Nijinsky At The NAC: A Truly Cathartic Encounter Between The Dancer And His Creations
The National Ballet of Canada’s staging of John Neumeier’s Nijinsky, the artist who, by his...
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Review
Men, The Internet, and Politics: “The Believers Are But Brothers” at The Bush Theatre
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
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“And So You See…”: The Irrational Is In The Eye Of The Beholder
It is as if Mozart were able to capture what death sounds like, in those moments when people run...
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Legacy Of Life: Rimini Protokoll’s “Nachlass: Pièces Sans Personnes”
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
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Krystian Lupa’s “The Trial” At Divine Comedy Festival 2017
It is almost impossible to describe the experience of seeing the work of the legendary Polish...
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Sadocapitalism From Berlin: Thomas Ostermeier’s “Returning To Reims”
Best known in the US for the stunning exemplars of the German Regietheater tradition he regularly...
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“I Feel As If I’m Loosing My Leaves:” Translatability Of Theme Through Language In Theatr Genedlaethol Cymru’s Production Of Florian Zeller’s “Y Tad”
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
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“Privacy:” The Impact Of The Digital Revolution On Private Life
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
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Reinterpreting The Tradition: A Contemporary Retelling Of Tang Xianzu’s “The Handan Dream” By The Guangzhou Dramatic Arts Centre
Conceived in 2016 in Guangzhou and previously performed in Beijing and St. Petersburg, the...
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“Forked” Privilege Gets Served
Jo Tan’s playwriting debut offers a simple yet familiar story of one Singaporean girl with big...
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Looking Within With “Attempts: Singapore”
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
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“Imaginationship” at The Finborough Theatre Explores a Divided Nation
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
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“As One” – A New Biographical Opera About Transgender Experience Premiers in Boston
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
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“To The Depths,” Together: A Show In Folk Songs With A Story
The Polish production To The Depths or To The Bottom (Do Dna), which appeared at the 2017 Divine...
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The Complexities of Consent
Even when catapulted into public discourse in inglorious fashion, a la Aziz Ansari, our...
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Satoshi Miyagi Returns To The Japan Society With “Mugen Noh Othello”
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
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“Hymn To Love” At Divine Comedy Festival 2017
The chorus, as Nietzsche states in The Birth Of Tragedy, “can only be understood as the cause of...
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lan Ayckbourn’s “The Divide” at The Old Vic
Playwright Alan Ayckbourn basically comes in two flavors: suburban comedies of embarrassment and...
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Movie Star-Crossed: Adrienne Kennedy’s “He Brought Her Heart Back in a Box”
The explosively feminine theater of Adrienne Kennedy breaks many of the fundamental “rules” of...
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“The Rage” at Divine Comedy Festival 2017
Divine Comedy Festival 2017 situates itself awkwardly around the peaceful Christmas Market in the...
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