Review Archives - Page 111 of 143

“Without Damage” Gets A Ground-Breaking Debut At Egypt’s D-CAF

Posted by Daily News Egypt | 17th Apr 2018 | Egypt, Immersive Theatre, Review, Theatre and Dance

People may or may not be familiar with contemporary art, but it involves no damage to the audience...

King’s Head Theatre’s “Victim”: One-Woman Show About Life in Prison

Posted by Aleks Sierz | 16th Apr 2018 | London, Review, United Kingdom

Last night, I went to the King’s Head Theatre to see Martin Murphy’s hugely enjoyable Victim, a...

Boheme and Beer: an Unconventional Production by Boston Opera Collaborative

Posted by Kristin Tomecek | 15th Apr 2018 | Boston, Review, Theatre and Opera

Audiences found themselves amidst fermentation vessels and set dressings alike this past Thursday...

“Dark Dunedin: Heaven Looks On” Excavating Layers Of The Real And The Imagined

Posted by Hilary Halba | 14th Apr 2018 | Festivals, Immersive Theatre, New Zealand, Review, Transmedia

An audience assembles on the grassy margins of Prospect Park in Ōtepoti/Dunedin, New Zealand, on a...

“Miss You Like Hell”: New York Premiere Musical

Posted by The Theatre Times | 14th Apr 2018 | Musical Theatre, New York, Review, United States of America

There’s no curtain to create the traditional pomp and circumstance of American theatre. The stage...

A Disturbingly, Yet Fascinating Vision Of A “What If” Scenario Of Human Test Subjects

Posted by Joe Szekeres | 13th Apr 2018 | Canada, Review

The Story (From the press release) Two subjects, Corcoran and Filigree, are imprisoned in a human...

“Betroffenheit” Corporeal Exchange As Innovative Now As The Work Of Pina Bausch In The 1970’s

Posted by Alvina Ruprecht | 12th Apr 2018 | Canada, Review

Betroffenheit (consternation, a state of shock, dismay) a co-production by Kidd Pivot Company and...

“Carousel” is Revived on Broadway, Ill-Timed and Ill-Equipped

Posted by Michael Appler | 12th Apr 2018 | Musical Theatre, New York, Review, United States of America

There is magic in this production, though it is Broadway magic arguably used for ill.

“Betroffenheit:” An Emotional Spectacle Which Transforms The Power Of Dance

Posted by Natasha Lomonossoff | 11th Apr 2018 | Canada, Review, Theatre and Dance

Betroffenheit, a creation by renowned Canadian choreographer Crystal Pite and writer Jonathon...

“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best

Posted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom

Every great playwright has to have both an identifiable style and the ability to innovate and...

“Love Me Now” at The Tristan Bates Theatre: Love in the Time of Tinder

Posted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom

Love may well be the strongest four-letter word, but what is the latest news from the front line...

“In And Of Itself”: Derek DelGaudio’s Gift Of Encounter

Posted by Rachel E. Diken | 9th Apr 2018 | Immersive Theatre, New York, Review, United States of America

Wow. In & Of Itself, written and performed by Derek DelGaudio for long runs with numerous...

Socialist Morality in “The Threepenny Opera”

Posted by Katrina Holden-Buckley | 8th Apr 2018 | Boston, Review, Theatre and Opera, Theatre and Politics, United States of America

On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...

Myth, Motherhood, And Desperation in Modern Adaptation of Lorca’s “Yerma”

Posted by Jonathan Kalb | 7th Apr 2018 | Adaptation, New York, Review, United States of America

Last Monday, about forty minutes into the final preview of Yerma at the Park Avenue Armory—Simon...

Searching For Lost Artists In “A Song Of Dewdrops”

Posted by Song Minsook | 7th Apr 2018 | Musical Theatre, Review, South Korea

I went to the Seoul Donhwamun Traditional Theatre in early November, the night of the first full...

The Politics of Child Abuse in Searing Māori Theatre: “Bless the Child” by Hone Kouka

Posted by David O'Donnell | 5th Apr 2018 | New Zealand, Review, Theatre and Politics

Bless the Child by Hone Kouka. Co-produced by the New Zealand Festival, Auckland Arts Festival and...

World Premiere Musical: “The Lucky Ones”

Posted by The Theatre Times | 4th Apr 2018 | Millennial Perspectives, Musical Theatre, New York, Review, United States of America

With downtown theatre audiences, the never-ending challenge is how to push boundaries and create...

Richard Eyre’s Production Of “Long Day’s Journey Into Night” Performed By Irons And Manville At Wyndham’s Theatre

Posted by María Agustina Pardini | 3rd Apr 2018 | London, Review, United Kingdom

Dysfunctional families do not know about time or place. We may all know too well that reading...

“The Great Wave” at The National Theatre: True Stories of Japanese People Abducted by the North Korean Regime

Posted by Aleks Sierz | 3rd Apr 2018 | Documentary Theatre, London, Review, United Kingdom

Until very recently British theatre has been pretty poor at representing the stories of Chinese...

The NAC Comes Up Trumps With “carried away”

Posted by Jamie Portman | 2nd Apr 2018 | Canada, Review

carried away on the crest of a wave By David Yee, Directed by Kim Collier. A NAC English Theatre...

Review

“Without Damage” Gets A Ground-Breaking Debut At Egypt’s D-CAF

King’s Head Theatre’s “Victim”: One-Woman Show About Life in Prison

Boheme and Beer: an Unconventional Production by Boston Opera Collaborative

“Dark Dunedin: Heaven Looks On” Excavating Layers Of The Real And The Imagined

“Miss You Like Hell”: New York Premiere Musical

A Disturbingly, Yet Fascinating Vision Of A “What If” Scenario Of Human Test Subjects

“Betroffenheit” Corporeal Exchange As Innovative Now As The Work Of Pina Bausch In The 1970’s

“Carousel” is Revived on Broadway, Ill-Timed and Ill-Equipped

“Betroffenheit:” An Emotional Spectacle Which Transforms The Power Of Dance

“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best

“Love Me Now” at The Tristan Bates Theatre: Love in the Time of Tinder

“In And Of Itself”: Derek DelGaudio’s Gift Of Encounter

Socialist Morality in “The Threepenny Opera”

Myth, Motherhood, And Desperation in Modern Adaptation of Lorca’s “Yerma”

Searching For Lost Artists In “A Song Of Dewdrops”

The Politics of Child Abuse in Searing Māori Theatre: “Bless the Child” by Hone Kouka

World Premiere Musical: “The Lucky Ones”

Richard Eyre’s Production Of “Long Day’s Journey Into Night” Performed By Irons And Manville At Wyndham’s Theatre

“The Great Wave” at The National Theatre: True Stories of Japanese People Abducted by the North Korean Regime

The NAC Comes Up Trumps With “carried away”

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