Tim Cowbury’s “The Claim” at Shoreditch Town Hall: Quietly Satirical Account of Political Asylum
Your story. Our story. Their story. Just imagine: you’re a political refugee, and, having...
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Review
“Albion” Returns to The Almeida, but Falls Short of Its Political Aspirations
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
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On Guts and Astonishing Effect: Gctc’s “Kiinalik: These Sharp Tools”
There’s a danger to hasty reaction. To act on instinct is to perhaps ignore a bigger contextual...
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Henrietta Baird’s “The Weekend” Proves the Enduring Power of Solo Performance
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
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Funny and Fem, “She the People” at the Huntington Theatre Company
Visiting the city of Boston during its national tour, the Second City sketch revue She The People:...
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“Revenge Song” – A Vampire Cowboys Creation at Geffen Playhouse
Okay, my global theatre friends, we admit it – we here in Los Angeles have been missing...
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Antoinette Nwandu’s “Pass Over” at the Kiln Theatre
Antoinette Nwandu’s play Pass Over is a palimpsest. Its outer surface looks familiar: haunted by...
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Screaming, Sweat, and Prizes in “Old School Game Show” at OBERON
One of Boston’s long-running interactive theatrical events, now featured routinely at the...
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Caryl Churchill’s “A Number” at the Bridge Theatre: Family Drama About Genetic Manipulation
Genetic engineering is in the news again. This follows the resignation of Andrew Sabisky as...
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Martin Sherman’s “Rose” in Athens
She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.
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The Market Theatre’s “The Lion and The Lamb” is a Symphony of Talent
The Lion and The Lamb, the biblically-inspired musical which retells the story of Jesus, was...
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Tony Kushner’s “The Visit” at the National Theatre
Now that’s what I call a star turn. Hitting the brakes on an express train, Lesley Manville lands...
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“Star Odyssey” at MoMA PS1
The VW Dome at MoMA PS1 in Long Island City, Queens is the evocative setting of web-inspired...
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Williams and Dyer’s “Death of England,” National Theatre
Is this an angry island? Although the British national character (if there is such a thing) has...
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“5 O’clock Bells:” The Story of Lenny Breau
5 O’clock Bells, written and performed by Pierre Brault brings the artist back to the Gladstone...
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“Van Wyk, The Storyteller of Riverlea:” A Tribute to the Revolutionary Johannesburg Poet
Van Wyk, The Storyteller of Riverlea based on the life of late writer, political activist and...
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“The Welkin” at The National Theatre
History plays should perform a delicate balancing act: they have to tell us something worth...
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Miss Marple Moves to Goa
For fans of the whodunit as gradually unfolding conundrum rather than mere build-up to a climactic...
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“Family Values:” David Williamson’s New Uncomfortable, Confronting Play
The newest play from Australia’s most prolific playwright sees David Williamson in vintage form....
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About “The Importance Of Being Earnest”
Last week, I went for the first time to Stoke Newington’s Tower Theatre, whose company has since...
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