“An Inspector Calls”: Blasting Open the Drawing Room
J. B. Priestley’s most famous play An Inspector Calls has had quite an interesting life. Written...
Read MorePosted by Aida Rocci | 19th Nov 2016 | London, Review, United Kingdom
J. B. Priestley’s most famous play An Inspector Calls has had quite an interesting life. Written...
Read MorePosted by Julia Secklehner | 18th Nov 2016 | Bulgaria, Review
“Close your eyes, we are traveling to Sofia now,” we’re told as we stand outside GRAD,...
Read MorePosted by Matthew Burgess | 14th Nov 2016 | London, Review, Theatre and Dance, United Kingdom
The Royal Opera House’s production of the real-life mystery of Anastasia comes to a close today....
Read MorePosted by James Butterwick | 13th Nov 2016 | Review, Russia, Theatre and Opera
Olfactory perception – Shostakovich conkers? Whilst I am in the moron category regarding love of...
Read MorePosted by Carrie Mannino | 12th Nov 2016 | Review, Theatre and Politics, United States of America
Analogy/Dora: Tramontane, Oct. 20-21, 2016, August Wilson Center, Pittsburgh Sixty years after the...
Read MorePosted by John Smythe | 7th Nov 2016 | Devised Theatre, New Zealand, Review
Adapted by The Playground Collective From the graphic novel by Nick Hayes Based on the epic poem...
Read MorePosted by Jonathan Kalb | 6th Nov 2016 | New York, Poland, Polish Theatre Abroad, Review, United States of America
It’s hard to think of a play more diabolically suited to the era of reality TV, vanished privacy...
Read MorePosted by Kee-Yoon Nahm | 2nd Nov 2016 | Germany, Review, South Korea, Theatre and Politics, Transcultural Collaborations
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
Read MorePosted by John Smythe | 1st Nov 2016 | New Zealand, Review, Theatre and Politics
Unnervingly astute political satire When The President opened in Hamilton then Palmerston North...
Read MorePosted by Diwan Singh Bajeli | 31st Oct 2016 | India, Review
Recipient of this year’s Sangeet Natak Akademi’s Award for theatre, director Mushtaq Kak’s...
Read MorePosted by Mary Barnard | 31st Oct 2016 | Peru, Review, Theatre and Politics
Cusco’s Grupo Impulso de Teatro remembers twenty years of political violence in Peru with ‘De pie sobre el espejo’ (2005).
Read MorePosted by Jessica Rizzo | 28th Oct 2016 | Adaptation, New York, Review, Theatre and Gender, United States of America
The Maids, September 29-October 23, The INTAR Theatre, New York City Invoking the...
Read MorePosted by The Theatre Times | 27th Oct 2016 | India, Review, Theatre and Gender
Kimartham Draupathy, Aswathy Vijayan’s Sanskrit play, is about predicaments that women face even...
Read MorePosted by Rachel E. Diken | 26th Oct 2016 | Review, Theatre and Politics, United States of America
The Paper Mill Playhouse’s revival of Broadway hit The Producers received the 2016 Regional...
Read MorePosted by Margarita Vargas | 24th Oct 2016 | Mexico, Review
Los minutos se vierten (Minutes Flow), an experimental theater/dance piece, is showing at Teatro...
Read MorePosted by Sarah Balkin | 22nd Oct 2016 | Canada, Directing, Review
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
Read MorePosted by Paula Erizanu | 20th Oct 2016 | Czech Republic, Review, Theatre and Politics, Translation
The play Poker Face by acclaimed Czech playwright Petr Kolečko–in Eva Daníčková’s translation and...
Read MorePosted by David O'Donnell | 20th Oct 2016 | New Zealand, Review
Environmental and economic concerns are at the heart of New Zealand playwright Dave Armstrong’s...
Read MorePosted by Nahed Nasr | 16th Oct 2016 | Directing, Iraq, Review, Sweden, Theatre and Politics
Pillars of Blood is a performance focusing on memories of the Iraqi crisis as captured by Anmar...
Read MoreKyoto Experiment, or the Kyoto International Performing Arts Festival, will be held for the...
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