“Siena” By La Veronal: Self Contemplation, Imagined Self-Destruction, And A Terrifying Sense Of The Human Body!
European performance is slipping through boundaries, transforming relationships between film,...
Read MorePosted by Alvina Ruprecht | 22nd Feb 2018 | Review, Spain, Theatre and Dance
European performance is slipping through boundaries, transforming relationships between film,...
Read MorePosted by Jonathan Kalb | 21st Feb 2018 | Germany, Review, Theatre and Politics
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
Read MorePosted by Christine Deitner | 21st Feb 2018 | Los Angeles, Review, United States of America
From the moment the play begins, it doesn’t take long for anyone to understand why playwright...
Read MorePosted by Trevor Boffone | 20th Feb 2018 | Review, Theatre and Gender, United States of America
In a city that still has a relatively conservative theatre community such as Houston, seeing ten...
Read MorePosted by Elaine Chiew | 19th Feb 2018 | Review, South Korea, Theatre and Opera
Euripides’ play Trojan Women has been adapted and performed numerous times around the world, from...
Read MorePosted by Alvina Ruprecht | 18th Feb 2018 | Canada, Review, Theatre and Dance
The National Ballet of Canada’s staging of John Neumeier’s Nijinsky, the artist who, by his...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Felipe Cervera | 18th Feb 2018 | Review, South Africa, Theatre and Politics
It is as if Mozart were able to capture what death sounds like, in those moments when people run...
Read MorePosted by Davide Cioffrese | 17th Feb 2018 | Germany, Review, Switzerland
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
Read MorePosted by KaiChieh Tu | 16th Feb 2018 | Divine Comedy Festival 2017, Festivals, Poland, Review
It is almost impossible to describe the experience of seeing the work of the legendary Polish...
Read MorePosted by Jessica Rizzo | 15th Feb 2018 | New York, Review, United States of America
Best known in the US for the stunning exemplars of the German Regietheater tradition he regularly...
Read MorePosted by Christopher Harris | 15th Feb 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
Read MorePosted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
Read MorePosted by Letizia Fusini | 14th Feb 2018 | Adaptation, China, Review, Theatre and Opera
Conceived in 2016 in Guangzhou and previously performed in Beijing and St. Petersburg, the...
Read MorePosted by Richard Chung | 14th Feb 2018 | Playwriting, Review, Singapore
Jo Tan’s playwriting debut offers a simple yet familiar story of one Singaporean girl with big...
Read MorePosted by Patricia Tobin | 13th Feb 2018 | Immersive Theatre, Review, Singapore, Transmedia
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
Read MorePosted by Aleks Sierz | 12th Feb 2018 | London, Playwriting, Review, United Kingdom
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
Read MorePosted by Katrina Holden-Buckley | 11th Feb 2018 | Boston, LGBTQ+ Theatre, Review, Theatre and Opera
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
Read MorePosted by Lauren Dubowski | 11th Feb 2018 | Devised Theatre, Divine Comedy Festival 2017, Festivals, Poland, Review
The Polish production To The Depths or To The Bottom (Do Dna), which appeared at the 2017 Divine...
Read MorePosted by Vikram Phukan | 10th Feb 2018 | Festivals, India, Review
Even when catapulted into public discourse in inglorious fashion, a la Aziz Ansari, our...
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