Tadashi Suzuki’s “Cyrano de Bergerac”: East and West Under the Umbrella
This year is a special one for the Theatre Olympics. For in it’s touring, it is comprised of two...
Read MorePosted by Emiliia Dementsova | 23rd Nov 2019 | Festivals, Japan, Review, Russia, Theatre Olympics 2019
This year is a special one for the Theatre Olympics. For in it’s touring, it is comprised of two...
Read MorePosted by Emiliia Dementsova | 2nd Nov 2019 | Festivals, Poland, Review, Russia, Theatre Olympics 2019
King Lear by William Shakespeare. Text adaptation and music scoring by Jan Klata. Translation:...
Read MorePosted by Emiliia Dementsova | 31st Oct 2019 | Festivals, Germany, Review, Russia, Theatre Olympics 2019
The Eighth Life (for Brilka) or Das achte Leben (Für Brilka). Adapted by Julia Lochte and Emilia...
Read MorePosted by Emiliia Dementsova | 26th Oct 2019 | Festivals, Review, Russia, Theatre Olympics 2019
The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre...
Read MorePosted by Emiliia Dementsova | 18th Oct 2019 | Festivals, News, Russia, Russian Theatre - Featured, Theatre Olympics 2019
The Olympics is a paradoxical phenomenon. On the one hand, it lives in a spirit of competition and...
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Oldenburg’s Production Of “Mephisto” Continues And… by Daniel Meyer-Dinkgräfe 25th June 2026 | M | T | W | T | F | S | S |
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