Intercultural Exchanges In “Chi Udaka” At Sydney Festival
There is speculation that the taiko drum was first used by soldiers in battle. At its best, Chi...
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Review
Cocteau’s “La Voix Humaine” Telephone Melodrama
An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the...
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Review: “Super Discount” By Back To Back Theatre
Super Discount – currently playing at Melbourne’s Malthouse Theatre – is the latest work by...
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Tchaikovsky’s “Nutcracker” Cutting Edge On London Ice
Anglo-Russian dance sensation marries ice-skating and theater in their production of Nutcracker on...
Read More“Black Monk” Talks In Tongues
Of all the theatrical languages that coexist in Moscow, director Kama Ginkas is an intonation unto himself. You can hear it in his actors’ speech. “They often speak not as they do in life or even on stage for another...
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Japan’s Kera Meets Chekhov
“I have rarely seen a great production of any Chekhov play in Japan. Sometimes, I’ve even wanted...
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Play By Soviet Writer Gorky Shines On London Stage
A play in which the privileged are out of touch and the poor are getting poorer is all too apt in...
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“The Curious Incident of the Dog in the Night-Time” at Apollo Theatre
Science is an area of perennial fascination for the theatre. In the past, plays as various as Tom...
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Chekhov’s Famous Play “Uncle Vanya” Staged In London
A traditional version of Anton Chekhov’s play gets West End glamor and charm but lacks conviction....
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London’s Youngest Playwright Re-Animates “The Seagull” In Southwark
Chekhov’s timeless exploration of youth, aging, and the desire for fame sprouts fresh wings in an...
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Escape From Circus: Review Of Mabou Mines’ “Dollhouse”
During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve always...
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Updated “Three Sisters” Opens At London’s Young Vic
Dark comedy and psychological breakdown are never far from the surface in Benedict Andrews’ bleak...
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The 16th Shakespeare Festival in Gdańsk
This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...
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Baryshnikov And Krymov Collaborate For The Ages
For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...
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Artur Żmijewski’s “The White Mass” – On Church and Theatre
Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...
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The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”
Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...
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Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre
“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...
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But Why Are They Indispensable?
In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...
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The End Of The Line: Krystian Lupa’s “Waiting Room.o”
What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...
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If You Were To Do Tadeusz Różewicz’s “The Card Index”…
The National Audiovisual Institute released a new DVD publishing with The Card Index directed by...
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