The Market Theatre’s “The Lion and The Lamb” is a Symphony of Talent
The Lion and The Lamb, the biblically-inspired musical which retells the story of Jesus, was...
Read MorePosted by Tonderai Chiyindiko | 21st Feb 2020 | Review, South Africa, Theatre and Art
The Lion and The Lamb, the biblically-inspired musical which retells the story of Jesus, was...
Read MorePosted by Mert Dilek | 20th Feb 2020 | Adaptation, London, Review, United Kingdom
Now that’s what I call a star turn. Hitting the brakes on an express train, Lesley Manville lands...
Read MorePosted by Jack Wernick | 20th Feb 2020 | New York, Review, United States of America
The VW Dome at MoMA PS1 in Long Island City, Queens is the evocative setting of web-inspired...
Read MorePosted by Aleks Sierz | 20th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Is this an angry island? Although the British national character (if there is such a thing) has...
Read MorePosted by Alvina Ruprecht | 19th Feb 2020 | Acting, Canada, Review
5 O’clock Bells, written and performed by Pierre Brault brings the artist back to the Gladstone...
Read MorePosted by Tonderai Chiyindiko | 19th Feb 2020 | Review, South Africa, Theatre and Politics
Van Wyk, The Storyteller of Riverlea based on the life of late writer, political activist and...
Read MorePosted by Aleks Sierz | 19th Feb 2020 | London, Review, United Kingdom
History plays should perform a delicate balancing act: they have to tell us something worth...
Read MorePosted by Vikram Phukan | 18th Feb 2020 | India, Review, Theatre and Art
For fans of the whodunit as gradually unfolding conundrum rather than mere build-up to a climactic...
Read MorePosted by Ian Maxwell | 18th Feb 2020 | Australia, Review, Theatre and Politics
The newest play from Australia’s most prolific playwright sees David Williamson in vintage form....
Read MorePosted by Aleks Sierz | 18th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Last week, I went for the first time to Stoke Newington’s Tower Theatre, whose company has since...
Read MorePosted by Aleks Sierz | 17th Feb 2020 | London, Review, United Kingdom
No playwright has had greater influence on successive generations of theatre-makers than Samuel...
Read MorePosted by Mert Dilek | 16th Feb 2020 | Adaptation, London, Review, United Kingdom
A woman walks into her home. Then does another. And another. Stef Smith’s Nora: A Doll’s House is...
Read MorePosted by Mert Dilek | 15th Feb 2020 | London, Review, United Kingdom
Towards the end of Leopoldstadt, a young writer named Leonard is handed a sheet of paper with his...
Read MorePosted by Duška Radosavljević | 13th Feb 2020 | London, Review, Transmedia, United Kingdom
The last time I took my non-theatre-going husband to the Royal Court was in the autumn of 2013,...
Read MorePosted by Tonderai Chiyindiko | 13th Feb 2020 | Africa, Review, South Sudan
Daddies of Sugar with its catchy and somewhat risqué title is Jefferson Tshabalala better known in...
Read MorePosted by Andrew Agress | 12th Feb 2020 | New York, Review, Theatre and Film, United States of America
It seems that the classic Broadway musical West Side Story may be getting not one but two film...
Read MorePosted by Aleks Sierz | 12th Feb 2020 | Review, Theatre and Politics, United Kingdom
Total surveillance: this is the idea that every moment of our waking existence can be spied upon...
Read MorePosted by Aleks Sierz | 11th Feb 2020 | London, Review, United Kingdom
Your sweet tooth can get you into trouble. Lots of trouble. In this revival of Lucy Prebble’s...
Read MorePosted by Bronwyn Carlson | 10th Feb 2020 | Australia, Review, Sydney, Theatre and Politics
Review: Bran Nue Dae, by Jimmy Chi and Kuckles and directed by Andrew Ross for Sydney Festival....
Read MorePosted by Marcina Zaccaria | 10th Feb 2020 | New York, Review, Theatre and Opera, United States of America
With a smattering of words, carefully grouped to alert the scholar that collectivism and...
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