“(Dis)Individuation: (Dis)Concert for Bernard Stiegler” at The Carlos Alberto Theatre
On March 10, 2016, in the Carlos Alberto Theatre (Experimental Theatre of the National Theatre of...
Read MorePosted by José Eduardo Silva | 5th Sep 2016 | Portugal, Review
On March 10, 2016, in the Carlos Alberto Theatre (Experimental Theatre of the National Theatre of...
Read MorePosted by Vanessa Tomlinson | 5th Sep 2016 | Australia, Review
David Berthold’s 2016 Brisbane Festival aims to connect artists and audiences in ways that disrupt...
Read MorePosted by Ketaki Datta | 31st Aug 2016 | Adaptation, India, Review
Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...
Read MorePosted by Divya Shekhar | 26th Aug 2016 | Adaptation, Review, Transcultural Collaborations
In the early 1900s in Paris, a farcical play by Georges Feydeau called A Flea In Her Ear went on...
Read MorePosted by Margarita Vargas | 25th Aug 2016 | Mexico, Review
En las montañas azules (In the Blue Mountains) Showing at the Foro Shakespeare in Mexico from June...
Read MorePosted by Ketaki Datta | 24th Aug 2016 | India, Review
The Merchant of Venice is a play by Shakespeare, one with which even a school-going child is...
Read MorePosted by Marjan Moosavi | 24th Aug 2016 | Iran, Review, Theatre and Politics
A Moment of Silence written and directed by award-winning Iranian artist Mohammad Yaghoubi was...
Read MorePosted by Margarita Vargas | 23rd Aug 2016 | Mexico, Review
Remedios for Leonora, by Estela Leñero, is showing at the Círculo Teatral in Condesa. México, from...
Read MorePosted by Nobuko Tanaka | 23rd Aug 2016 | Interview, Japan, Review, Theatre and Opera
Since studying visual arts and sculpture before taking up ballet at the age of 20 in 1973, Saburo...
Read MorePosted by Huw Griffiths | 22nd Aug 2016 | Australia, Review, Sydney, Theatre and Age
Our experience of plays is always profoundly affected by how they end: comedy or tragedy, death or...
Read MorePosted by Jessica Rizzo | 22nd Aug 2016 | New York, Review, Theatre and Gender, United States of America
Unicorn Gratitude Mystery, July 31-August 21, The Laurie Beechman Theatre, New York City The...
Read MorePosted by Sir Anril Pineda Tiatco | 21st Aug 2016 | Philippines, Review
REVELATIONS – the theme of Dulaang Unibersidad ng Pilipinas’ 41st season is brought to life...
Read MorePosted by Paula Erizanu | 20th Aug 2016 | Review, Ukraine
“Laaaadies and gentlemen,” a TV host’s animated voice says out of speakers in the semi-dark, “it’s...
Read MorePosted by Iga Szczodrowska | 19th Aug 2016 | Review, Ukraine
“A Rare Chance Of Grasping A Genuine Perspective About The Conflict In Ukraine”...
Read MorePosted by Alinah Kelo Segobye | 15th Aug 2016 | Musical Theatre, Review, South Africa, Theatre and Politics
I had the opportunity to watch a performance of Billy Elliot – The Musical in Bradford, UK...
Read MorePosted by Alexandra Crosby | 15th Aug 2016 | Australia, Melbourne, Participatory Theatre, Review
As the ethics of punishment are debated in mainstream media, statistics, images and unanswerable...
Read MorePosted by Nesma Youssef Idris | 10th Aug 2016 | Egypt, Review, Theatre and Dance
The Egyptian Tanoura Folkloric Dance The Tanoura dance or spectacle is a mystic, Sufi, folkloric...
Read MorePosted by Mara Valderrama | 10th Aug 2016 | Review, Spain
The Economist’s cultural and literary blog Prospero, recently published an interesting article on...
Read MorePosted by David McInnis | 5th Aug 2016 | Australia, Review
While the rest of the world is marking the 400th anniversary of William Shakespeare’s death,...
Read MorePosted by The Theatre Times | 2nd Aug 2016 | LGBTQ Theatre, Review, United Kingdom
Caryl Churchill’s new 10-minute play, Pigs and Dogs, just opened at the Royal Court Theatre, under...
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