Review Archives - Page 115 of 142

Flock Theatre Presents “Long Day’s Journey Into Night” In The Monte Cristo Cottage

Posted by L. A. Flammang | 5th Feb 2018 | Dramaturgy, Review, United States of America

On the first night of rehearsal in the Monte Cristo Cottage in New London, CT, Flock Theatre...

“The Neighbor’s Grief is Greener”: A Dark Domesticity

Posted by Ezekiel Oliveira | 4th Feb 2018 | Israel, Review, Singapore, Theatre and Dance, Theatre and Gender

A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...

“My Mum’s A Twat” at The Royal Court

Posted by Aleks Sierz | 3rd Feb 2018 | London, Review, United Kingdom

What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...

“Iyov” Premieres At The Prototype Festival

Posted by Kendra Augustin | 3rd Feb 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, United States of America

When a show begins I find it difficult for me to be present. Almost, as if, I’m like...

“What A Young Wife Ought To Know”: Birth Control Docudrama

Posted by Maja Stefanovska | 2nd Feb 2018 | Canada, Review, Theatre and Gender

Hannah Moscovitch’s play What A Young Wife Ought To Know, which is based on a compilation of...

“The Grift”: Theatre or Escape Room?

Posted by Aida Rocci | 1st Feb 2018 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom

Theatre as a concept is related to the idea of “play.” After all, scripts are plays...

“The Birthday Party” – Revival at Harold Pinter Theatre

Posted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom

Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...

“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes

Posted by Michele Rolim | 31st Jan 2018 | Brazil, Festivals, Review, Theatre and Dance, Theatre and Gender

The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...

“Rita, Sue And Bob Too” at The Royal Court: The Revival for #MeToo Era

Posted by Aleks Sierz | 30th Jan 2018 | London, Review, Theatre and Gender, United Kingdom

Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...

“A Crash Course In Cloudspotting (The Subversive Act Of Horizontality)”: Bringing Awareness Through Art

Posted by Colin Hambrook | 30th Jan 2018 | Review, Theatre and Disability, United Kingdom

What does it take to become a cloudspotter? It may sound a romantic idea, but is a term used by...

“The Pursuit Of Happiness” At Under The Radar Festival

Posted by Jack Wernick | 29th Jan 2018 | New York, Review, Theatre and Dance, United States of America

New York-based experimental troupe Nature Theater of Oklahoma (NTO) teams up with Slovenia’s...

Robert O’Hara’s “Mankind”: Desperately Trying to Get in Trouble

Posted by Jonathan Kalb | 29th Jan 2018 | New York, Playwriting, Review, United States of America

I want the experience for the audience to be a sort of speeding train that gets completely and...

“Ada/Ava”: Silent Film In The 21st Century

Posted by Jane Baldwin | 28th Jan 2018 | Boston, Puppetry, Review, Theatre and Film

ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...

“887”: A Shared Collective History About the Nature of Memory Itself

Posted by Laurie Fyffe | 28th Jan 2018 | Canada, Playwriting, Review

Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...

OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?

Posted by Natasha Lomonossoff | 28th Jan 2018 | Canada, Directing, Review

The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...

The “Very Last Wedding” At The Divine Comedy Festival

Posted by Lauren Dubowski | 27th Jan 2018 | Divine Comedy Festival 2017, Festivals, Playwriting, Poland, Review

Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...

A Stark, Beautiful “Uncle Vanya” from the Vakhtangov Theatre and Stage Russia HD

Posted by Jessica Hinds-Bond | 27th Jan 2018 | Review, Russia, Russian Theatre Abroad

Amid the deep velvety gloom that submerges the entire upstage in Rimas Tuminas’s Uncle Vanya, the...

“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms

Posted by T. Saravanan | 27th Jan 2018 | India, Review, Theatre and Politics

S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...

Actor Sello Maake kaNcube’s Can Themba Speaks His Truth In Mahala’s “The House Of Truth”

Posted by Diane de Beer | 26th Jan 2018 | Review, South Africa, Theatre and Politics

It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...

Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 2

Posted by Kee-Yoon Nahm | 26th Jan 2018 | Review, South Korea, Theatre and Politics

This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...

Review

Flock Theatre Presents “Long Day’s Journey Into Night” In The Monte Cristo Cottage

“The Neighbor’s Grief is Greener”: A Dark Domesticity

“My Mum’s A Twat” at The Royal Court

“Iyov” Premieres At The Prototype Festival

“What A Young Wife Ought To Know”: Birth Control Docudrama

“The Grift”: Theatre or Escape Room?

“The Birthday Party” – Revival at Harold Pinter Theatre

“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes

“Rita, Sue And Bob Too” at The Royal Court: The Revival for #MeToo Era

“A Crash Course In Cloudspotting (The Subversive Act Of Horizontality)”: Bringing Awareness Through Art

“The Pursuit Of Happiness” At Under The Radar Festival

Robert O’Hara’s “Mankind”: Desperately Trying to Get in Trouble

“Ada/Ava”: Silent Film In The 21st Century

“887”: A Shared Collective History About the Nature of Memory Itself

OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?

The “Very Last Wedding” At The Divine Comedy Festival

A Stark, Beautiful “Uncle Vanya” from the Vakhtangov Theatre and Stage Russia HD

“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms

Actor Sello Maake kaNcube’s Can Themba Speaks His Truth In Mahala’s “The House Of Truth”

Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 2

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