Review Archives - Page 110 of 143

Jacob Storms’ “Tennessee Rising”: Remembering Tennessee Williams

Posted by David Vernon | 2nd May 2018 | New York, Playwriting, Review, United States of America

Tennessee Rising is a theatre piece that requires yet easily commands your full attention. The...

“Instructions For Correct Assembly” at The Royal Court: New British Sci-Fi Theatre

Posted by Aleks Sierz | 2nd May 2018 | London, Review, United Kingdom

There’s a whole universe which British theatre has yet to explore properly—it’s called the sci-fi...

Bread of Life: Bread and Puppet Theater’s “The Basic Bye Bye Show”

Posted by Jessica Rizzo | 1st May 2018 | Philadelphia, Review, United States of America

As The Basic Byebye Show comes to an end, a pair of enormous papier mâché angel’s wings protruding...

Arrows And Traps: A Charming Rendition Of Chekhov’s “Three Sisters”

Posted by Tom Pandolfino | 30th Apr 2018 | London, Review, Russia, Russian Theatre - Featured, Russian Theatre Abroad

“To Moscow, to Moscow…” The renowned lament in Anton Chekhov’s Three Sisters still...

The Wooster Group’s “A Pink Chair” – Can You Ever Return?

Posted by Magda Romanska | 29th Apr 2018 | Devised Theatre, New York, Polish Theatre Abroad, Review, United States of America

The Wooster Group’s newest production, A Pink Chair (In Place of a Fake Antique), was...

A Genre-Bending Pasifika Collaboration -“The Naked Samoans Do Magic”

Posted by David O'Donnell | 29th Apr 2018 | Festivals, New Zealand, Review, Transcultural Collaborations

The Naked Samoans Do Magic Commissioned by the Auckland Arts Festival and co-produced with The...

“Fun Home” By The Musical Stage Company As Part Of The Off Mirvish Series

Posted by Joe Szekeres | 29th Apr 2018 | Canada, LGBTQ+ Theatre, Review

Emotionally moving for its’ superlative vocal work and outstanding individual performances The...

“La Cerisaie”: Chekhov’s “Cherry Orchard” With New Secrets

Posted by Alvina Ruprecht | 26th Apr 2018 | Acting, Adaptation, Belgium, Review

La Cérisaie (The Cherry Tree/The Cherry Orchard) presented by the Belgian company TG STAN (i.e....

“Quiz” at Noël Coward Theatre: Towards Participatory Theatre

Posted by Aleks Sierz | 25th Apr 2018 | Documentary Theatre, London, Participatory Theatre, Review, United Kingdom

It’s been a golden week for James Graham, British theatre’s wonder boy. After winning an Olivier...

“Sal Capone: The Lamentable Tragedy Of…”: Docudrama Musical for Black Lives Matter

Posted by Alvina Ruprecht | 24th Apr 2018 | Canada, Musical Theatre, Review, Theatre and Politics

The Beginning Of A Most Important Dialogue Initiated By This striking and moving staging of rage!...

“Blink” An Unblinking Look At The Pitfalls Of Electronic Romance

Posted by Jamie Portman | 23rd Apr 2018 | Canada, Review

Blink by Phil Porter, A Plosive production. Directed by Teri Loretto-Valentik Back in another era,...

“Pressure” at The Park Theatre: New Play on D-Day

Posted by Aleks Sierz | 23rd Apr 2018 | Acting, Documentary Theatre, London, Review, United Kingdom

There are few things more British than talking about the weather. What makes this play about a...

The Making and Breaking of a Tyrant: “Dhaad” New Play from India

Posted by Diwan Singh Bajeli | 23rd Apr 2018 | India, Review, Theatre and Gender

At the ongoing Theatre Olympics, Gujarati play Dhaad brought to fore the making and breaking of a...

“The Way Of The World” at The Donmar Warehouse

Posted by Aleks Sierz | 22nd Apr 2018 | London, Review, United Kingdom

Let us have a quick moan about repertoire. You know, the types of plays that most of our theatres...

Bronze Statues And Memories: Returning Home In “The Musician And The Girl”

Posted by Kim Namseok | 21st Apr 2018 | Review, South Korea

Busan. Once a small, quiet town and the Joseon Kingdom’s first open port, it changed completely in...

“Mr. Half Dwells…” Journeys Through the “Normal” City of Hong Kong in the Most Abnormal Theatrical Display

Posted by Clement Lee | 21st Apr 2018 | Design, Hong Kong, Review

It is always an excitement to anticipate a show if one sees the name Ming-hang...

Secret Cinema’s Most Recent Production: A Recreated World Of Ridley Scott’s Classic Film “Blade Runner: The Final Cut”

Posted by Beatriz Cabur | 20th Apr 2018 | Immersive Theatre, London, Participatory Theatre, Review, Transmedia, United Kingdom

Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...

Chinese Vagina Monologues And Beyond

Posted by Ling Tang | 19th Apr 2018 | China, Chinese Theatre Abroad, Documentary Theatre, London, Review, Theatre and Gender, United Kingdom

On March 20 2018, VaChina, a London-based Chinese feminist network, staged its first full drama...

“Plastic” at the Old Red Lion Theatre: On Teenage Love and Tragedy

Posted by Aleks Sierz | 17th Apr 2018 | London, Review, United Kingdom

Many years ago, your time at school might even have been some of the happiest days of your...

Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship

Posted by Hayley Malouin | 17th Apr 2018 | Canada, Review, Theatre and Politics

Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...

Review

Jacob Storms’ “Tennessee Rising”: Remembering Tennessee Williams

“Instructions For Correct Assembly” at The Royal Court: New British Sci-Fi Theatre

Bread of Life: Bread and Puppet Theater’s “The Basic Bye Bye Show”

Arrows And Traps: A Charming Rendition Of Chekhov’s “Three Sisters”

The Wooster Group’s “A Pink Chair” – Can You Ever Return?

A Genre-Bending Pasifika Collaboration -“The Naked Samoans Do Magic”

“Fun Home” By The Musical Stage Company As Part Of The Off Mirvish Series

“La Cerisaie”: Chekhov’s “Cherry Orchard” With New Secrets

“Quiz” at Noël Coward Theatre: Towards Participatory Theatre

“Sal Capone: The Lamentable Tragedy Of…”: Docudrama Musical for Black Lives Matter

“Blink” An Unblinking Look At The Pitfalls Of Electronic Romance

“Pressure” at The Park Theatre: New Play on D-Day

The Making and Breaking of a Tyrant: “Dhaad” New Play from India

“The Way Of The World” at The Donmar Warehouse

Bronze Statues And Memories: Returning Home In “The Musician And The Girl”

“Mr. Half Dwells…” Journeys Through the “Normal” City of Hong Kong in the Most Abnormal Theatrical Display

Secret Cinema’s Most Recent Production: A Recreated World Of Ridley Scott’s Classic Film “Blade Runner: The Final Cut”

Chinese Vagina Monologues And Beyond

“Plastic” at the Old Red Lion Theatre: On Teenage Love and Tragedy

Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship

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