Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN
A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...
Read MorePosted by Liam Rees | 7th Jun 2019 | Belgium, Review, Theatre and Politics
A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...
Read MorePosted by Rudi Laermans | 6th Jun 2019 | Norway, Review, Transcultural Collaborations
Penelope Sleeps begins in medias res. Three performers, lying as though dead onstage, and a small...
Read MorePosted by Aleks Sierz | 5th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...
Read MorePosted by Simon Cartledge | 4th Jun 2019 | Hong Kong, Review, Theatre and Dance
Hong Kong Ballet gave two young choreographers a difficult task: produce the notoriously difficult...
Read MorePosted by Amy Toledano | 3rd Jun 2019 | London, Musical Theatre, Review, United Kingdom
In Amour at Charing Cross Theatre, Post-World War II Paris is putting itself back together. People...
Read MorePosted by Eylül Fidan Akıncı | 2nd Jun 2019 | Belgium, Review, Theatre and Politics
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
Read MorePosted by Aleks Sierz | 1st Jun 2019 | London, Review, Theatre and Politics, United Kingdom
The rewriting of Ancient Greek myth offers a way of creating contemporary stories that have a deep...
Read MorePosted by Eylül Fidan Akıncı | 1st Jun 2019 | Belgium, Review, Transmedia
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
Read MorePosted by Duška Radosavljević | 1st Jun 2019 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
Read MorePosted by Isaiah Lopaz | 31st May 2019 | Finland, Review, Theatre and Dance
In Cosmic Latte, Sonya Lindfors projects the audience into a Black future, while underscoring just...
Read MorePosted by Rem Myers | 30th May 2019 | Boston, Musical Theatre, Review, United States of America
Pacific Overtures, currently running through June 16th at The Lyric Stage in Boston, is one of...
Read MorePosted by Jane Baldwin | 30th May 2019 | Boston, Playwriting, Review, United States of America
Jocelyn Bioh’s School Girls; Or, the African Mean Girls Play now appearing at Boston’s SpeakEasy...
Read MorePosted by Maeve Campbell | 30th May 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
Drag auteur, Peaches Christ, has made their name as an adaptor of cult movies, directing the great...
Read MorePosted by Sandra D'urso | 29th May 2019 | Adaptation, Australia, Review, Theatre and Decolonization
Set in a rambling and ageing house haunted by a colonial past, Cloudstreet is a theatrical...
Read MorePosted by Aleks Sierz | 28th May 2019 | London, Playwriting, Review, United Kingdom
Royal Court’s Artistic Director Vicky Featherstone’s commitment to staging a diversity of...
Read MorePosted by Alvina Ruprecht | 28th May 2019 | Canada, Devised Theatre, Review, Transcultural Collaborations
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
Read MorePosted by Aleks Sierz | 27th May 2019 | London, Review, United Kingdom
Most of the facts about the Atlantic slave trade are well known; what is less understood is how...
Read MorePosted by Ryan Pepper | 27th May 2019 | Canada, Review
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
Read MorePosted by Rem Myers | 27th May 2019 | Boston, Musical Theatre, Review, Theatre and Politics, United States of America
We Live in Cairo, a new musical written by brothers Daniel Lazour & Patrick Lazour, directed...
Read MorePosted by Kathy Foley | 26th May 2019 | Israel, Palestine, Review, Theatre and Politics, Transcultural Collaborations, United Kingdom, United States of America
Scenes from 71* Years is a play of remembrance showing a diasporic perspective on the Palestinian...
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