“Little Shop of Horrors” at the Pittsburgh Public Theater in Pittsburgh, PA, USA
There’s no way Artistic Director Marya Sea Kaminski could possibly have predicted that the...
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Review
“Hoot” – Featuring the Inimitable and Versatile Matthew Ribnick is a Rib-Cracking Comedic Masterpiece!
Matthew Ribnick is not your average actor and his performance in the highly acclaimed Hoot is...
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Druid Shakespeare: “Richard III” – The Voracious Void
A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
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Chris Bush’s “Faustus: That Damned Woman” at the Lyric Hammersmith
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
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The Neverending Story: NAC’s Production a Visual Feast Which Doesn’t Quite Gel with the Story
The Neverending Story is a testament to the importance of imagination and the power of stories....
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“Scenes with Girls” at The Royal Court
Tonight, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It’s...
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Static Electricity: Beckett at Under the Radar
“Static” is one of those words from which most artists recoil. It’s typically used for something...
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“HEN” – Gender Fluid Puppetry at The Mouffetard – Théâtre des Arts de la Marionnette, Paris
HEN. Johanny Bert – Théâtre de Romette. January 22, 2020. Le Mouffetard – Théâtre des Arts...
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“Les Misérables” at Sondheim Theatre
Do you hear the people sing? In recent months, you’re more likely to have heard news stories about...
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Pondicherry Heritage Festival Gets Under Way
Play on Tamil poet Subramania Bharati launches the cultural event, which is on till February 12....
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A Light in the Dark: “Unikkaaqtuat” a Joyful, Moderate Success at Ottawa’s National Arts Centre
From the pre-show announcement, we know we won’t catch all that is said onstage...
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Business Ethics Takes Center Stage
A theatrical performance by the Association of Chartered Certified Accountants grapples with the...
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“Lady Tabouli” Review: A Hilarious Comedy About Suffocating Expectations
Review: Lady Tabouli, directed by Dino Dimitriadis, National Theatre of Parramatta for Sydney...
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“Peggy’s Song:” A Sincere Exploration of Grief which Asks Important Questions
Peggy’s Song, the final production of Theatre Kingston’s 2019-20 season, provides a light-hearted...
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Chekhov’s “Uncle Vanya” at the Harold Pinter Theatre
The wilting characters of Uncle Vanya would like us to believe that their scenes from country life...
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Janice Okoh’s “The Gift” at the Theatre Royal Stratford East: Complex and Powerful Account of Race and Empire
Queen Victoria is a strong symbol of the old British Empire. For some 200 years, up to the 1950s,...
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“Goldberg Variations”
Within moments of the opening bars of Kit Armstrong’s rendering of Bach’s Goldberg...
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“Black Drop Effect:” Indigenous Voices Offering New Historical Perspective
Review: Black Drop Effect, directed by Felix Cross for Sydney Festival Aboriginal and Torres...
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“The White Album:” Finding Community and Solidarity in Joan Didion’s Play Adaptation
We tell ourselves stories in order to live. – Joan Didion, The White Album Theatre can be many...
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“El Círculo” Review: The Vulnerability of Process as Performance
El Círculo will have another run in this month’s Santiago a Mil festival. This review is of a...
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