“Black Men Walking” at The Royal Court: Ordinary Folk Doing Ordinary Thing
In the same week that Arinzé Kene’s Misty, a play that passionately questions the clichés of...
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Review
“La Traviata” at the Teatro Sociale in Rovigo
On February 18th, 2018, Giuseppe Verdi’s La Traviata was staged at the Teatro Sociale in...
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Pathos Of The Oppressed
At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...
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Meredith Monk’s “Cellular Songs” At Brooklyn Academy Of Music
BAM’s Harvey Theater always feels like a mammoth work in progress. Walls to the larger opera house...
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Six Must-Watch Plays At The Theatre Olympics In Mumbai
The Mumbai tour will be its final leg, with the closing ceremony slated for April 8 at Worli’s...
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“The Black Monk”: Dramatism And A Large Dose Of Slapstick
Of all the great Russian writers of the second half of the nineteenth century, none perfected the...
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“Kumar50”: The Star of the Singapore Drag Scene
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
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“In the Club”: Tackling Sexual Assault, Gender, and a Male Dominated Sports Culture
A new play by award-winning playwright Patricia Cornelius tackles the prevalence of sexual...
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Cherry Play “Rule Of Thumb” Captures Challenges And Culture Brilliantly
If you’re fortunate, you have at least one friend who’s a creative and adventurous cook—and who...
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“The Birthday Party”- A Classic That Never Grows Old
Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...
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“Butcher of Balkans” in Jester’s Attire: A Musical About Slobodan Milosevic
A musical about Slobodan Milosevic and his wife Mira dresses the “Butcher of Balkans”...
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Poland and The World of the Bad Change: The Theatre of the Eighth Day’s “And They Pitched a Tent Among Us”
For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....
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Contemporary Poland in “Paragraph 196 (Exercises on Terror)” by the Theatre of the Eighth Day
The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...
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“Humble Boy” at The Orange Tree Theatre: The Tragi-Comedy of Generational Conflict
Good programming is an art, and Paul Miller—artistic director at this venue—is clearly on a...
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“Goodbye, Mr. Yi Sang”: Seoul Performing Arts Company’s New Experiment
Theatre adaptations of novels are on the rise this season. Of course, this is nothing new....
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“Idomeneus”: Digging For Truth In Myth
In the end, it’s all about the story. The story you remember, the story you want to tell,...
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Divine Comedy Festival 2017 Review: “Cezary Goes To War”
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
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Why I Can’t Accept “Amy And The Orphans”
What do you do with a disabled child you can’t emotionally support? While not the biggest question...
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Opera Forward Festival: Amsterdam, March 2018
If you ask any resident of Amsterdam: “how did the National Opera House look from the...
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“Buggy Baby” at The Yard Theatre: How Can You Represent Trauma in The Theatre?
How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...
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