MorePosted by Stephen Chinna | 24th May 2019 | Australia, Review, Theatre and Politics
Review: Water, Black Swan, Perth. Water, written by Jane Bodie and directed by Emily McLean, was...
Read MorePosted by Farinaz Kavianifar | 23rd May 2019 | Directing, Iran, Review, Theatre and Politics
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
Read MorePosted by John Smythe | 22nd May 2019 | Ireland, New Zealand, Review
Vladimir and Estragon, who nickname each other Didi and Gogo, languish nowhere in particular and...
Read MorePosted by Vikram Phukan | 22nd May 2019 | Acting, Immersive Theatre, India, Review
Playing at the ongoing Damu Kenkre Smriti Mahotsav tonight is a fairly new production directed by...
Read MorePosted by Ryan Pepper | 21st May 2019 | Canada, Review
The NAC’s Between Breaths from St. John’s Artistic Fraud of Newfoundland theatre captures the life...
Read MorePosted by Alvina Ruprecht | 21st May 2019 | Canada, Review
A two-hander by Rose Napoli that has been given a fine production at the GCTC thanks to director...
Read MorePosted by Wendy Arons | 20th May 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Quantum’s marketing slogan for this season is “theater that moves you,” and its production of...
Read MorePosted by Vikram Phukan | 20th May 2019 | Acting, India, Review, Translation
Writer-director, Mahesh Ruprao Ghodeswar’s Hero Alom pays homage to the mainstream cinema even...
Read MorePosted by Alvina Ruprecht | 20th May 2019 | Canada, Review
Indecent, written by Paula Vogel, was first produced at the Yale repertory theatre in 2015. This...
Read MorePosted by Jane Baldwin | 20th May 2019 | Boston, Review, United States of America
Boston is privileged to welcome Indecent, Paula Vogel’s and Rebecca Taichman’s adaptation of...
Read MorePosted by Maria Delgado | 19th May 2019 | Review, Spain
La Cubana—one of Spain’s most important theatre companies—are back. They may have intimated back...
Read MorePosted by Abigail Weil | 16th May 2019 | New York, Review, Theatre and Gender, United States of America
The makeover story arc is a time-honored Hollywood tradition. Audrey Hepburn made several (Funny...
Read MorePosted by Alastair Blanshard | 15th May 2019 | Australia, Review
Running through Hydra, the new play by Australian playwright Sue Smith, is the myth of Icarus, the...
Read MorePosted by Matthew McMahan | 15th May 2019 | Boston, Musical Theatre, Review, United States of America
The Huntington Theatre Company has given the city of Boston a priceless gift by remounting the...
Read MorePosted by Rem Myers | 14th May 2019 | Boston, Review, United States of America
The poetic epic by Marcus Gardley, black odyssey, presented at the Central Square Theater in a...
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