Review Archives - Page 59 of 143

Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia

Posted by Maggie Ivanova | 12th Jan 2020 | Australia, Festivals, Japan, Review

Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...

“A Kind of People” at The Royal Court

Posted by Aleks Sierz | 11th Jan 2020 | London, Review, United Kingdom

The trouble with prejudice is that you can’t control how other people see you. At the start of her...

“Trojan Horse” at the Battersea Arts Centre

Posted by Aleks Sierz | 10th Jan 2020 | Adaptation, Review, Theatre and Politics, United Kingdom

Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...

The Democracy of a Whale Ship (and then a Vaudeville)

Posted by James Montaño | 8th Jan 2020 | Adaptation, Boston, Review, United States of America

Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...

“Casablanca:” We’ll Always Have the Radio!!!

Posted by Kennedy Fiorella | 8th Jan 2020 | Adaptation, Canada, Review

Gone are the days when, on a cold winter night, the family gathered around a fire to listen to the...

“The Arrival” at The Bush Theatre

Posted by Aleks Sierz | 7th Jan 2020 | London, Review, United Kingdom

Family dramas are a staple of British new writing, but as well as talking about our nearest and...

“Rhinoceros” by Eugène Ionesco: A Novella

Posted by Darie Ducan | 5th Jan 2020 | Adaptation, France, Review

Rhinoceros (1959) is one of Eugène Ionesco’s best-known plays, one of the plays with which the...

“Queen-Size:” Blurring the Lines Between Public and Private

Posted by Aprameya Manthena | 5th Jan 2020 | India, LGBTQ+ Theatre, Review, Theatre and Dance

Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...

“Macondo” in New York: Russian Theatre Brings Márquez’s Epic to Life

Posted by Victoria Zavyalova | 4th Jan 2020 | Adaptation, New York, Review, Russian Theatre Abroad, Transcultural Collaborations, United States of America

A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...

Teatr Brama’s “Ghost Dance”

Posted by Sarah Magill | 3rd Jan 2020 | Devised Theatre, Poland, Review

In the main Sala of the Vorpommen Theater in Greifswald, northern Germany, a row of bare-footed...

Re-visiting Sartre with a Pacific Twist: “Uma Lava” by Victor Rodger

Posted by David O'Donnell | 3rd Jan 2020 | Adaptation, LGBTQ+ Theatre, New Zealand, Review

Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...

“Shakespeare’s Will” at Quantum Theatre, Pittsburgh PA, USA

Posted by Wendy Arons | 2nd Jan 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America

When William Shakespeare died in 1616, he left behind dozens of plays and hundreds of poems, but...

“Orpheus and Eurydice:” A Bold Reimagining Through Circus and Opera

Posted by Alastair Blanshard | 30th Dec 2019 | Australia, Review, Theatre and Opera

Orpheus and Eurydice, directed by Yaron Lifschitz, Queensland Performing Arts Centre. The story of...

“OpeRamayana:” A New Approach to Teaching the Next Generation of Theatre-goers

Posted by Gowri S | 30th Dec 2019 | India, Review, Theatre and Politics

Animal characters are protagonists in Crea-Shakthi’s latest take on The Ramayana. Nala and Nila,...

Stop the World, I Want to Get Off! In “Exit Strategies,” One Woman Leaves and Leaves Again

Posted by Sandra D'urso | 29th Dec 2019 | Australia, Melbourne, Review

To perform an exit is not as simple as it sounds. In fact, exiting a situation can be almost...

Bringing a Greek Tragedy to 21st-Century Japan

Posted by Nobuko Tanaka | 28th Dec 2019 | Adaptation, Japan, Review

What is it about stories from the ancient world that attracts contemporary dramatists? One person...

Nostalgia on Parade: “White Christmas” on Tour in Boston

Posted by James Montaño | 28th Dec 2019 | Boston, Musical Theatre, Review, United States of America

When the full company of the touring cast of Irving Berlin’s White Christmas bursts into the...

Sven Ratzke In “Where Are We Now?” At La MaMa

Posted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America

The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...

Terra Incognita Festival in Saint Petersburg, Russia

Posted by Waldemar Raźniak | 27th Dec 2019 | Festivals, Review, Russia

It’s in our laugh and in our tears And in the pulsation of our veins Change! We are longing...

The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław

Posted by Katarzyna Waligóra | 25th Dec 2019 | Acting, Poland, Puppetry, Review

The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...

Review

Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia

“A Kind of People” at The Royal Court

“Trojan Horse” at the Battersea Arts Centre

The Democracy of a Whale Ship (and then a Vaudeville)

“Casablanca:” We’ll Always Have the Radio!!!

“The Arrival” at The Bush Theatre

“Rhinoceros” by Eugène Ionesco: A Novella

“Queen-Size:” Blurring the Lines Between Public and Private

“Macondo” in New York: Russian Theatre Brings Márquez’s Epic to Life

Teatr Brama’s “Ghost Dance”

Re-visiting Sartre with a Pacific Twist: “Uma Lava” by Victor Rodger

“Shakespeare’s Will” at Quantum Theatre, Pittsburgh PA, USA

“Orpheus and Eurydice:” A Bold Reimagining Through Circus and Opera

“OpeRamayana:” A New Approach to Teaching the Next Generation of Theatre-goers

Stop the World, I Want to Get Off! In “Exit Strategies,” One Woman Leaves and Leaves Again

Bringing a Greek Tragedy to 21st-Century Japan

Nostalgia on Parade: “White Christmas” on Tour in Boston

Sven Ratzke In “Where Are We Now?” At La MaMa

Terra Incognita Festival in Saint Petersburg, Russia

The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław

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