“Expensive Shit” at Soho Theatre
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, Theatre and Gender, United Kingdom
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, United Kingdom
One good reason to visit the theatre is to see stars in the flesh. And some of the biggest celebs...
Read MorePosted by Margaret Drummond | 17th Apr 2017 | Review, Romania
What do we mean by “home?” This is the central question posed by Romanian playwright...
Read MorePosted by Aleks Sierz | 17th Apr 2017 | Review, United Kingdom
The Bush is back! After a whole year of darkness, the West London new writing venue has reopened...
Read MorePosted by Aleks Sierz | 16th Apr 2017 | Review, Theatre and Gender, United Kingdom
Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...
Read MorePosted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
Read MorePosted by Mary Mazzilli | 8th Apr 2017 | London, Playwriting, Review, United Kingdom
There is something strangely genuine and comically truthful about the European première of David...
Read MorePosted by Aleks Sierz | 4th Apr 2017 | Review, Theatre and Politics, United Kingdom
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
Read MorePosted by Mark O'Thomas | 4th Apr 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
Much has been written over recent months about the apparent bubble in which we are all now living,...
Read MorePosted by Aleks Sierz | 3rd Apr 2017 | Adaptation, London, Review, United Kingdom
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
Read MorePosted by Jonathan Kalb | 2nd Apr 2017 | New York, Review, United States of America
As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...
Read MorePosted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
Read MorePosted by Andreea Chirita | 31st Mar 2017 | China, Poland, Polish Theatre Abroad, Review, Transcultural Collaborations
In May, September, and November 2016, the Stary Teatr in Krakow staged an exquisite and courageous...
Read MorePosted by Jessica Rizzo | 31st Mar 2017 | Chile, New York, Review, Theatre and Politics, United States of America
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
Read MorePosted by Adam Sherwin | 27th Mar 2017 | Immersive Theatre, London, Review, Theatre and Opera, United Kingdom
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
Read MorePosted by Aleks Sierz | 27th Mar 2017 | Review, Theatre and Politics, United Kingdom
Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime...
Read MorePosted by Jonathan Kalb | 26th Mar 2017 | New York, Review, Theatre and Disability, United States of America
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
Read MorePosted by Sarah Clovis Bishop | 22nd Mar 2017 | Kama Ginkas Black Monk, Review, Russia
While at his family estate in Melikhovo in the early 1890s, Anton Chekhov dreamt of a monk...
Read MorePosted by Andreea Scridon | 22nd Mar 2017 | Adaptation, Review, Russia, Russian Theatre Abroad
The Little Prince–the classic novella by Antoine de Saint-Exupéry–is about a pilot stranded in the...
Read MorePosted by Russian Art + Culture | 19th Mar 2017 | Review, Russia, Theatre and Dance
A Spectacular Celebration Of The Russian Tradition The memories of the magical evening with Moscow...
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