Matthew Ribnick is not your average actor and his performance in the highly acclaimed Hoot is testament to his supreme acting talent which has been honed over a number of years.

As is the norm with his other productions such as The Chilli Boy (2002) and Monkey Nuts (2009), in Hoot (2005) Matthew plays multiple quintessentially South African characters who are all caught up in one way or another by the well-documented challenges which continue to bedevil the ‘rainbow nation’ from the contentious race and class issues, inequality, unemployment, rampant crime, and violence.

While these issues are not new, Matthew brings a refreshing and thought-provoking perspective to them not only because he is a white actor (in a predominantly black country) where many of the issues disproportionately affect the majority black population, he also seems to have a keen sense of social and political awareness of the complexities of these challenges and why more than twenty years after independence South Africa continues to grapple with them.

Hoot performed by Matthew Ribnick.

From playing his wife to a number of colorful taxi drivers (given that in the play he himself becomes a taxi driver after he loses his job and house) and then back to himself, it is quite amazing to observe how he is able to fluidly almost like ‘a duck taking to water’ move seamlessly from one character to the next and the next and then back to himself with such flawlessness and assured confidence.

Working with his creative collaborator and wife, Geraldine Naidoo who co-writes (together with Matthew), directs and produces all of Matthew Ribnicks’s work – the duo has come to be known for the richness of the stories they tackle in their productions, the colorfulness of the characters who bring to life these stories and the authenticity of their portrayal of what it means to be white and privileged or black and poor as well all the other challenges of post-Apartheid South Africa.

It is no surprise then that Ribnick and Naidoo’s work written mostly in the 2000s continues to be relevant and has over the years won them numerous awards.

HOOT, co-written and directed by Geraldine Naidoo and performed by Matthew Ribnick was at P.O.P Art  in Maboneng, Johannesburg from 28 November – 1 December 2019

 

This article was originally posted at theafricantheatremagazine.com on January 17, 2020, and has been reposted with permission. To read the original article, click here.

This post was written by the author in their personal capacity.The opinions expressed in this article are the author’s own and do not reflect the view of The Theatre Times, their staff or collaborators.