A Light in the Dark: “Unikkaaqtuat” a Joyful, Moderate Success at Ottawa’s National Arts Centre
From the pre-show announcement, we know we won’t catch all that is said onstage...
Read MorePosted by Aisling Murphy | 4th Feb 2020 | Canada, Review, Theatre and Dance
From the pre-show announcement, we know we won’t catch all that is said onstage...
Read MorePosted by Liffy Thomas | 3rd Feb 2020 | India, Review, Theatre and Politics
A theatrical performance by the Association of Chartered Certified Accountants grapples with the...
Read MorePosted by Cherine Fahd | 3rd Feb 2020 | Australia, Review, Sydney, Theatre and Age
Review: Lady Tabouli, directed by Dino Dimitriadis, National Theatre of Parramatta for Sydney...
Read MorePosted by Natasha Lomonossoff | 2nd Feb 2020 | Adaptation, Canada, Review
Peggy’s Song, the final production of Theatre Kingston’s 2019-20 season, provides a light-hearted...
Read MorePosted by Mert Dilek | 1st Feb 2020 | Adaptation, London, Review, United Kingdom
The wilting characters of Uncle Vanya would like us to believe that their scenes from country life...
Read MorePosted by Aleks Sierz | 1st Feb 2020 | Nigeria, Playwriting, Review, Theatre and Politics, United Kingdom
Queen Victoria is a strong symbol of the old British Empire. For some 200 years, up to the 1950s,...
Read MorePosted by AeRhee Lee | 30th Jan 2020 | Musical Theatre, New York, Review, United States of America
Within moments of the opening bars of Kit Armstrong’s rendering of Bach’s Goldberg...
Read MorePosted by Amanda Harris | 29th Jan 2020 | Australia, Review, Sydney
Review: Black Drop Effect, directed by Felix Cross for Sydney Festival Aboriginal and Torres...
Read MorePosted by Karen Cummings | 29th Jan 2020 | Australia, Review, Sydney
We tell ourselves stories in order to live. – Joan Didion, The White Album Theatre can be many...
Read MorePosted by Mary Allison Joseph | 28th Jan 2020 | Chile, Festivals, Review
El Círculo will have another run in this month’s Santiago a Mil festival. This review is of a...
Read MorePosted by Aisling Murphy | 27th Jan 2020 | Musical Theatre, New York, Review, United States of America
To escape the mundanity of our own everyday. To revel in the ephemerality of storytelling. To...
Read MorePosted by Abigail Weil | 26th Jan 2020 | Adaptation, New York, Prototype 2020, Review, Theatre and Opera, United States of America
Two embarrassing conditions unsettled me at the top of Ellen West, the new opera by Ricky Ian...
Read MorePosted by Nobuko Tanaka | 25th Jan 2020 | Collaborating Across Cultures, Japan, Review
Japanese theater gets off to a flying start in 2020 with a collaboration between leading British...
Read MorePosted by Bronwyn Carlson | 25th Jan 2020 | Australia, Festivals, Review
Seven senior lawmen discuss what to do about approaching ships in Frederick Copperwaite’s...
Read MorePosted by Aleks Sierz | 24th Jan 2020 | London, Review, United Kingdom
The prolific Mike Bartlett — from whose pen have leaped television series such as Doctor...
Read MorePosted by Aleks Sierz | 23rd Jan 2020 | London, Review, United Kingdom
The 1990s were a great decade for new writing, but although the story of those years is often told...
Read MorePosted by Jonathan Kalb | 23rd Jan 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
An oddity of this theatrical season to ponder as we bid farewell to 2019: In two current New York...
Read MorePosted by Aleks Sierz | 22nd Jan 2020 | London, Review, United Kingdom
Turn on the news. Go on. No? Okay, switch on the radio. Why not? Oh, I see, because the news is...
Read MorePosted by Wendy Arons | 22nd Jan 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
In Jungian psychology, the house symbolizes the mind, with the basement representing the deepest...
Read MorePosted by Akarsh Khurana | 22nd Jan 2020 | India, Review, Theatre and Art
It makes sense and feels good that two of the top 5 plays deal with mental health issues....
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 