Interpreting The Epics
The Tenkutittu and Badagutittu traditional theatre styles of coastal Karnataka come alive. The...
Read MorePosted by Vikram Phukan | 20th Mar 2018 | Acting, Festivals, India, Review
The Tenkutittu and Badagutittu traditional theatre styles of coastal Karnataka come alive. The...
Read MorePosted by Julian Meyrick | 19th Mar 2018 | Adaptation, Australia, Festivals, Review
Arthur Danto, in his Analytic Philosophy of History, calls the common noun “scar” a...
Read MorePosted by Diwan Singh Bajeli | 19th Mar 2018 | Festivals, India, Review
Bharatmuni Rang Utsav saw some moving productions highlighting moral dilemmas and disturbing...
Read MorePosted by Julian Meyrick | 17th Mar 2018 | Australia, Review
Two plays about war, one utilizing children’s toys, the other blank verse. In many ways,...
Read MorePosted by Jane Baldwin | 15th Mar 2018 | Boston, Review, United States of America
The White Card, Claudia Rankine’s play on racism is having its world premiere at Boston’s...
Read MorePosted by Hilary Halba | 15th Mar 2018 | New Zealand, Review, Theatre and Politics
The newest theatre company to emerge from Dunedin, New Zealand’s funky, eclectic arts scene is...
Read MorePosted by Jamie Portman | 14th Mar 2018 | Canada, LGBTQ+ Theatre, Review, United States of America
Larry Kramer’s The Normal Heart is a play fueled by anger. Anger at the political, medical and...
Read MorePosted by Aleks Sierz | 13th Mar 2018 | Adaptation, London, Playwriting, Review, United Kingdom
Electra is the protagonist in two Ancient Greek tragedies, one by Sophocles and the other by...
Read MorePosted by Jonathan Kalb | 13th Mar 2018 | New York, Review, Theatre and Disability, United States of America
Lindsey Ferrentino has done a marvelous thing in conceiving a substantial and nuanced lead...
Read MorePosted by Corrie Tan | 13th Mar 2018 | Festivals, Immersive Theatre, Review, Singapore
If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...
Read MorePosted by Aleks Sierz | 12th Mar 2018 | London, Review, United Kingdom
Theatre is a business as well as a craft. In an age of austerity cuts, and at a time when most...
Read MorePosted by Sara Taylor | 10th Mar 2018 | Participatory Theatre, Poland, Review, Theatre and Disability, Theatre and Politics
Pesach or Passover is the most widely observed Jewish holiday and arguably the most joyful....
Read MorePosted by Massimo Malavasi | 10th Mar 2018 | Italy, Review, Theatre and Opera
Do you know what operetta is? Literally, it indicates a small opera, mostly in one act, with a...
Read MorePosted by Christopher Harris | 10th Mar 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
Terry Eagleton reminds us that in order for tragedy to occur, then the protagonist must be in...
Read MorePosted by James Montaño | 10th Mar 2018 | Boston, Review, United States of America
The legacy of rap in America is rich with rhymes and rhymers that challenge institutionalized...
Read MorePosted by Duška Radosavljević | 9th Mar 2018 | Adaptation, London, Musical Theatre, Review, Theatre and Politics, United Kingdom
The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...
Read MorePosted by Christine Deitner | 8th Mar 2018 | Adaptation, Los Angeles, Review
Los Angeles can be a tricky theatre city to pin down. Though we do have a theatre district it is...
Read MorePosted by Colin Hambrook | 8th Mar 2018 | Review, Theatre and Disability, United Kingdom
Conceived and directed by Rachel Bagshaw and written by Chris Thorpe, The Shape of the...
Read MorePosted by Aleks Sierz | 7th Mar 2018 | London, Review, United Kingdom
Whatever the weather, this week is Frozen. On Broadway, the Disney musical of that name begins...
Read MorePosted by Jonathan Kalb | 7th Mar 2018 | New York, Review, Theatre and Politics, United States of America
New Yorkers have split into factions on Martin McDonagh since his plays first showed up here two...
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