“Instructions For American Servicemen In Britain” Is A Humorous Collection Of Sketches
We’re familiar, perhaps too familiar, with the image of Dad’s Army, gamely tramping down the...
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Review
What Is the Price of Surrogacy? Vivienne Franzmann’s “Bodies” at The Royal Court
Surrogacy is an emotionally fraught subject. And one that is pregnant with meaning. The...
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“Dream of the Red Chamber” at the 2017 Hong Kong Arts Festival
Princess Jia’s request for poetry upon her visit to the Red Chamber is met by the impetuous Bao...
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Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
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“Ink” – Rupert Murdoch’s Tale of Success and Scandal, Now Playing at Almeida Theatre
The recent general election result proves that the power of the rightwing press has diminished...
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Review: Ensemble Studio Theatre 1-Act Marathon, Series B
Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...
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Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”
Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...
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The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”
In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...
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“Brodsky/Baryshnikov”: The Art of Poetic Memory
From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...
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Ponyboy Curtis’ “Vs” at Yard Theatre
Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...
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Review of Martyna Majok’s “Cost Of Living”
Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...
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“Anatomy of a Suicide” at The Royal Court Theatre
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
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“Punts” Brings Up Questions Of Disability, Sexual Consent, And Parental Control
London fringe theatre is underfunded and under-resourced, but it often produces work that is more...
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Сryout With Precisely Measured Silence
Theater Vinora shows Women’s Voices, performance with elements of storytelling, based on...
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“I, Wu Song”: A One-Man Cantonese Opera – Without Songs or Words
Anyone familiar with Chinese opera would recognise the role Kelvin Ng Kwok-wa is playing next....
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“Common:” Difficult To Follow And Nihilistic At The Wrong Time
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and...
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Erich Maria Remarque’s “Three Comrades” (“Drei Kameraden”) by the Sovremennik Theatre
This new tour of the Sovremennik Theatre in London also meant the premiere of Erich Maria...
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Defying “Romeo And Juliet” at The Shakespeare’s Globe
In “Romeo and Juliet” directed by Daniel Kramer, love, desire and violence are layered on top of each other, and with bold visuals and a daring interpretation, the classic releases its full power to examine violence and what can save us from it.
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A Portrait of Generation Rent in Hampstead Theatre’s “Deposit”
In this general election, the intergenerational conflict between youth and old age is never far...
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“Interrupted” at The 14th Factory – Immersive Multimedia Performance
Simply put, anyone who attended The 14th Factory’s afternoon of Interrupted on May 14th, an...
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